Regan reflects on her years at National Geographic and Warner Bros. Discovery, her transition into entrepreneurship, and the launch of My Great Pivot, a podcast from The Female Founders Project featuring women who have left stability to build something new. The conversation explores storytelling, journalism, trust, audience-building, monetization, cultural communication, messy-middle entrepreneurship, and the difference between telling stories for a mass audience and building a niche platform that can survive.

At its center, this episode is about the founder as storyteller: the person who must create the story, the audience, the business model, and the trust structure at the same time.

GUEST BIO

Carrie Regan is a media strategist, producer, podcast host, and cross-cultural consultant with more than 25 years of experience developing global media content. She spent more than a decade at National Geographic Television and later worked across global production and collaboration contexts, including Warner Bros. Discovery. She now runs her own consulting work through Globally Minded and Global Content Strategies and hosts My Great Pivot, a podcast from The Female Founders Project featuring candid interviews with women who have reinvented themselves as founders and entrepreneurs. Her work sits at the intersection of legacy media production, entrepreneurial storytelling, cultural communication, audience trust, and founder-led media.

https://www.carrieregan.com/

FOR MORE INFORMATION, SHOW NOTES & DISCLOSURES

Ethics & Transparency - This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision.

Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:

https://bleepbleepproductions.start.page

Profile image provided by: Carrie Regan

The episode opens with a provocation: “The golden age of journalism is over and there’s no hope… This is nonsense.” For Miller, journalism is not dying simply because legacy newsrooms in wealthy countries are shrinking. The larger picture is more complex. More people are literate than ever before, more people are seeking information across the world, and journalism continues to emerge through local reporting, independent media, foundation-supported investigations, peace journalism, social movements, and collective forms of public witnessing.

At its center, this episode is about witness: not only seeing and reporting, but remembering the labor behind media, the languages that shape stories, the planetary costs of digital production, and the communities that remain outside the screen. Miller calls for more gumshoe journalism, more language learning, more history, more sociology, more anthropology, and more journalism that reaches beyond the “online as the only truth.”

GUEST BIO

Dr. Toby Miller is an interdisciplinary social scientist, media theorist, author, and podcaster whose work spans cultural studies, journalism, political economy, environmental media studies, labor, sport, and global cultural production. As stated in the episode recording, he is Distinguished Professor in Media and Cultural Studies at Tecnológico de Monterrey and Professor Emeritus at the University of California, Riverside. He is the author and editor of more than 50 books, including Why Journalism? A Polemic and How Green Is Your Smartphone?, and his newest co-authored book with Joan Pedro Carañana is Global Sports Go Green—Or Do They? Miller is also the creator and host of the long-running culturalstudies podcast, a noncommercial, long-form interview archive that has published more than 940 episodes and currently surfaces over 187,000 downloads on Podbean.

https://www.tobymiller.org/

FOR MORE INFORMATION, SHOW NOTES & DISCLOSURES

Ethics & Transparency
This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:
https://bleepbleepproductions.start.page

Profile image provided by: Toby Miller

Media in the Margins is a public-facing journalism and artistic research project about creator journalism, independent media, platform power, and public trust. We approach journalism as an evolving process rather than a finished product, and we treat knowledge-making as something developed through dialogue, transparency, and revision.

Media in the Margins is a video podcast about the future of journalism, creator-led reporting, platform power, public trust, and the independent media workers building new forms of accountability outside traditional institutions.

Hosted by Becky Beamer, an Associate Professor of Photojournalism at OsloMet University and documentary filmmaker, the series brings together journalists, researchers, creators, and media innovators who are reshaping how public knowledge is produced, distributed, questioned, and trusted.

This first launch week celebrates World Press Freedom Week 2026, with five conversations exploring creator journalism, platform-native storytelling, investigative independence, media infrastructure, and primary-source documentation. After the first five episodes, new episodes will be released every Friday, with bonus and mini-episodes from Zambia connected to World Press Freedom Day and the cancellation of RightsCon 2026.

Subscribe to support independent, ethical, evidence-driven journalism.

https://bleepbleepproductions.start.page

Ford describes his work not as “neutral,” but as primary source documentation: raw videography and livestreaming that records events as they happen, without shaping the footage around his personal position. His work is about preserving evidence, context, and public memory.

The conversation explores how raw footage moves through the media ecosystem from livestreams and YouTube uploads to licensing by news outlets and documentary films. Ford also discusses demonetization, platform moderation failures, algorithmic misunderstanding of context, and the challenge of documenting political conflict in an attention economy that rewards personality over evidence.

Guest Bio

Ford Fischer is an independent journalist, filmmaker, and co-founder/editor-in-chief of News2Share. Since 2014, he has specialized in primary-source video documentation of political activism, protest, civil unrest, and public conflict. His work is widely used by newsrooms, documentary filmmakers, and public-interest media. News2Share publishes raw video journalism and field documentation, and its official site lists Ford Fischer as a regular author and producer.

Key Themes

Primary-source documentary journalism
Raw footage as public evidence
Livestreaming and verification
Platform demonetization and context collapse
The difference between neutrality and taking no position
Independent field journalism and risk

Links

News2Share: https://news2share.com/
News2Share YouTube: https://www.youtube.com/channel/UCbBm6SZ235HFxwVKC7Po5IA
Ford Fischer / News2Share profile and work: https://news2share.com/author/fordfischer/

Ethics & Transparency
This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:
https://bleepbleepproductions.start.page

Liz brings nearly 30 years of journalism experience, including leadership roles at AOL, The Washington Post, USA Today, Gannett, and Vox. In this conversation, she traces how talented journalists began leaving legacy institutions to build newsletters, YouTube channels, podcasts, and platform-native ventures not because journalism was dying, but because distribution, autonomy, and audience relationships were changing.

The episode focuses on the infrastructure gap: funding, business models, platform dependency, credibility standards, creator support systems, IP ownership, AI transparency, and the need for funders and institutions to recognize creator journalists as part of the future of public-interest media. Liz defines independent creator journalism as acts of journalism distributed across platforms like TikTok, YouTube, Substack, Beehiiv, Twitch, Reddit, and others, outside the umbrella of legacy news brands.

Guest Bio

Liz Kelly Nelson is a journalist, educator, media strategist, founder of Project C, and co-founder of The Independent Journalism Atlas. Her work focuses on building sustainable infrastructure for independent, creator-led journalism. Project C describes itself as a research hub, community, and strategic home for journalists building audience-driven media ventures outside traditional institutions. The Independent Journalism Atlas identifies Nelson as co-founder and founder of Project C, with experience leading teams at Vox, USA Today, Gannett, and AOL.

Key Themes

Creator journalism as infrastructure
The business model problem
Why funders are interested but risk-averse
The Independent Journalism Atlas
Sustainability, standards, and credibility
AI use, disclosure, and audience trust

Links

Project C: https://projectc.biz/
The Independent Journalism Atlas: https://journalismatlas.com/
Project C Newsletter: https://newsletter.projectc.biz/

Ethics & Transparency
This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:
https://bleepbleepproductions.start.page

This episode asks: What does independent investigative journalism look like when it is built outside legacy institutions — and when the government pushes back?

Ben discusses the lawsuit brought against him by the City of Los Angeles after he pursued public records connected to LAPD officer photographs. He explains why access to public records matters, how independent journalists can face institutional pressure, and why his outlet Inadvertent draws from the muckraking tradition.

The conversation also explores collaboration among independent journalists, documentary work, surveillance reporting, and the importance of trusting one’s judgment when working outside traditional newsroom structures.

Guest Bio

Ben Camacho is a multi-award-winning investigative journalist, documentary photographer, and producer. His reporting focuses on state violence, public records, policing, and communities affected by state power. He founded Inadvertent, an independent investigative outlet; co-founded West Side Storytellers, an independent documentary production team; co-founded The Southlander; and has chaired the legal committee of the IWW Freelance Journalists Union. Public bios also identify him as the founder of Inadvertent and co-founder of West Side Storytellers.

Key Themes

Independent investigative reporting
Public records and police transparency
Muckraking as a living journalistic tradition
Government pressure on local reporters
Collaboration among independent journalists
Documentary photography and written investigation

Links

Ben Camacho — official site: https://bencamacho.com/
Inadvertent: https://www.inadvertent.news/
West Side Storytellers: https://westsidestorytellers.com/
Instagram: https://www.instagram.com/bencamach0/

IWW Freelance Journalists Union: https://freelancejournalistsunion.org

Ethics & Transparency
This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:
https://bleepbleepproductions.start.page

V explains how creator journalism mirrors traditional media with reporters, commentators, specialists, explainers, and public voices but removes the old gatekeeping structure. Instead of relying on a masthead to carry authority, independent journalists must build trust through storytelling, transparency, consistency, and direct accountability to audiences.

The conversation moves from platform-native news to ethics, mentorship, transparency statements, public values, and what it means to “perform the news” without turning journalism into empty performance. V also discusses why publishing ethics, funding information, mission statements, and red lines are not optional extras for creator journalists — they are part of becoming trustworthy.

Guest Bio

V Spehar is an award-winning digital journalist, podcaster, and creator of Under the Desk News, a platform-native news project known for making current events more accessible, emotionally aware, and human. V has built a following of more than 4.7 million and has appeared across legacy outlets including CNN, NPR, and PBS. Their official site describes Under the Desk News as a project that makes news more human and accessible.

They go live daily, Mon-Thurs from 10-11:30am ET. Additionally, if you could link their Substack, that would be amazing!

Please find the links to each below:

• https://www.youtube.com/channel/UC4e3Gm46D6hWqVyjwkgS33g 
• https://underthedesknews.substack.com/ 

Key Themes

Platform-native journalism
Peer-to-peer authority rather than institutional authority
Why young audiences distrust traditional news formats
Transparency statements and public ethics
News as performance and its risks
Creator journalism as an ecosystem, not a single category

Links

Under the Desk News: https://underthedesknews.com/
V Spehar / Under the Desk News Substack: https://underthedesknews.substack.com/
Instagram: https://www.instagram.com/underthedesknews/
YouTube: https://www.youtube.com/@underthedesknews

Ethics & Transparency
This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:
https://bleepbleepproductions.start.page

This conversation asks a deceptively simple question: Can journalists learn from influencers without losing journalistic integrity?

Salla-Rosa discusses how journalism is changing on social media, what it takes to reach audiences who are not engaging with traditional news outlets, and why credible public-interest media cannot afford to abandon the platforms where people spend much of their daily lives. The episode also explores language barriers, AI translation, platform censorship, ethical self-regulation, and the need for trustworthy journalism to become more visible, accessible, and human online.

Salla-Rosa’s work includes the 2022 Polis / LSE report “Can Journalists Be Influencers?”, which examines how journalists can adapt influencer-style communication to reach hard-to-reach audiences while maintaining independence and authority. Her public profile also notes her work with Yle Kioski and her focus on social media storytelling for young and hard-to-reach audiences.

Key Themes

Trust on social platforms
Journalists as public-facing personalities
Influencer methods without influencer ethics drift
AI translation and language barriers
Why credible journalism must be present where audiences already are
Platform censorship and the limits of big-tech distribution

Links

Salla-Rosa Gröhn — personal site: https://www.sallarosa.com/about
Reuters Institute profile: https://reutersinstitute.politics.ox.ac.uk/people/salla-rosa-grohn
LSE report — Can Journalists Be Influencers?: https://blogsmedia.lse.ac.uk/blogs.dir/19/files/2022/06/22_0295-POLIS-Report-Journo-Influencers-V4.pdf

Ethics & Transparency
This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes:
https://bleepbleepproductions.start.page

Crafting the Frame is a video podcast about how culture manufactures meaning in the Artworld, Media, and Education. The throughline is simple: seeing isn’t believing — belief is designed.

In season 1, we position the investigation inside the art world: where it’s headed and how to appreciate work across genres. It is an ever-evolving conversation. We want to hear from you: feedback, corrections, new perspectives, or ideas.

Co-hosts artists-scholars David W. Nees and Becky Beamer.

Show notes and more information : https://bleepbleepproductions.start.page