<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:psc="http://podlove.org/simple-chapters" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><title><![CDATA[Exhibitionistas: Notes on Art]]></title><description><![CDATA[<p>Your art wonderment podcast.</p><p></p><p>By art writer and visual arts curator Joana P. R. Neves. Your host takes you on journeys through London exhibitions, forgotten theories, rediscovered texts, and generous guests—be it art experts with an edge or curious non-art experts with spiky questions. Expect varied segments, including the short recurring feature Art Etiquette. Send your questions, and if you have an etiquette suggestion for Joana to explore, she'd love to hear it.</p><p>Check out Joana's writing <a rel="noopener noreferrer nofollow" href="https://joanaprneves.substack.com" target="_blank">on her Substack, Art Thinkosaurus</a>.</p>]]></description><link>https://joanaprneves.substack.com/s/exhibitionistas</link><generator>Riverside.fm (https://riverside.com)</generator><lastBuildDate>Thu, 09 Apr 2026 16:56:45 GMT</lastBuildDate><atom:link href="https://api.riverside.fm/hosting/v13h1pUv.rss" rel="self" type="application/rss+xml"/><author><![CDATA[Joana P. R. Neves, art curator and writer]]></author><pubDate>Thu, 02 Apr 2026 17:06:03 GMT</pubDate><copyright><![CDATA[2026 Joana P. R. Neves, art curator and writer]]></copyright><language><![CDATA[en]]></language><ttl>60</ttl><category><![CDATA[Books]]></category><category><![CDATA[Visual Arts]]></category><itunes:author>Joana P. R. Neves, art curator and writer</itunes:author><itunes:summary>&lt;p&gt;Your art wonderment podcast.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;By art writer and visual arts curator Joana P. R. Neves. Your host takes you on journeys through London exhibitions, forgotten theories, rediscovered texts, and generous guests—be it art experts with an edge or curious non-art experts with spiky questions. Expect varied segments, including the short recurring feature Art Etiquette. Send your questions, and if you have an etiquette suggestion for Joana to explore, she&apos;d love to hear it.&lt;/p&gt;&lt;p&gt;Check out Joana&apos;s writing &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://joanaprneves.substack.com&quot; target=&quot;_blank&quot;&gt;on her Substack, Art Thinkosaurus&lt;/a&gt;.&lt;/p&gt;</itunes:summary><itunes:type>episodic</itunes:type><itunes:owner><itunes:name>Joana P. R. Neves, art curator and writer</itunes:name><itunes:email>4y4jvbgv6w@privaterelay.appleid.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Arts"><itunes:category text="Books"/><itunes:category text="Visual Arts"/></itunes:category><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/logos/f2bb90e2-6284-45fe-85ba-ee3822176a9b.png"/><item><title><![CDATA[Creative Flow with Virginia Woolf - Special Episode]]></title><description><![CDATA[<p>Your host, writer and curator Joana P. R. Neves, challenges you to explore the mystery of a missing paragraph in Virginia Woolf's 'The Mark on the Wall', and its significance for creative pursuits. You're about to dwell on the flow of consciousness as creative flow – the art of mastering and letting go simultaneously.</p><p></p><p>How do we create? How to we get to that special place where we're in control while accepting the randomness of the reactive materials we work with? And what does that say about life?</p><p></p><p>Links, as promised:</p><p></p><p>Explorations of Sex and Self (reference to the Angel in the House): <a rel="noopener noreferrer nofollow" href="https://joanaprneves.substack.com/p/explorations-of-sex-and-self" target="_blank">https://joanaprneves.substack.com/p/explorations-of-sex-and-self</a></p><p></p><p>About being drawn to "minor works": <a rel="noopener noreferrer nofollow" href="https://joanaprneves.substack.com/p/when-art-says-the-unspeakable" target="_blank">https://joanaprneves.substack.com/p/when-art-says-the-unspeakable</a></p><p></p><p>Subscribe to the free newsletter (and become a paid member if you can): <a rel="noopener noreferrer nofollow" href="https://joanaprneves.substack.com/subscribe" target="_blank">https://joanaprneves.substack.com/subscribe</a></p><p></p><p>Buy us a book, support our researches: <a rel="noopener noreferrer nofollow" href="https://buymeacoffee.com/exhibitionista" target="_blank">https://buymeacoffee.com/exhibitionista</a></p><p></p><p><b>We're fine-tuning the show in the background, so we're on a hiatus of sorts–but episodes will drop every two weeks, now on Mondays. We've clarified our purpose: we're now Exhibitionistas - Notes on Art, which feels good and more in tune with our vibe.</b></p><p></p><p>Takeaways</p><ul><li>Textual discrepancies in literary works can reveal insights into the author's creative process.</li><li>Favorite texts can deeply influence creativity and self-perception. Better than self-help books? Find out for yourself!</li><li>The Mark on the Wall by Virginia Woolf explores the balance between creative control and letting go, reflecting the complexities of the artistic process.</li></ul><p></p><p>Chapters</p><ul><li>00:00 Unraveling the Mystery</li><li>11:41 Introduction to the Special Series</li><li>17:28 Virginia Woolf's Life and Influence</li><li>32:31 The Angel in the House and Creative Freedom</li><li>01:01:24 Reading 'The Mark on the Wall'</li></ul>]]></description><guid isPermaLink="false">e69ebd67-7020-418c-bf3b-06e7bd9d7439</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Mon, 06 Apr 2026 04:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/3dde790804781188c27026218c76bbc990b6e15cbf5498114c89277671714ee3/eyJlcGlzb2RlSWQiOiJlNjllYmQ2Ny03MDIwLTQxOGMtYmYzYi0wNmU3YmQ5ZDc0MzkiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvY2xpcHMvNjlkMjFhMGYyYzg3ZDM5ODNhZTU3NGRmL3lvdXItc3R1ZGlvLWlnRUNCLWNvbXBvc2VyLTIwMjYtNC01X18xMC0xNS0xMS5tcDMifQ==.mp3" length="74102430" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.rs-prod.riverside.fm/media/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/e69ebd67-7020-418c-bf3b-06e7bd9d7439/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;Your host, writer and curator Joana P. R. Neves, challenges you to explore the mystery of a missing paragraph in Virginia Woolf&apos;s &apos;The Mark on the Wall&apos;, and its significance for creative pursuits. You&apos;re about to dwell on the flow of consciousness as creative flow – the art of mastering and letting go simultaneously.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;How do we create? How to we get to that special place where we&apos;re in control while accepting the randomness of the reactive materials we work with? And what does that say about life?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Links, as promised:&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Explorations of Sex and Self (reference to the Angel in the House): &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://joanaprneves.substack.com/p/explorations-of-sex-and-self&quot; target=&quot;_blank&quot;&gt;https://joanaprneves.substack.com/p/explorations-of-sex-and-self&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;About being drawn to &quot;minor works&quot;: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://joanaprneves.substack.com/p/when-art-says-the-unspeakable&quot; target=&quot;_blank&quot;&gt;https://joanaprneves.substack.com/p/when-art-says-the-unspeakable&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Subscribe to the free newsletter (and become a paid member if you can): &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://joanaprneves.substack.com/subscribe&quot; target=&quot;_blank&quot;&gt;https://joanaprneves.substack.com/subscribe&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Buy us a book, support our researches: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://buymeacoffee.com/exhibitionista&quot; target=&quot;_blank&quot;&gt;https://buymeacoffee.com/exhibitionista&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;We&apos;re fine-tuning the show in the background, so we&apos;re on a hiatus of sorts–but episodes will drop every two weeks, now on Mondays. We&apos;ve clarified our purpose: we&apos;re now Exhibitionistas - Notes on Art, which feels good and more in tune with our vibe.&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Textual discrepancies in literary works can reveal insights into the author&apos;s creative process.&lt;/li&gt;&lt;li&gt;Favorite texts can deeply influence creativity and self-perception. Better than self-help books? Find out for yourself!&lt;/li&gt;&lt;li&gt;The Mark on the Wall by Virginia Woolf explores the balance between creative control and letting go, reflecting the complexities of the artistic process.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Unraveling the Mystery&lt;/li&gt;&lt;li&gt;11:41 Introduction to the Special Series&lt;/li&gt;&lt;li&gt;17:28 Virginia Woolf&apos;s Life and Influence&lt;/li&gt;&lt;li&gt;32:31 The Angel in the House and Creative Freedom&lt;/li&gt;&lt;li&gt;01:01:24 Reading &apos;The Mark on the Wall&apos;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:51:28</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/e69ebd67-7020-418c-bf3b-06e7bd9d7439/images/729627e6-af9c-464a-9fd5-9d27e6d3ea94.png"/><itunes:episode>52</itunes:episode><itunes:title>Creative Flow with Virginia Woolf - Special Episode</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Other Side of The Mirror: Art Spaces in the Age of Online Life]]></title><description><![CDATA[<p>A part of our work and leisure is spent online and so is our art. Posted on social media and even made with the help of AI, LLMs, and more, creative initiatives and art objects may now also live in online art spaces. Is an art podcast to be confused with it? What are the joys and dangers of real art spaces becoming virtual ones? Or is the danger elsewhere, and the art education potentially everywhere? </p><p><br /></p><p><strong>Art Topic</strong> is an art discussion segment about intriguing art themes, or exciting new approaches to classic art topics in visual arts, with art experts, thinkers or curators. This time, host and art writer Joana P. R. Neves shares some insights about art spaces in light of our presence in online spaces, through her relatively new role as a female podcaster.</p><p><br /></p><p>Does being present online affect our presence IRL in galleries, museums and art spaces in general? Two exhibitions stimulated this critique of digital engagement and creativity: Peter Doig's House of Music and Danielle Brathwaite Shirley's The Delusion at the Serpentine gallery. Before we visit the two exhibitions, and proposing an art review of sorts, Joana analyses how her work as an art podcaster provides insights into the realities of new technologies, creativity, the social feedback loop and having a sentient body.</p><p>Art spaces can and should help us understand the impact of the internet and AI on our humanity.</p><p><br /></p><p>For further reading, Joana has written extensively on Substack about the reception of art, spectatorship and the exhibitions aforementioned: <a href="https://joanaprneves.substack.com/p/the-comedy-of-contemporary-art" rel="noopener noreferrer nofollow">https://joanaprneves.substack.com/p/the-comedy-of-contemporary-art</a></p><p><br /></p><p>Subscribe to Exhibitionistas on our Substack page. </p><p>Exhibitionistas Files on Substack: <a href="https://joanaprneves.substack.com/s/exhibitionistas" rel="noopener noreferrer nofollow">https://joanaprneves.substack.com/s/exhibitionistas</a></p><p><br /></p><p>Donating allows us to produce more and better. </p><p>Think about this: you would not leave a shop, coffee in hand, without paying for it. </p><p>Compensate the work.</p><p><br /></p><p>So, if a membership is too much, leave us a tip: <a href="https://buymeacoffee.com/exhibitionista" rel="noopener noreferrer nofollow">https://buymeacoffee.com/exhibitionista</a></p><p><br /></p><p>If you're interested in a membership and the perks that come with it go to our Substack memberships</p><p>https://joanaprneves.substack.com/sub...</p><p><br /></p><p>For more flexible donations: https://exhibitionistaspodcast.com/su...</p><p><br /></p><p>Host &amp; FounderExhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over 20 years of experience in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today's hottest topics as much as on everlasting existential questions. For collaborations, text commissions and inquiries: <a href="mailto:joana@exhibitionistaspodcast.com" rel="noopener noreferrer nofollow">joana@exhibitionistaspodcast.com</a></p><p><br /></p><p>Follow us on Instagram: @exhibitionistas_podcast</p><p>https://exhibitionistaspodcast.com</p><p><br /></p><p>0:00 Introduction</p><p>8:50 Art Spaces and Online Spaces Intersect</p><p>14:35 How Work Online and at Work Creating Content Impacts our Notion of Presence</p><p>17:23 The Other Side of the Mirror: The Ethics of Creating Art Content Online</p><p>20:14 Does Less = Nothing? The Impact of Measuring</p><p>31:47 Two case studies: Peter Doig and Danielle Brathwaite Shirley at the Serpentine Gallery</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/The-Other-Side-of-The-Mirror-Art-Spaces-in-the-Age-of-Online-Life-e3cv5nk</link><guid isPermaLink="false">fec84f07-950f-4a36-b1cc-b8ae120c581b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Tue, 30 Dec 2025 05:30:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/72e27ce33ccb2b0d55b818dc70c196ff12ead1af9bdbbfa70ace43359f77125d/eyJlcGlzb2RlSWQiOiIwM2FjYWFkYS1iOGQzLTRjNzEtOTE2ZS02NGE5OTc1MGY0ZTMiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMDNhY2FhZGEtYjhkMy00YzcxLTkxNmUtNjRhOTk3NTBmNGUzLzQxNTE5NDI0OC00NDEwMC0yLTQxY2QzMzI3ZmZkOGYubXAzIn0=.mp3" length="45060178" type="audio/mpeg"/><itunes:summary>&lt;p&gt;A part of our work and leisure is spent online and so is our art. Posted on social media and even made with the help of AI, LLMs, and more, creative initiatives and art objects may now also live in online art spaces. Is an art podcast to be confused with it? What are the joys and dangers of real art spaces becoming virtual ones? Or is the danger elsewhere, and the art education potentially everywhere? &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Art Topic&lt;/strong&gt; is an art discussion segment about intriguing art themes, or exciting new approaches to classic art topics in visual arts, with art experts, thinkers or curators. This time, host and art writer Joana P. R. Neves shares some insights about art spaces in light of our presence in online spaces, through her relatively new role as a female podcaster.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Does being present online affect our presence IRL in galleries, museums and art spaces in general? Two exhibitions stimulated this critique of digital engagement and creativity: Peter Doig&apos;s House of Music and Danielle Brathwaite Shirley&apos;s The Delusion at the Serpentine gallery. Before we visit the two exhibitions, and proposing an art review of sorts, Joana analyses how her work as an art podcaster provides insights into the realities of new technologies, creativity, the social feedback loop and having a sentient body.&lt;/p&gt;&lt;p&gt;Art spaces can and should help us understand the impact of the internet and AI on our humanity.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For further reading, Joana has written extensively on Substack about the reception of art, spectatorship and the exhibitions aforementioned: &lt;a href=&quot;https://joanaprneves.substack.com/p/the-comedy-of-contemporary-art&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://joanaprneves.substack.com/p/the-comedy-of-contemporary-art&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Subscribe to Exhibitionistas on our Substack page. &lt;/p&gt;&lt;p&gt;Exhibitionistas Files on Substack: &lt;a href=&quot;https://joanaprneves.substack.com/s/exhibitionistas&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://joanaprneves.substack.com/s/exhibitionistas&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Donating allows us to produce more and better. &lt;/p&gt;&lt;p&gt;Think about this: you would not leave a shop, coffee in hand, without paying for it. &lt;/p&gt;&lt;p&gt;Compensate the work.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;So, if a membership is too much, leave us a tip: &lt;a href=&quot;https://buymeacoffee.com/exhibitionista&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://buymeacoffee.com/exhibitionista&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you&apos;re interested in a membership and the perks that come with it go to our Substack memberships&lt;/p&gt;&lt;p&gt;https://joanaprneves.substack.com/sub...&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For more flexible donations: https://exhibitionistaspodcast.com/su...&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Host &amp;amp; FounderExhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over 20 years of experience in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today&apos;s hottest topics as much as on everlasting existential questions. For collaborations, text commissions and inquiries: &lt;a href=&quot;mailto:joana@exhibitionistaspodcast.com&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;joana@exhibitionistaspodcast.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;https://exhibitionistaspodcast.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;0:00 Introduction&lt;/p&gt;&lt;p&gt;8:50 Art Spaces and Online Spaces Intersect&lt;/p&gt;&lt;p&gt;14:35 How Work Online and at Work Creating Content Impacts our Notion of Presence&lt;/p&gt;&lt;p&gt;17:23 The Other Side of the Mirror: The Ethics of Creating Art Content Online&lt;/p&gt;&lt;p&gt;20:14 Does Less = Nothing? The Impact of Measuring&lt;/p&gt;&lt;p&gt;31:47 Two case studies: Peter Doig and Danielle Brathwaite Shirley at the Serpentine Gallery&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:46:56</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/03acaada-b8d3-4c71-916e-64a99750f4e3/42910897-1767060989873-6cbea1e4d966d.jpg"/><itunes:season>3</itunes:season><itunes:episode>7</itunes:episode><itunes:title>The Other Side of The Mirror: Art Spaces in the Age of Online Life</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Painting The Dreaming – Emily Kame Kngwarreye – Art Exhibitions at Tate Modern: EXHIBITION CHINWAG]]></title><description><![CDATA[<p><em><strong>What can you paint at the end of your life? How does painting feature in a Aboriginal culture? Does contemporary art culture intersect with Aboriginal art – should we even look for this kind of connection? How did exhibitions of the great painter and artist of the Northern Territory explose her work and contextualise it? How do exhibitions in contemporary museums welcome aboriginal art? </strong></em></p><p><em><strong></strong></em></p><p>Exhibition Chinwag<em> is the original segment of the podcast where Joana invites professionals from other fields to visit and discuss the work of artists through their solo exhibitions. </em></p><p><br /></p><p>Guest: Emily Harding the OG Exhibitionistas co-host!</p><p>Surprise Guest: John McDonald, Art Critic.</p><p><a href="https://www.everythingthe.com/?utm_source=%2Fsearch%2FJohn%2520mcdonald&amp;utm_medium=reader2&amp;utm_campaign=reader2" rel="noopener noreferrer nofollow">John's Substack</a>.</p><p>The artist: Emily Kam Kgnwarray at Tate Modern until 11 January, curated by Kelli Cole.</p><p><br /></p><p>Check out images referred to in the episode <a href="https://joanaprneves.substack.com/publish/post/172835833" rel="noopener noreferrer nofollow">⁠⁠here⁠⁠</a>.</p><p><br /></p><p>→ To dig deeper into the episode's references and receive little gems, notes, and musings that didn't make it into the episode, ⁠SIGN UP: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠</a></p><p>→ DONATE: ⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠</a></p><p>Key themes: </p><p>Painting; children in art; painting the body; the representation of the body, Jenny Saville</p><p>Subscribe to the Newsletter: https://joanaprneves.substack.com/subscribe</p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠</a></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p>Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#visualarts #contemporaryart #artexhibitions #exhibitionistas #exhibitionistaspodcast #joanaprneves #thenationalportraitgallery #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #greatwomenartists #EmilyKameKngwarreye #tatemodern #exhibitions #exhibitionmaking #curator #artcritic #artreview #exhibitions #arteducation #art</p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Painting-The-Dreaming--Emily-Kame-Kngwarreye--Art-Exhibitions-at-Tate-Modern-EXHIBITION-CHINWAG-e3auvs9</link><guid isPermaLink="false">44f646b4-2998-4904-a7b2-f9fd3d18b6f2</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 14 Nov 2025 07:06:13 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/0c0689202746f82b9fa8e5c90b29a8b87c76b9866f2fb1bf8b6890cee7a078d8/eyJlcGlzb2RlSWQiOiI0M2U2NjQ3MC05NzRiLTQxMDktOTQyMi1mODFkMjIxYjljMmYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNDNlNjY0NzAtOTc0Yi00MTA5LTk0MjItZjgxZDIyMWI5YzJmLzQxMjQ3NjY3Ni00NDEwMC0yLWMwMTFiZDY3NWRjOWEubXAzIn0=.mp3" length="70146506" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;em&gt;&lt;strong&gt;What can you paint at the end of your life? How does painting feature in a Aboriginal culture? Does contemporary art culture intersect with Aboriginal art – should we even look for this kind of connection? How did exhibitions of the great painter and artist of the Northern Territory explose her work and contextualise it? How do exhibitions in contemporary museums welcome aboriginal art? &lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Exhibition Chinwag&lt;em&gt; is the original segment of the podcast where Joana invites professionals from other fields to visit and discuss the work of artists through their solo exhibitions. &lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Guest: Emily Harding the OG Exhibitionistas co-host!&lt;/p&gt;&lt;p&gt;Surprise Guest: John McDonald, Art Critic.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.everythingthe.com/?utm_source=%2Fsearch%2FJohn%2520mcdonald&amp;amp;utm_medium=reader2&amp;amp;utm_campaign=reader2&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;John&apos;s Substack&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;The artist: Emily Kam Kgnwarray at Tate Modern until 11 January, curated by Kelli Cole.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Check out images referred to in the episode &lt;a href=&quot;https://joanaprneves.substack.com/publish/post/172835833&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠here⁠⁠&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ To dig deeper into the episode&apos;s references and receive little gems, notes, and musings that didn&apos;t make it into the episode, ⁠SIGN UP: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;→ DONATE: ⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Key themes: &lt;/p&gt;&lt;p&gt;Painting; children in art; painting the body; the representation of the body, Jenny Saville&lt;/p&gt;&lt;p&gt;Subscribe to the Newsletter: https://joanaprneves.substack.com/subscribe&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#visualarts #contemporaryart #artexhibitions #exhibitionistas #exhibitionistaspodcast #joanaprneves #thenationalportraitgallery #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #greatwomenartists #EmilyKameKngwarreye #tatemodern #exhibitions #exhibitionmaking #curator #artcritic #artreview #exhibitions #arteducation #art&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:13:04</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/43e66470-974b-4109-9422-f81d221b9c2f/42910897-1763103941142-241b94a4f2308.jpg"/><itunes:season>3</itunes:season><itunes:episode>5</itunes:episode><itunes:title>Painting The Dreaming – Emily Kame Kngwarreye – Art Exhibitions at Tate Modern: EXHIBITION CHINWAG</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Sculpting Water: Under the Spell of Roni Horn's Work]]></title><description><![CDATA[<p><em><strong>Have you ever been under the irresistible spell of an art work? </strong></em></p><p><em><strong>Art Story</strong></em><em> is a shorter episode exploring an art work, an artist, an exhibition or even a concept through a proudly subjective narrative. </em></p><p>Narrated by: the host, Joana P. R. Neves</p><p><br /></p><p>Joana explores an aesthetic shock involving a tongue twister and a photography by Roni Horn in a busy art fair. Maybe you’ll jump into the flow, maybe you’ll be touched by Joana's devotion to the art, the feeling, and the inscrutable nature of certain contemporary art attractions.</p><p><br /></p><p>→ To dig deeper into the episode's references and receive little gems, notes, and musings that didn't make it into the episode, ⁠SIGN UP: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠⁠</a></p><p>→ DONATE: ⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠⁠</a></p><p>Key themes: </p><p>Roni Horn's work; conceptual art art; photography; art installation; art and language; identity and fluidity; androgyny, aesthetic shock</p><p>Subscribe to the Newsletter: https://joanaprneves.substack.com/subscribe</p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">⁠⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠⁠</a></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p>Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#contemporaryart #immersive #artexhibitions #ronihorn #exhibitionistas #exhibitionistaspodcast #joanaprneves #douglashuebler #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #ralkart #greatwomenartists #exhibitions #exhibitionmaking #curator #artcritic #artreview</p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Sculpting-Water-Under-the-Spell-of-Roni-Horns-Work-e3bj14p</link><guid isPermaLink="false">742fd0f6-9937-4860-90d1-ae34aab86515</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 28 Nov 2025 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/6f4926d0bd5fddb10e26f73ac3df6b613480bc1ead32f56cf7a64ed6fec32e27/eyJlcGlzb2RlSWQiOiJkMDJhODkwNC03NzM4LTRhNjEtOWMwOS1iMTQ0YjgzMTIzZTgiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDAyYTg5MDQtNzczOC00YTYxLTljMDktYjE0NGI4MzEyM2U4LzQxMzMzNTE2MC00NDEwMC0yLTUyOTdiYjVjZjc1YjUubXAzIn0=.mp3" length="26094862" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;em&gt;&lt;strong&gt;Have you ever been under the irresistible spell of an art work? &lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Art Story&lt;/strong&gt;&lt;/em&gt;&lt;em&gt; is a shorter episode exploring an art work, an artist, an exhibition or even a concept through a proudly subjective narrative. &lt;/em&gt;&lt;/p&gt;&lt;p&gt;Narrated by: the host, Joana P. R. Neves&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Joana explores an aesthetic shock involving a tongue twister and a photography by Roni Horn in a busy art fair. Maybe you’ll jump into the flow, maybe you’ll be touched by Joana&apos;s devotion to the art, the feeling, and the inscrutable nature of certain contemporary art attractions.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ To dig deeper into the episode&apos;s references and receive little gems, notes, and musings that didn&apos;t make it into the episode, ⁠SIGN UP: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;→ DONATE: ⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Key themes: &lt;/p&gt;&lt;p&gt;Roni Horn&apos;s work; conceptual art art; photography; art installation; art and language; identity and fluidity; androgyny, aesthetic shock&lt;/p&gt;&lt;p&gt;Subscribe to the Newsletter: https://joanaprneves.substack.com/subscribe&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #immersive #artexhibitions #ronihorn #exhibitionistas #exhibitionistaspodcast #joanaprneves #douglashuebler #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #ralkart #greatwomenartists #exhibitions #exhibitionmaking #curator #artcritic #artreview&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:27:10</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d02a8904-7738-4a61-9c09-b144b83123e8/42910897-1764291862098-c3dd1f09ee932.jpg"/><itunes:title>Sculpting Water: Under the Spell of Roni Horn&apos;s Work</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Painter's Body, the Body Painted: Jenny Saville at NPG: EXHIBITION CHINWAG]]></title><description><![CDATA[<p><strong>How do artists paint the body nowadays? And why does</strong><strong> Jenny</strong><strong> Saville produce monumental images of it? </strong></p><p><br /></p><p><strong>Exhibition Chinwag</strong> is the original segment of the podcast where Joana invites professionals from other fields to visit and discuss the work of an artist through their solo exhibition. </p><p>Guest: Susie Ridell Co-Producer and co-Host of the Podcast <a href="https://open.spotify.com/show/3hQkvLwmjHZ8ZskufDKZVu?si=ca487708da46452a" rel="noopener noreferrer nofollow">⁠Limited Time Only⁠</a></p><p><br /></p><p>The artist: Jenny Saville and her solo exhibition The Anatomy of Painting. National Portrait Gallery - 20 June - 7 September 2025.</p><p><br /></p><p>+ Susie's candid questions about the art market!</p><p><br /></p><p>Check out images referred to in the episode <a href="https://joanaprneves.substack.com/publish/post/172835833" rel="noopener noreferrer nofollow">⁠here⁠</a>.</p><p>→ To dig deeper into the episode's references and receive little gems, notes, and musings that didn't make it into the episode, ⁠SIGN UP: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠https://joanaprneves.substack.com/s/exhibitionistas⁠</a></p><p>→ For our third season, we're working with intern production assistants for the first time. Your donations will contribute to pay for their work: ⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠https://exhibitionistaspodcast.com/support-us⁠</a></p><p>Key themes: </p><p>Painting; children in art; painting the body; the representation of the body, Jenny Saville</p><p>Subscribe to the Newsletter: https://joanaprneves.substack.com/subscribe</p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">⁠https://buymeacoffee.com/exhibitionista⁠</a></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p>Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#contemporaryart #immersive #artexhibitions #jennysaville #exhibitionistas #exhibitionistaspodcast #joanaprneves #thenationalportraitgallery #painting #contempirarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #ralkart #greatwomenartists</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/The-Painters-Body--the-Body-Painted-Jenny-Saville-at-NPG-EXHIBITION-CHINWAG-e37qk7c</link><guid isPermaLink="false">26c3f7f9-ad98-4eba-875e-30584b22282d</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 05 Sep 2025 04:54:44 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/abfb9df9d887ccef1bded87a1ea834134a65b1f368b6c9beba43b6bb445dedec/eyJlcGlzb2RlSWQiOiI5OGJhMjAxOC0yNjFiLTQyZTctYjg4My1iNDExOGY0ODNjZjUiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOThiYTIwMTgtMjYxYi00MmU3LWI4ODMtYjQxMThmNDgzY2Y1LzQwNjk0NDYyNy00NDEwMC0yLTYyNTg3OWM2MmJmMWYubXAzIn0=.mp3" length="81110412" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;strong&gt;How do artists paint the body nowadays? And why does&lt;/strong&gt;&lt;strong&gt; Jenny&lt;/strong&gt;&lt;strong&gt; Saville produce monumental images of it? &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Exhibition Chinwag&lt;/strong&gt; is the original segment of the podcast where Joana invites professionals from other fields to visit and discuss the work of an artist through their solo exhibition. &lt;/p&gt;&lt;p&gt;Guest: Susie Ridell Co-Producer and co-Host of the Podcast &lt;a href=&quot;https://open.spotify.com/show/3hQkvLwmjHZ8ZskufDKZVu?si=ca487708da46452a&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠Limited Time Only⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The artist: Jenny Saville and her solo exhibition The Anatomy of Painting. National Portrait Gallery - 20 June - 7 September 2025.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;+ Susie&apos;s candid questions about the art market!&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Check out images referred to in the episode &lt;a href=&quot;https://joanaprneves.substack.com/publish/post/172835833&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠here⁠&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;→ To dig deeper into the episode&apos;s references and receive little gems, notes, and musings that didn&apos;t make it into the episode, ⁠SIGN UP: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠https://joanaprneves.substack.com/s/exhibitionistas⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;→ For our third season, we&apos;re working with intern production assistants for the first time. Your donations will contribute to pay for their work: ⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠https://exhibitionistaspodcast.com/support-us⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Key themes: &lt;/p&gt;&lt;p&gt;Painting; children in art; painting the body; the representation of the body, Jenny Saville&lt;/p&gt;&lt;p&gt;Subscribe to the Newsletter: https://joanaprneves.substack.com/subscribe&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠https://buymeacoffee.com/exhibitionista⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #immersive #artexhibitions #jennysaville #exhibitionistas #exhibitionistaspodcast #joanaprneves #thenationalportraitgallery #painting #contempirarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #ralkart #greatwomenartists&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:24:29</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/98ba2018-261b-42e7-b883-b4118f483cf5/42910897-1757047288158-c2f661c014b02.jpg"/><itunes:season>3</itunes:season><itunes:episode>1</itunes:episode><itunes:title>The Painter&apos;s Body, the Body Painted: Jenny Saville at NPG: EXHIBITION CHINWAG</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Lubaina Himid]]></title><description><![CDATA[When small displays convey the biggest experiences and stories.... This episode is dedicated to Lubaina Himid's display of drawings and collages  for her Turner Prize installation Naming the Money at the Royal Academy.

As often, but particularly at the RA, exhibition going is full of encounters, idiosyncratic journeys, rushes and meetings.  

We explored Himid's biography and other projects, namely her Guardian artist residency.

For more information about the project: https://lubainahimid.com/portfolio/naming-the-money/

Enjoy this new episode! 

And follow us at @exhibitionistas_podcast.

Music by: Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Lubaina-Himid-e2tub2v</link><guid isPermaLink="false">0898939b-3192-45fe-a7a9-15b2c7ade17a</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 14 Jun 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/4cef618ae4e3af846a8a74a60bcbedf1c15b6330225e7791027fc32a0ad14baa/eyJlcGlzb2RlSWQiOiI5NzlkOWZlNC1kZDY2LTQ4MzktOTEyZC1iZWUwODVkODYyN2YiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOTc5ZDlmZTQtZGQ2Ni00ODM5LTkxMmQtYmVlMDg1ZDg2MjdmLzM5MzY0Nzg2MS00ODAwMC0yLWViNzZhNGYyNjE5YTQzMWIubXAzIn0=.mp3" length="128517213" type="audio/mpeg"/><itunes:summary>When small displays convey the biggest experiences and stories.... This episode is dedicated to Lubaina Himid&apos;s display of drawings and collages  for her Turner Prize installation Naming the Money at the Royal Academy.

As often, but particularly at the RA, exhibition going is full of encounters, idiosyncratic journeys, rushes and meetings.  

We explored Himid&apos;s biography and other projects, namely her Guardian artist residency.

For more information about the project: https://lubainahimid.com/portfolio/naming-the-money/

Enjoy this new episode! 

And follow us at @exhibitionistas_podcast.

Music by: Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:29:14</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/979d9fe4-dd66-4839-912d-bee085d8627f/42910897-1739019485619-542016e401a96.jpg"/><itunes:title>Lubaina Himid</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Exhibition as safe space with Visual Arts Curators G. Rolls Bentley & E-J Scott: ART INSIDER]]></title><description><![CDATA[<p>Get an art education with our 2 guests, curators Gemma Rolls-Bentley and E-J Scott!</p><p><br /></p><p><strong>Art Insider</strong> is an art discussion segment with fascinating visual arts thinkers and curators who lift the veil on their corner of the field (hosted by Joana P. R. Neves). </p><p><br /></p><p>Our art talk explores </p><ul><li>​The old question "what is contemporary art" but in light of queer communities and trans people. </li><li>​Curating strategies and innovative approaches. </li><li>​We discuss their co-curated exhibition "Talisman" about objects with symbolic and energetic force bringing safety and protection, but also of resistance in queer lives–the relation between the talisman and the art object and visual arts is timeless.</li></ul><p>(Talisman was an art exhibition presented by Cardion Arts in Collaboration with The Museum of Transology.)</p><p>→ ⁠SIGN UP: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbGxDWDBYWVUtVllvMXcwcGZtSHFzUEhzM3V1Z3xBQ3Jtc0tsc2ZPS0NZMHJTOWh6WHUxdWtqY1ZGbHQ2bHJCZm1QdUdHSDZSUHdXaDJXdnRXa2hRUkVnYjBobURiUm1jR09fSWlFWE1xQVd6VkxGSzFudGdjNnVxUUVYZTRPOW5kZ1B0QUZaZDRBT25xSzNVbUkyVQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">https://joanaprneves.substack.com/s/e...</a></p><p>→ Donate ⁠HERE⁠: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbTliUDEwVEFhRXhDVE5BbEhfbmRzQ1c0eVFkQXxBQ3Jtc0tuMG1kNVBUQzY3RW5TU2JERDRaNkE4dVdMckpsMjVNUGVoOUtEWjVuVkExNmxyN1BtMjVhdkZ0akNkazVWZFVSaFJlZy05SVlwaWktS04yY0xKX0lCM2t6WEtmRFdsV2NhWFZaNDhZOHVyblMtd25SZw&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">https://exhibitionistaspodcast.com/su...</a></p><p><br /></p><p>Key Themes Explored in This Episode: The importance of inclusivity in visual arts. Trans rights. Trans guidance. LGBTQIA+ art and artists. Queering the museum. Curating as an LBBTQIA+ person. Recentering female queer and trans narratives.Major Themes: Curating, Queer art, Museum Communication Strategies and Failures, Queer narratives, LGBTQIA+ art visibility, Lesbian histories, Trans histories, Audience Engagement, How to Engage with inclusivity. Art and activist. Non profit art organisations. Curating. Museums and heritage. New forms of curating. Exhibitions as safe spaces explores the importance of contemporary art spaces, museums and galeries for the LGBTQIA+ community.</p><p>Follow us on Instagram: @exhibitionistas_podcast</p><p>About us: Exhibitionistas is an independent visual arts podcast created and hosted by art writer and curator Joana P. R. Neves </p><p><a href="http://www.exhibitionistaspodcast.com/" rel="noopener noreferrer nofollow">www.exhibitionistaspodcast.com</a></p><p><br /></p><p><a href="https://www.youtube.com/hashtag/contemporaryart" rel="noopener noreferrer nofollow">#visualarts #contemporaryart</a> <a href="https://www.youtube.com/hashtag/lgbtqia" rel="noopener noreferrer nofollow">#lgbtqia</a> <a href="https://www.youtube.com/hashtag/exhibitionistas" rel="noopener noreferrer nofollow">#exhibitionistas</a> <a href="https://www.youtube.com/hashtag/exhibitionistaspodcast" rel="noopener noreferrer nofollow">#exhibitionistaspodcast</a> <a href="https://www.youtube.com/hashtag/joanaprneves" rel="noopener noreferrer nofollow">#joanaprneves</a> <a href="https://www.youtube.com/hashtag/gemmarollsbentley" rel="noopener noreferrer nofollow">#gemmarollsbentley</a> <a href="https://www.youtube.com/hashtag/e" rel="noopener noreferrer nofollow">#e</a>jscott <a href="https://www.youtube.com/hashtag/museumoftransology" rel="noopener noreferrer nofollow">#museumoftransology</a> #arteducation #healing #safespaces</p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Exhibition-as-safe-space-with-Visual-Arts-Curators-G--Rolls-Bentley--E-J-Scott-ART-INSIDER-e368f6f</link><guid isPermaLink="false">10a202b4-c065-4710-9a04-4aa4136082ea</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Wed, 30 Jul 2025 20:36:37 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/0e5db6c27369b81597a7f8f47b36e12aafb86bde865edc9f54628a3fe6ac31d2/eyJlcGlzb2RlSWQiOiIzZTExNzQ0NS01ZDA0LTRjZGUtOWYyNC1lMjk0OTk2NmM0MjUiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvM2UxMTc0NDUtNWQwNC00Y2RlLTlmMjQtZTI5NDk5NjZjNDI1LzQwNDk0NTA3Ni00NDEwMC0yLWM0MjAyODc0YzJkNTgubXAzIn0=.mp3" length="66562506" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Get an art education with our 2 guests, curators Gemma Rolls-Bentley and E-J Scott!&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Art Insider&lt;/strong&gt; is an art discussion segment with fascinating visual arts thinkers and curators who lift the veil on their corner of the field (hosted by Joana P. R. Neves). &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Our art talk explores &lt;/p&gt;&lt;ul&gt;&lt;li&gt;​The old question &quot;what is contemporary art&quot; but in light of queer communities and trans people. &lt;/li&gt;&lt;li&gt;​Curating strategies and innovative approaches. &lt;/li&gt;&lt;li&gt;​We discuss their co-curated exhibition &quot;Talisman&quot; about objects with symbolic and energetic force bringing safety and protection, but also of resistance in queer lives–the relation between the talisman and the art object and visual arts is timeless.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;(Talisman was an art exhibition presented by Cardion Arts in Collaboration with The Museum of Transology.)&lt;/p&gt;&lt;p&gt;→ ⁠SIGN UP: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbGxDWDBYWVUtVllvMXcwcGZtSHFzUEhzM3V1Z3xBQ3Jtc0tsc2ZPS0NZMHJTOWh6WHUxdWtqY1ZGbHQ2bHJCZm1QdUdHSDZSUHdXaDJXdnRXa2hRUkVnYjBobURiUm1jR09fSWlFWE1xQVd6VkxGSzFudGdjNnVxUUVYZTRPOW5kZ1B0QUZaZDRBT25xSzNVbUkyVQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://joanaprneves.substack.com/s/e...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;→ Donate ⁠HERE⁠: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbTliUDEwVEFhRXhDVE5BbEhfbmRzQ1c0eVFkQXxBQ3Jtc0tuMG1kNVBUQzY3RW5TU2JERDRaNkE4dVdMckpsMjVNUGVoOUtEWjVuVkExNmxyN1BtMjVhdkZ0akNkazVWZFVSaFJlZy05SVlwaWktS04yY0xKX0lCM2t6WEtmRFdsV2NhWFZaNDhZOHVyblMtd25SZw&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://exhibitionistaspodcast.com/su...&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Key Themes Explored in This Episode: The importance of inclusivity in visual arts. Trans rights. Trans guidance. LGBTQIA+ art and artists. Queering the museum. Curating as an LBBTQIA+ person. Recentering female queer and trans narratives.Major Themes: Curating, Queer art, Museum Communication Strategies and Failures, Queer narratives, LGBTQIA+ art visibility, Lesbian histories, Trans histories, Audience Engagement, How to Engage with inclusivity. Art and activist. Non profit art organisations. Curating. Museums and heritage. New forms of curating. Exhibitions as safe spaces explores the importance of contemporary art spaces, museums and galeries for the LGBTQIA+ community.&lt;/p&gt;&lt;p&gt;Follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;About us: Exhibitionistas is an independent visual arts podcast created and hosted by art writer and curator Joana P. R. Neves &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.exhibitionistaspodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;www.exhibitionistaspodcast.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/hashtag/contemporaryart&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#visualarts #contemporaryart&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/lgbtqia&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#lgbtqia&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/exhibitionistas&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#exhibitionistas&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/exhibitionistaspodcast&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#exhibitionistaspodcast&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/joanaprneves&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#joanaprneves&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/gemmarollsbentley&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#gemmarollsbentley&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/e&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#e&lt;/a&gt;jscott &lt;a href=&quot;https://www.youtube.com/hashtag/museumoftransology&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#museumoftransology&lt;/a&gt; #arteducation #healing #safespaces&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:09:20</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/3e117445-5d04-4cde-9f24-e2949966c425/42910897-1753908216252-e9bfe3955027.jpg"/><itunes:episode>1</itunes:episode><itunes:title>Exhibition as safe space with Visual Arts Curators G. Rolls Bentley &amp; E-J Scott: ART INSIDER</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Visual Artist Studio Secrets with A. M. Caballero & A. Jabre: MY ART TOOLS]]></title><description><![CDATA[<p>What if a visual artist’s favourite tool revealed their underlying art themes and intrinsic creative processes? </p><p><br /></p><p>Hosted by Joana P. R. Neves.</p><p>Guests: Ana María Caballero and Alexandra Jabre.</p><p><br /></p><p>This segment is as much: </p><ul><li>​an art education as </li><li>​an introduction to art critique, </li></ul><p>by empowering you </p><ul><li>​with art tips </li><li>​art techniques we seldom talk about. </li></ul><p><br /></p><p>My Art Tools is a segment associating two art talks where an established visual artist opens their tool box: what is their fetish instrument? An artist life can get as technical as it can be spiritual. In fact, they may be related... </p><p><br /></p><p>But most of all, a visual artist's hand guides you through the passion of following one’s vision, the pleasures of trusting an instinct, and the resilience it takes to work creatively. After all, creative processes are everywhere, for the visual artist as for any problem-solving situation, with an added philosophical twist. </p><p><br /></p><p>Our two guests also discuss what it takes to embark on a creative life, what it takes to create poetry, sculpture, and more. What sacrifices do you make, what path do you take, and what kind of healing does art bring? </p><p><br /></p><p>Subscribe to Exhibitionistas Files Episode E-Letter</p><p>Exhibitionistas Files on Substack: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbndmR0ZCNTZaNFQ3TDRpa0xWVDlSU2Zsb3JOd3xBQ3Jtc0ttcEFrZy1KTWlxdDJpdTlkX25aVEtzeFRiMS1zY3U4dFlqZEJHZUxxSjlGbXBWbnVQRDBzaUlNLXdOOUlNd0dzcC0zUTRmZ2Yyb0VFTGljUFUzX3VWVmd2RGVDSy05ak1JZXB4QU1BNjdtUFdRY3hZcw&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;v=khYF2hql0r8" rel="noopener noreferrer nofollow">https://joanaprneves.substack.com/s/e..</a>.</p><p>Joana P. R. Neves on Substack <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa1NwbDhzSUZBd0NpODNVTjhVbVZONjBWNE9oUXxBQ3Jtc0tuLWdLdUZfUmVrcF9vLXZKeS0zTmZwVG4xM2ZlQnFHV05JOUE0QlA1bjFJdlBJV1phaS12NG9HOGRSTE5HS3VuRXRmY0Z0MGUzXzdqNUpOTEFKcURnTzNtZ2NpRE1fajZFTzFSTEh3UUJYUm9nUVdKcw&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2F&amp;v=khYF2hql0r8" rel="noopener noreferrer nofollow">https://joanaprneves.substack.com</a></p><p>Compensate the work. If a membership is too much, leave us a tip.</p><p><a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbXNKc3hzQS1wWXB6Ql92NHVUcDV0Zzlma285QXxBQ3Jtc0tuRGI2ZW1XbExtSEV1dnlEM1poVnc3c09qaUpSN012NHVIbFd3eFBRdUkzS1BHYnY2S2Z5dllxMjJ0a19VRWQ4SjF5aGw5WjVYZUl5V2o5VC1EeDlHRS1wRG5tVE9UM0loLUpycU9pUWhNckpVVzhCYw&amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionista&amp;v=khYF2hql0r8" rel="noopener noreferrer nofollow">https://buymeacoffee.com/exhibitionista</a></p><p>For more flexible donations:<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa0tQUEQ0dTdpcllzZ2lvcHhGVlljNERURjNNUXxBQ3Jtc0ttZnhVandrNUttVTJ4b2R0VXRhQU1rWXZLb2hvRUs4eERyWU84RlB3bno1aTNrR2N1N2NnR1pkMTUtS2E4b0szUFFMdDhaWDFWT0t5ZFJReW5sd1NqOVFEQnhVXzliY1loOVJBUUY4dVRMYkQwRmF5bw&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;v=khYF2hql0r8" rel="noopener noreferrer nofollow">https://exhibitionistaspodcast.com/su..</a>.</p><p><br /></p><p>Host &amp; Founder</p><p>Exhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over 20 years of experience in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today's hottest topics as much as on everlasting existential questions.</p><p>For collaborations, text commissions and inquiries: joana@exhibitionistaspodcast.com</p><p>#arteducation #contemporaryart #artistlife #femaleartist #greatartists #contemporaryartist #artiststudio #artistinterview #artisttalk #greatwomenartists #visualartists #arttalk </p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Visual-Artist-Studio-Secrets-with-A--M--Caballero--A--Jabre-MY-ART-TOOLS-e3dd39b</link><guid isPermaLink="false">e8b48185-2cb9-4f80-ae40-99bdc422d841</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 09 Jan 2026 06:30:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/bc54da5c782563d3d84da66bb0b1beed521e0b3de1e82ba2d11fcb96485d3a4a/eyJlcGlzb2RlSWQiOiI0ODRkNWU2ZS1kNDI0LTQ3YWUtYWYyMC0zOWVhMTUwNDM5MTkiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNDg0ZDVlNmUtZDQyNC00N2FlLWFmMjAtMzllYTE1MDQzOTE5LzQxNTc3MjYxMy00NDEwMC0yLTFkMmE2MjljODZlZDIubXAzIn0=.mp3" length="40251976" type="audio/mpeg"/><itunes:summary>&lt;p&gt;What if a visual artist’s favourite tool revealed their underlying art themes and intrinsic creative processes? &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Hosted by Joana P. R. Neves.&lt;/p&gt;&lt;p&gt;Guests: Ana María Caballero and Alexandra Jabre.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;This segment is as much: &lt;/p&gt;&lt;ul&gt;&lt;li&gt;​an art education as &lt;/li&gt;&lt;li&gt;​an introduction to art critique, &lt;/li&gt;&lt;/ul&gt;&lt;p&gt;by empowering you &lt;/p&gt;&lt;ul&gt;&lt;li&gt;​with art tips &lt;/li&gt;&lt;li&gt;​art techniques we seldom talk about. &lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;My Art Tools is a segment associating two art talks where an established visual artist opens their tool box: what is their fetish instrument? An artist life can get as technical as it can be spiritual. In fact, they may be related... &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;But most of all, a visual artist&apos;s hand guides you through the passion of following one’s vision, the pleasures of trusting an instinct, and the resilience it takes to work creatively. After all, creative processes are everywhere, for the visual artist as for any problem-solving situation, with an added philosophical twist. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Our two guests also discuss what it takes to embark on a creative life, what it takes to create poetry, sculpture, and more. What sacrifices do you make, what path do you take, and what kind of healing does art bring? &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Subscribe to Exhibitionistas Files Episode E-Letter&lt;/p&gt;&lt;p&gt;Exhibitionistas Files on Substack: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbndmR0ZCNTZaNFQ3TDRpa0xWVDlSU2Zsb3JOd3xBQ3Jtc0ttcEFrZy1KTWlxdDJpdTlkX25aVEtzeFRiMS1zY3U4dFlqZEJHZUxxSjlGbXBWbnVQRDBzaUlNLXdOOUlNd0dzcC0zUTRmZ2Yyb0VFTGljUFUzX3VWVmd2RGVDSy05ak1JZXB4QU1BNjdtUFdRY3hZcw&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;amp;v=khYF2hql0r8&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://joanaprneves.substack.com/s/e..&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Joana P. R. Neves on Substack &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqa1NwbDhzSUZBd0NpODNVTjhVbVZONjBWNE9oUXxBQ3Jtc0tuLWdLdUZfUmVrcF9vLXZKeS0zTmZwVG4xM2ZlQnFHV05JOUE0QlA1bjFJdlBJV1phaS12NG9HOGRSTE5HS3VuRXRmY0Z0MGUzXzdqNUpOTEFKcURnTzNtZ2NpRE1fajZFTzFSTEh3UUJYUm9nUVdKcw&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2F&amp;amp;v=khYF2hql0r8&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://joanaprneves.substack.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Compensate the work. If a membership is too much, leave us a tip.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbXNKc3hzQS1wWXB6Ql92NHVUcDV0Zzlma285QXxBQ3Jtc0tuRGI2ZW1XbExtSEV1dnlEM1poVnc3c09qaUpSN012NHVIbFd3eFBRdUkzS1BHYnY2S2Z5dllxMjJ0a19VRWQ4SjF5aGw5WjVYZUl5V2o5VC1EeDlHRS1wRG5tVE9UM0loLUpycU9pUWhNckpVVzhCYw&amp;amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionista&amp;amp;v=khYF2hql0r8&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://buymeacoffee.com/exhibitionista&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For more flexible donations:&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqa0tQUEQ0dTdpcllzZ2lvcHhGVlljNERURjNNUXxBQ3Jtc0ttZnhVandrNUttVTJ4b2R0VXRhQU1rWXZLb2hvRUs4eERyWU84RlB3bno1aTNrR2N1N2NnR1pkMTUtS2E4b0szUFFMdDhaWDFWT0t5ZFJReW5sd1NqOVFEQnhVXzliY1loOVJBUUY4dVRMYkQwRmF5bw&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;amp;v=khYF2hql0r8&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://exhibitionistaspodcast.com/su..&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Host &amp;amp; Founder&lt;/p&gt;&lt;p&gt;Exhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over 20 years of experience in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today&apos;s hottest topics as much as on everlasting existential questions.&lt;/p&gt;&lt;p&gt;For collaborations, text commissions and inquiries: joana@exhibitionistaspodcast.com&lt;/p&gt;&lt;p&gt;#arteducation #contemporaryart #artistlife #femaleartist #greatartists #contemporaryartist #artiststudio #artistinterview #artisttalk #greatwomenartists #visualartists #arttalk &lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:41:55</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/484d5e6e-d424-47ae-af20-39ea15043919/42910897-1767930050771-ba52ab9b76265.jpg"/><itunes:season>3</itunes:season><itunes:episode>8</itunes:episode><itunes:title>Visual Artist Studio Secrets with A. M. Caballero &amp; A. Jabre: MY ART TOOLS</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Judy Chicago]]></title><description><![CDATA[This time we went to the Serpentine gallery in Hyde park. What a nice setting for a contemporary art venue. That walk back to the tube is always a slow and ponderous one. We do talk a lot about walks back to the tube after visiting exhibitions in this episode!

We visited the retrospective exhibition of the feminist pioneer Judy Chicago, whose blueprint was a hitherto unpublished manuscript, Revelations, inspired by Illuminations and myths of the Goddess. You can purchase it online or in the book shop. The show was curated by Hans Ulrich Obrist, the artistic director of the gallery.

We exchanged different experiences and thoughts about the exhibition, based partially on the curatorial choices that were made and which puzzled us somewhat, although we support the ecological reasons they are based on.

For more information about the exhibition go here: https://www.serpentinegalleries.org/whats-on/judy-chicago-revelations/

Follow Judy Chicago on Instagram: @judy.chicago

And follow us! @exhibitionistas_podcast

Music by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Judy-Chicago-e2tub35</link><guid isPermaLink="false">e37c1203-8cef-4a61-bdeb-eba4cb5405a7</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 12 Jul 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/208797327c943ff38975c9bcdb63d729345dc536b806077fc3c96391370471d6/eyJlcGlzb2RlSWQiOiJkNDkzM2IzNi1lOGYyLTRmNDQtODM4OS0yNzFkNTYzNDliOGUiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDQ5MzNiMzYtZThmMi00ZjQ0LTgzODktMjcxZDU2MzQ5YjhlLzM5MzY0Nzg2MC00ODAwMC0yLTE4MjUzNDhkZGUwN2I5NzIubXAzIn0=.mp3" length="148455453" type="audio/mpeg"/><itunes:summary>This time we went to the Serpentine gallery in Hyde park. What a nice setting for a contemporary art venue. That walk back to the tube is always a slow and ponderous one. We do talk a lot about walks back to the tube after visiting exhibitions in this episode!

We visited the retrospective exhibition of the feminist pioneer Judy Chicago, whose blueprint was a hitherto unpublished manuscript, Revelations, inspired by Illuminations and myths of the Goddess. You can purchase it online or in the book shop. The show was curated by Hans Ulrich Obrist, the artistic director of the gallery.

We exchanged different experiences and thoughts about the exhibition, based partially on the curatorial choices that were made and which puzzled us somewhat, although we support the ecological reasons they are based on.

For more information about the exhibition go here: https://www.serpentinegalleries.org/whats-on/judy-chicago-revelations/

Follow Judy Chicago on Instagram: @judy.chicago

And follow us! @exhibitionistas_podcast

Music by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:43:05</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d4933b36-e8f2-4f44-8389-271d56349b8e/42910897-1739019400516-ef283229092c2.jpg"/><itunes:title>Judy Chicago</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Colour in Visual Arts: Eating, Touching, Making & Other Methods to Explore One Of The Hottest Art Themes]]></title><description><![CDATA[<p><em><strong>For some, colour is subjective, for others it's vital. In visual arts, is it a universal idea or a local material? As far as art themes go, this one leads to a world of possibilities. Curator Joana P. R. Neves welcomes María Castro Jímenez, whose Substack page "</strong></em><a href="https://mariacj.substack.com/exhibitionistasdiscount" rel="noopener noreferrer nofollow"><em><strong>Pigments, Colours &amp; Other Stories</strong></em></a><em><strong>" reveals new pathways into art history, art making and creativity. Perfect for artists, ideal for polymaths, superb for creative souls and idyllic for those who enjoy a mix of prehistory, archeology, chemistry, anthropology and magic. Ultimately, this is the best art podcast to creatively explore creativity...</strong></em></p><p></p><p><em><strong>Art Topic</strong></em><em> is an art discussion segment focusing on the most intriguing art themes, or providing exciting new approaches to classic art themes in visual arts, with art experts, thinkers or curators (hosted by Joana P. R. Neves).</em></p><p><br /></p><p>Hosted by Joana P. R. Neves</p><p>Guest: María Castro Jímenez</p><p><br /></p><p>María's Substack: https://mariacj.substack.com</p><p>PROMO LINK for her PIGMENTS GUIDE (20% discount until 1/2/2026): <a href="https://mariacj.substack.com/exhibitionistasdiscount" rel="noopener noreferrer nofollow">https://mariacj.substack.com/exhibitionistasdiscount</a> </p><p><br /></p><p>✺ Exhibitionistas Files on Substackhttps://joanaprneves.substack.com/s/exhibitionistas</p><p>We're allergic to newsletters and passionate about writing.</p><p><br /></p><p>✤ Joana P. R. Neves on Substack (Art Thinkosaurus) If you enjoy 1)reading; 2) our topics... you'll love Joana's Substack</p><p>https://joanaprneves.substack.com</p><p>Donating allows us to produce more and better. https://exhibitionistaspodcast.com/support-us</p><p>If a membership is too much, leave us a tip–every donation is a boost! ⁠https://buymeacoffee.com/exhibitionista⁠</p><p><br /></p><p>Host &amp; Founder</p><p>Exhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over 20 years of experience in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today's hottest topics as much as on everlasting existential questions.</p><p>Instagram: @joanaprneves / @exhibitionistas_podcast</p><p>For collaborations, text commissions and inquiries: joana@exhibitionistaspodcast.com</p><p>00:00 WELCOME TO OUR COLOUR EPISODE!</p><p>00:43 Is colour merely subjective?</p><p>02:33 Colour &amp; Line in art academies</p><p>05:18 Colours are cultural. Is RED an exception?</p><p>01:02:54 BLUE, a favourite.</p><p>01:05:29 Book recommendation about colour in art</p><p>01:12:23 OUR GOODBYES.... until next time</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Colour-in-Visual-Arts-Eating--Touching--Making--Other-Methods-to-Explore-One-Of-The-Hottest-Art-Themes-e3e275m</link><guid isPermaLink="false">14876863-90e2-4074-bd84-abfa9b16021b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 23 Jan 2026 06:30:01 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/6fb9537cd50a127faab23bb362d4989c972213fd61e2a49adc6139f70ddcc710/eyJlcGlzb2RlSWQiOiJkMzcxMmM2YS00YjYzLTQyYTYtOTU4MC04ZTRjMzhlYTNlMGYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDM3MTJjNmEtNGI2My00MmE2LTk1ODAtOGU0YzM4ZWEzZTBmLzQxNjY1NjQwOC00NDEwMC0yLTYzMDVhNzJiYWQ4ODMubXAzIn0=.mp3" length="69883192" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;em&gt;&lt;strong&gt;For some, colour is subjective, for others it&apos;s vital. In visual arts, is it a universal idea or a local material? As far as art themes go, this one leads to a world of possibilities. Curator Joana P. R. Neves welcomes María Castro Jímenez, whose Substack page &quot;&lt;/strong&gt;&lt;/em&gt;&lt;a href=&quot;https://mariacj.substack.com/exhibitionistasdiscount&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;&lt;strong&gt;Pigments, Colours &amp;amp; Other Stories&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;strong&gt;&quot; reveals new pathways into art history, art making and creativity. Perfect for artists, ideal for polymaths, superb for creative souls and idyllic for those who enjoy a mix of prehistory, archeology, chemistry, anthropology and magic. Ultimately, this is the best art podcast to creatively explore creativity...&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Art Topic&lt;/strong&gt;&lt;/em&gt;&lt;em&gt; is an art discussion segment focusing on the most intriguing art themes, or providing exciting new approaches to classic art themes in visual arts, with art experts, thinkers or curators (hosted by Joana P. R. Neves).&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Hosted by Joana P. R. Neves&lt;/p&gt;&lt;p&gt;Guest: María Castro Jímenez&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;María&apos;s Substack: https://mariacj.substack.com&lt;/p&gt;&lt;p&gt;PROMO LINK for her PIGMENTS GUIDE (20% discount until 1/2/2026): &lt;a href=&quot;https://mariacj.substack.com/exhibitionistasdiscount&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://mariacj.substack.com/exhibitionistasdiscount&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;✺ Exhibitionistas Files on Substackhttps://joanaprneves.substack.com/s/exhibitionistas&lt;/p&gt;&lt;p&gt;We&apos;re allergic to newsletters and passionate about writing.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;✤ Joana P. R. Neves on Substack (Art Thinkosaurus) If you enjoy 1)reading; 2) our topics... you&apos;ll love Joana&apos;s Substack&lt;/p&gt;&lt;p&gt;https://joanaprneves.substack.com&lt;/p&gt;&lt;p&gt;Donating allows us to produce more and better. https://exhibitionistaspodcast.com/support-us&lt;/p&gt;&lt;p&gt;If a membership is too much, leave us a tip–every donation is a boost! ⁠https://buymeacoffee.com/exhibitionista⁠&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Host &amp;amp; Founder&lt;/p&gt;&lt;p&gt;Exhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over 20 years of experience in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today&apos;s hottest topics as much as on everlasting existential questions.&lt;/p&gt;&lt;p&gt;Instagram: @joanaprneves / @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;For collaborations, text commissions and inquiries: joana@exhibitionistaspodcast.com&lt;/p&gt;&lt;p&gt;00:00 WELCOME TO OUR COLOUR EPISODE!&lt;/p&gt;&lt;p&gt;00:43 Is colour merely subjective?&lt;/p&gt;&lt;p&gt;02:33 Colour &amp;amp; Line in art academies&lt;/p&gt;&lt;p&gt;05:18 Colours are cultural. Is RED an exception?&lt;/p&gt;&lt;p&gt;01:02:54 BLUE, a favourite.&lt;/p&gt;&lt;p&gt;01:05:29 Book recommendation about colour in art&lt;/p&gt;&lt;p&gt;01:12:23 OUR GOODBYES.... until next time&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:12:47</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d3712c6a-4b63-42a6-9580-8e4c38ea3e0f/42910897-1769129768683-5749c2f0ff51f.jpg"/><itunes:season>3</itunes:season><itunes:episode>9</itunes:episode><itunes:title>Colour in Visual Arts: Eating, Touching, Making &amp; Other Methods to Explore One Of The Hottest Art Themes</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[TRAILER: EXHIBITIONISTAS Season 3.]]></title><description><![CDATA[<p>Exhibitionistas Season 3: a constellation of 8 episode segments opening new doors onto the fascinating, thought-provoking and creative world of contemporary art. Exhibitions, Art Talk, Art Insider Interviews and more.</p><p>Starting: 5 September 2025.</p><p>Music by Sarturn</p><p>Featuring Catherine Li, Susie Ridell, Ben Luke, Marina Roca Díe, Sarah Le Quang Sang, Nick Taylor, and the O.G. Emily Harding.</p><p>Created &amp; hosted by Joana P. R. Neves</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/TRAILER-EXHIBITIONISTAS-Season-3-e37mnf0</link><guid isPermaLink="false">0e998e64-cce9-480d-837b-72a0433a7c5d</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Wed, 03 Sep 2025 14:26:38 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/58d0da62b9695a820f0522486c4455ea0667072704d74acfd5cd4739598dbc57/eyJlcGlzb2RlSWQiOiI4YTJiNzQyMy0yYjNjLTQ0NzktOWI1NC0wNTMwNTQxMDNiNmYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOGEyYjc0MjMtMmIzYy00NDc5LTliNTQtMDUzMDU0MTAzYjZmLzQwNjc5MTUwOS00NDEwMC0yLWY1YjhkY2MyMjNjMDIubXAzIn0=.mp3" length="3478255" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Exhibitionistas Season 3: a constellation of 8 episode segments opening new doors onto the fascinating, thought-provoking and creative world of contemporary art. Exhibitions, Art Talk, Art Insider Interviews and more.&lt;/p&gt;&lt;p&gt;Starting: 5 September 2025.&lt;/p&gt;&lt;p&gt;Music by Sarturn&lt;/p&gt;&lt;p&gt;Featuring Catherine Li, Susie Ridell, Ben Luke, Marina Roca Díe, Sarah Le Quang Sang, Nick Taylor, and the O.G. Emily Harding.&lt;/p&gt;&lt;p&gt;Created &amp;amp; hosted by Joana P. R. Neves&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:03:37</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/8a2b7423-2b3c-4479-9b54-053054103b6f/42910897-1756908343515-2ad0b9f2965cf.jpg"/><itunes:season>3</itunes:season><itunes:title>TRAILER: EXHIBITIONISTAS Season 3.</itunes:title><itunes:episodeType>trailer</itunes:episodeType></item><item><title><![CDATA[Ursula K. Le Guin with curator Catherine Li - ART BOOK CLUB]]></title><description><![CDATA[<p>What do curators do? THE CARRIER BAG THEORY OF FICTION</p><p>It's a very very short text that can basically change your life. </p><p>With a simple shift in narrative, Le Guin demonstrates how we can totally change the STORY. </p><p>But... how does this apply to curating?</p><p><br /></p><p><strong>ART BOOK CLUB is a segment where a guest suggests a book which was not written with contemporary art in mind and yet is a source of inspiration, guidance and / or creativity for their work. Hosted by Joana P. R. Neves.</strong></p><p><a href="https://www.catherineli.co.uk/?fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnAJsm2SLf91Jf8Sn5WwdtcQzPcStGJMie9KzrdreFNZdtIGIN3T_eV__8zcU_aem_b2FsMPpZ3LQ4ELBbIo7Lhw" rel="noopener noreferrer nofollow">Catherine Li</a> chose: Ursula K. Le Guin</p><p><br /></p><p><a href="https://www.youtube.com/hashtag/curators" rel="noopener noreferrer nofollow">#curators</a> <a href="https://www.youtube.com/hashtag/artpodcast" rel="noopener noreferrer nofollow">#artpodcast</a> <a href="https://www.youtube.com/hashtag/artbook" rel="noopener noreferrer nofollow">#artbook</a></p><p>To know more about our guests → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.</p><p>⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa0YxYXU2S2k3SWxyNjRiSGhaYmw4SEh1bTJXd3xBQ3Jtc0ttWmZBSVNEMG94Y3VDMV9SamxfVEoySVNKdTJGUFZZd1htN2hLR2pZckFSUU9pTTdlT3lsSWdYX2l6UURGLXFXcU5UWHFuT2Fqc1BETFlYckVfd3lhcnRjVlVfTnFnc1BPRERmclBXNGlIZ2dLS3JQWQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow">https://joanaprneves.substack.com/s/exhibitionistas</a></p><p>+ backstage information and much much more. All the references in the episode are linked there too. And you get to explore all my published texts.</p><p>+ you can become a member and support us.</p><p><br /></p><p>What you get from this episode: Curating revelations, unexpected curating methods, lessons in community, art philosophies, ethical art questions.</p><p><br /></p><p>→ DONATE (give it some time for the donorbox window to charge):</p><p>⁠⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbHViMDRERTlIVHpTVEdxUkdQV1IteXo1UEoxUXxBQ3Jtc0trc3lJMVRHRXhrZnJoNDhKTEx0Y19XRHRIVWd2ZmctaGdQVFp4d1FVT3pDanpVeVhEb0libDNWekJuU0taMFhJaFY1dW1XbGtqVmdXT2p4RnZaWHFzcDJTMmxtVHN3elBPbVV5NGNiYzE4WlBTd25uZw&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow">https://exhibitionistaspodcast.com/support-us</a></p><p><br /></p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: ⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbV9wYko3b1dFNGdMT1kzMVJRU2EtMU9KTy1WQXxBQ3Jtc0tseHZidUtmRmxJbThCR1EwMW9seHRfWENkZ0s3blVLaW9FeUtqREZSM3Q0aHFLbnZ0VEh2QVVCSjRqWkxvVDk0ZHpDZXdYVHQ5OUlhWlp0eGprYmprZXZVcFJsdGk0aGNCWVp2SzZFUTVUWHZMREtpNA&amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionis..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow">https://buymeacoffee.com/exhibitionista</a></p><p><br /></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com</p><p><a href="https://www.youtube.com/watch?v=N97yd5t3pFY" rel="noopener noreferrer nofollow">00:00</a> Intro <a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=310s" rel="noopener noreferrer nofollow">00:05:10</a> What does a curator do?<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=597s" rel="noopener noreferrer nofollow">00:09:57</a> The book over which Joana and Catherine bonded<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=929s" rel="noopener noreferrer nofollow">00:15:29</a> The Carrier Bag Theory of Fiction<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=1396s" rel="noopener noreferrer nofollow">00:23:16</a> An exhibition the size of a lunchbox<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=2002s" rel="noopener noreferrer nofollow">00:33:22</a> Ideas and practicalities of curating<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=2449s" rel="noopener noreferrer nofollow">00:40:49</a> Le Guin’s critique of the hero-centric story<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=2755s" rel="noopener noreferrer nofollow">00:45:55</a> The curator: hero, opinion maker?<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=3129s" rel="noopener noreferrer nofollow">00:52:09</a> Feminism, pre-history and curating<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=3589s" rel="noopener noreferrer nofollow">00:59:49</a> The curator as a carrier<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=4043s" rel="noopener noreferrer nofollow">01:07:23</a> Traditions and experimentations in curating<a href="https://www.youtube.com/watch?v=N97yd5t3pFY&amp;t=4619s" rel="noopener noreferrer nofollow">01:16:59</a> Le Guin’s vision: process rather than conflict</p><p><br /></p><p><a href="https://www.youtube.com/hashtag/contemporaryart" rel="noopener noreferrer nofollow">#contemporaryart</a> <a href="https://www.youtube.com/hashtag/ursulakleguin" rel="noopener noreferrer nofollow">#ursulakleguin</a> <a href="https://www.youtube.com/hashtag/howtomakeart" rel="noopener noreferrer nofollow">#howtomakeart</a> <a href="https://www.youtube.com/hashtag/artexhibitions" rel="noopener noreferrer nofollow">#artexhibitions</a> <a href="https://www.youtube.com/hashtag/catherineli" rel="noopener noreferrer nofollow">#catherineli</a> <a href="https://www.youtube.com/hashtag/exhibitionistas" rel="noopener noreferrer nofollow">#exhibitionistas</a> <a href="https://www.youtube.com/hashtag/exhibitionistaspodcast" rel="noopener noreferrer nofollow">#exhibitionistaspodcast</a> <a href="https://www.youtube.com/hashtag/joanaprneves" rel="noopener noreferrer nofollow">#joanaprneves</a> <a href="https://www.youtube.com/hashtag/artbook" rel="noopener noreferrer nofollow">#artbook</a> <a href="https://www.youtube.com/hashtag/artbookclub" rel="noopener noreferrer nofollow">#artbookclub</a> <a href="https://www.youtube.com/hashtag/bookclub" rel="noopener noreferrer nofollow">#bookclub</a> <a href="https://www.youtube.com/hashtag/painting" rel="noopener noreferrer nofollow">#painting</a> <a href="https://www.youtube.com/hashtag/contemporarypainting" rel="noopener noreferrer nofollow">#contemporarypainting</a> <a href="https://www.youtube.com/hashtag/londonart" rel="noopener noreferrer nofollow">#londonart</a> <a href="https://www.youtube.com/hashtag/museum" rel="noopener noreferrer nofollow">#museum</a> <a href="https://www.youtube.com/hashtag/londonmuseum" rel="noopener noreferrer nofollow">#londonmuseum</a> <a href="https://www.youtube.com/hashtag/artpodcast" rel="noopener noreferrer nofollow">#artpodcast</a> <a href="https://www.youtube.com/hashtag/artconversations" rel="noopener noreferrer nofollow">#artconversations</a> <a href="https://www.youtube.com/hashtag/arttalk" rel="noopener noreferrer nofollow">#arttalk</a> <a href="https://www.youtube.com/hashtag/talkart" rel="noopener noreferrer nofollow">#talkart</a> <a href="https://www.youtube.com/hashtag/greatwomenartists" rel="noopener noreferrer nofollow">#greatwomenartists</a> <a href="https://www.youtube.com/hashtag/sciencefiction" rel="noopener noreferrer nofollow">#sciencefiction</a> <a href="https://www.youtube.com/hashtag/drawing" rel="noopener noreferrer nofollow">#drawing</a> <a href="https://www.youtube.com/hashtag/museums" rel="noopener noreferrer nofollow">#museums</a> <a href="https://www.youtube.com/hashtag/artisttalk" rel="noopener noreferrer nofollow">#artisttalk</a> <a href="https://www.youtube.com/hashtag/artpodcast" rel="noopener noreferrer nofollow">#artpodcast</a> <a href="https://www.youtube.com/hashtag/artgallery" rel="noopener noreferrer nofollow">#artgallery</a></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Ursula-K--Le-Guin-with-curator-Catherine-Li---ART-BOOK-CLUB-e3a9n10</link><guid isPermaLink="false">4deab8cc-2b2d-496d-8237-97598bc1e36b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 31 Oct 2025 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/3bce9b6dd97c31b66c99b7c03c84e10310b10c67afc0515a027e9ba3bdc2d78c/eyJlcGlzb2RlSWQiOiI5ZWQ3NmUyYy0zNzEwLTQ2YjAtODYzYS1kZTgyNzJmOTNmOGIiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOWVkNzZlMmMtMzcxMC00NmIwLTg2M2EtZGU4MjcyZjkzZjhiLzQxMDMwNDQwMS00NDEwMC0yLTk2ODk4ZjE3N2RkYWUubXAzIn0=.mp3" length="76531669" type="audio/mpeg"/><itunes:summary>&lt;p&gt;What do curators do? THE CARRIER BAG THEORY OF FICTION&lt;/p&gt;&lt;p&gt;It&apos;s a very very short text that can basically change your life. &lt;/p&gt;&lt;p&gt;With a simple shift in narrative, Le Guin demonstrates how we can totally change the STORY. &lt;/p&gt;&lt;p&gt;But... how does this apply to curating?&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;ART BOOK CLUB is a segment where a guest suggests a book which was not written with contemporary art in mind and yet is a source of inspiration, guidance and / or creativity for their work. Hosted by Joana P. R. Neves.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.catherineli.co.uk/?fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnAJsm2SLf91Jf8Sn5WwdtcQzPcStGJMie9KzrdreFNZdtIGIN3T_eV__8zcU_aem_b2FsMPpZ3LQ4ELBbIo7Lhw&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Catherine Li&lt;/a&gt; chose: Ursula K. Le Guin&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/hashtag/curators&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#curators&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artpodcast&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artpodcast&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artbook&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artbook&lt;/a&gt;&lt;/p&gt;&lt;p&gt;To know more about our guests → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.&lt;/p&gt;&lt;p&gt;⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqa0YxYXU2S2k3SWxyNjRiSGhaYmw4SEh1bTJXd3xBQ3Jtc0ttWmZBSVNEMG94Y3VDMV9SamxfVEoySVNKdTJGUFZZd1htN2hLR2pZckFSUU9pTTdlT3lsSWdYX2l6UURGLXFXcU5UWHFuT2Fqc1BETFlYckVfd3lhcnRjVlVfTnFnc1BPRERmclBXNGlIZ2dLS3JQWQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://joanaprneves.substack.com/s/exhibitionistas&lt;/a&gt;&lt;/p&gt;&lt;p&gt;+ backstage information and much much more. All the references in the episode are linked there too. And you get to explore all my published texts.&lt;/p&gt;&lt;p&gt;+ you can become a member and support us.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;What you get from this episode: Curating revelations, unexpected curating methods, lessons in community, art philosophies, ethical art questions.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ DONATE (give it some time for the donorbox window to charge):&lt;/p&gt;&lt;p&gt;⁠⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbHViMDRERTlIVHpTVEdxUkdQV1IteXo1UEoxUXxBQ3Jtc0trc3lJMVRHRXhrZnJoNDhKTEx0Y19XRHRIVWd2ZmctaGdQVFp4d1FVT3pDanpVeVhEb0libDNWekJuU0taMFhJaFY1dW1XbGtqVmdXT2p4RnZaWHFzcDJTMmxtVHN3elBPbVV5NGNiYzE4WlBTd25uZw&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://exhibitionistaspodcast.com/support-us&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: ⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbV9wYko3b1dFNGdMT1kzMVJRU2EtMU9KTy1WQXxBQ3Jtc0tseHZidUtmRmxJbThCR1EwMW9seHRfWENkZ0s3blVLaW9FeUtqREZSM3Q0aHFLbnZ0VEh2QVVCSjRqWkxvVDk0ZHpDZXdYVHQ5OUlhWlp0eGprYmprZXZVcFJsdGk0aGNCWVp2SzZFUTVUWHZMREtpNA&amp;amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionis..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://buymeacoffee.com/exhibitionista&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:00&lt;/a&gt; Intro &lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=310s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:05:10&lt;/a&gt; What does a curator do?&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=597s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:09:57&lt;/a&gt; The book over which Joana and Catherine bonded&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=929s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:15:29&lt;/a&gt; The Carrier Bag Theory of Fiction&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=1396s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:23:16&lt;/a&gt; An exhibition the size of a lunchbox&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=2002s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:33:22&lt;/a&gt; Ideas and practicalities of curating&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=2449s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:40:49&lt;/a&gt; Le Guin’s critique of the hero-centric story&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=2755s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:45:55&lt;/a&gt; The curator: hero, opinion maker?&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=3129s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:52:09&lt;/a&gt; Feminism, pre-history and curating&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=3589s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;00:59:49&lt;/a&gt; The curator as a carrier&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=4043s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;01:07:23&lt;/a&gt; Traditions and experimentations in curating&lt;a href=&quot;https://www.youtube.com/watch?v=N97yd5t3pFY&amp;amp;t=4619s&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;01:16:59&lt;/a&gt; Le Guin’s vision: process rather than conflict&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/hashtag/contemporaryart&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#contemporaryart&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/ursulakleguin&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#ursulakleguin&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/howtomakeart&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#howtomakeart&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artexhibitions&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artexhibitions&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/catherineli&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#catherineli&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/exhibitionistas&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#exhibitionistas&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/exhibitionistaspodcast&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#exhibitionistaspodcast&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/joanaprneves&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#joanaprneves&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artbook&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artbook&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artbookclub&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artbookclub&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/bookclub&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#bookclub&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/painting&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#painting&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/contemporarypainting&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#contemporarypainting&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/londonart&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#londonart&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/museum&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#museum&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/londonmuseum&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#londonmuseum&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artpodcast&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artpodcast&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artconversations&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artconversations&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/arttalk&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#arttalk&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/talkart&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#talkart&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/greatwomenartists&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#greatwomenartists&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/sciencefiction&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#sciencefiction&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/drawing&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#drawing&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/museums&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#museums&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artisttalk&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artisttalk&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artpodcast&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artpodcast&lt;/a&gt; &lt;a href=&quot;https://www.youtube.com/hashtag/artgallery&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#artgallery&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:19:43</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/9ed76e2c-3710-46b0-863a-de8272f93f8b/42910897-1762431863324-c0074be47b62d.jpg"/><itunes:season>3</itunes:season><itunes:episode>4</itunes:episode><itunes:title>Ursula K. Le Guin with curator Catherine Li - ART BOOK CLUB</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Ed Atkins’ Performing Avatars–Generative Technology in Contemporary Art–Tate Survey Exhibition]]></title><description><![CDATA[<p>Visual artist Ed Atkins’s work is an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more.  Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death</p><p><br /></p><p><a href="https://exhibitionistaspodcast.com/newsletter" rel="noopener noreferrer nofollow"><strong>SIGN UP</strong></a><strong> –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.</strong></p><p><strong>Episode......................................................................</strong></p><p><br /></p><p><em><strong>You wouldn't leave the shop without paying for your latte, right?</strong></em></p><p><em><strong>Buy us a latte ;-) </strong></em><a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow"><em>⁠⁠https://exhibitionistaspodcast.com/support-us⁠</em></a></p><p><br /></p><p><em><strong>If you enjoyed the episode, you may enjoy my essays on Substack: </strong></em><a href="https://joanaprneves.substack.com/" rel="noopener noreferrer nofollow"><em><strong>⁠⁠https://joanaprneves.substack.com⁠⁠</strong></em></a></p><p>Across all technologies, we've asked the same questions: </p><p>…are we spectators or actors? </p><p>…contemplative or engaged? </p><p>…are images and the people in them dead? </p><p>…and if so, why are they moving (both as a verb and an adjective)?</p><p>Hailed as a <strong>pioneer of digital technology</strong>, Ed Atkins' work found its groove in early experiments with <strong>video-editing</strong>. These quickly migrated into the world of <strong>gaming</strong>, with its <strong>motion capture</strong> and <strong>CGI animation</strong>, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. </p><p><strong>For behind the scenes clips and visuals follow us on </strong><a href="https://www.instagram.com/exhibitionistas_podcast/" rel="noopener noreferrer nofollow"><strong>Instagram</strong></a><strong>: @exhibitionistas_podcast</strong></p><p>We discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics.</p><p><br /></p><p>Instagram:   @exhibitionistas_podcast  </p><p>Bluesky: @exhibitionistas.bsky.social</p><p>Website: https://exhibitionistaspodcast.com</p><p><br /></p><p>Chapters</p><p>00:00 Introduction and Setup</p><p>02:31 Memories of Tate Modern</p><p>07:07 Pivotal Moments in Ed Atkins' Career</p><p>14:03 A Few Points Of Reference For Ed Atkins' Work</p><p>18:21 When The Artist Writes Their Own Wall Texts</p><p>22:35 Narratives On And Off The Screen(s)</p><p>27:17 The Exhibition as Experimental Writing</p><p>32:07 Narrative Building in Art Experiences</p><p>37:33 Theatre Without Actors</p><p>41:03 Self-Representation and Identity in Art</p><p>46:19 Spatial Dynamics and Human Scale in Art</p><p>53:23 Modernism and Its Absence in the UK</p><p>55:31 Life As Utter Devotion, Art As Its Awareness </p><p>01:02:36 The Disconnect Between Generations in Art</p><p>01:07:18 Reading Emotion: Ed Atkin's New Film With Real Actors</p><p>01:11:40 The Journey Through Illness and Art</p><p>01:16:51 The Mysterious Case of the Disappearing Spectators</p><p>01:22:16 OUTRO</p><p><br /></p><p>About us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Ed-Atkins-Performing-AvatarsGenerative-Technology-in-Contemporary-ArtTate-Survey-Exhibition-e32s192</link><guid isPermaLink="false">d6b0b7f9-fe5f-4f46-9d41-1188c8cf2d8b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 16 May 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/bebd314389a663f333cf255eeb84606b832ce2d2b4ca25650a6119f46c124585/eyJlcGlzb2RlSWQiOiIyMjM4YzJkYy0yMDJmLTRkNGQtOTA4Mi1mYjUxMmQzNTExNjQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMjIzOGMyZGMtMjAyZi00ZDRkLTkwODItZmI1MTJkMzUxMTY0LzQwMDMwNTE3NC00NDEwMC0yLTY1YTcwNTg0OTk3NWUubXAzIn0=.mp3" length="80387760" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Visual artist Ed Atkins’s work is an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more.  Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relation with time, narrative, devotion and death&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/newsletter&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;strong&gt;SIGN UP&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; –Be the first to know next episodes, get BOOK RECOMMENDATIONS, juicy facts + useful links.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Episode......................................................................&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;You wouldn&apos;t leave the shop without paying for your latte, right?&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Buy us a latte ;-) &lt;/strong&gt;&lt;/em&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;⁠⁠https://exhibitionistaspodcast.com/support-us⁠&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;If you enjoyed the episode, you may enjoy my essays on Substack: &lt;/strong&gt;&lt;/em&gt;&lt;a href=&quot;https://joanaprneves.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;&lt;strong&gt;⁠⁠https://joanaprneves.substack.com⁠⁠&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Across all technologies, we&apos;ve asked the same questions: &lt;/p&gt;&lt;p&gt;…are we spectators or actors? &lt;/p&gt;&lt;p&gt;…contemplative or engaged? &lt;/p&gt;&lt;p&gt;…are images and the people in them dead? &lt;/p&gt;&lt;p&gt;…and if so, why are they moving (both as a verb and an adjective)?&lt;/p&gt;&lt;p&gt;Hailed as a &lt;strong&gt;pioneer of digital technology&lt;/strong&gt;, Ed Atkins&apos; work found its groove in early experiments with &lt;strong&gt;video-editing&lt;/strong&gt;. These quickly migrated into the world of &lt;strong&gt;gaming&lt;/strong&gt;, with its &lt;strong&gt;motion capture&lt;/strong&gt; and &lt;strong&gt;CGI animation&lt;/strong&gt;, and their striking similarity with live performance through timed duration, but with a complicated relation with the physical world and real, fleshy bodies. &lt;/p&gt;&lt;p&gt;&lt;strong&gt;For behind the scenes clips and visuals follow us on &lt;/strong&gt;&lt;a href=&quot;https://www.instagram.com/exhibitionistas_podcast/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;strong&gt;Instagram&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;: @exhibitionistas_podcast&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;We discuss: #parenting, #audience #engagement, #theatre spaces, fear, #vulnerability, #narrative building, #virtual realities, #self-representation, #identity, spatial dynamics, #modernism, #existentialism, #mortality, #parenthood, #theatre, #experimental film, emotional detachment, #intergenerational connections, #illness, #family dynamics.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Instagram:   @exhibitionistas_podcast  &lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;Website: https://exhibitionistaspodcast.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;p&gt;00:00 Introduction and Setup&lt;/p&gt;&lt;p&gt;02:31 Memories of Tate Modern&lt;/p&gt;&lt;p&gt;07:07 Pivotal Moments in Ed Atkins&apos; Career&lt;/p&gt;&lt;p&gt;14:03 A Few Points Of Reference For Ed Atkins&apos; Work&lt;/p&gt;&lt;p&gt;18:21 When The Artist Writes Their Own Wall Texts&lt;/p&gt;&lt;p&gt;22:35 Narratives On And Off The Screen(s)&lt;/p&gt;&lt;p&gt;27:17 The Exhibition as Experimental Writing&lt;/p&gt;&lt;p&gt;32:07 Narrative Building in Art Experiences&lt;/p&gt;&lt;p&gt;37:33 Theatre Without Actors&lt;/p&gt;&lt;p&gt;41:03 Self-Representation and Identity in Art&lt;/p&gt;&lt;p&gt;46:19 Spatial Dynamics and Human Scale in Art&lt;/p&gt;&lt;p&gt;53:23 Modernism and Its Absence in the UK&lt;/p&gt;&lt;p&gt;55:31 Life As Utter Devotion, Art As Its Awareness &lt;/p&gt;&lt;p&gt;01:02:36 The Disconnect Between Generations in Art&lt;/p&gt;&lt;p&gt;01:07:18 Reading Emotion: Ed Atkin&apos;s New Film With Real Actors&lt;/p&gt;&lt;p&gt;01:11:40 The Journey Through Illness and Art&lt;/p&gt;&lt;p&gt;01:16:51 The Mysterious Case of the Disappearing Spectators&lt;/p&gt;&lt;p&gt;01:22:16 OUTRO&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;About us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they&apos;re nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you&apos;ve seen or discover it if you can&apos;t go, learn or re-evaluate artistic topics crossing over into our everyday lives.&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:23:44</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/2238c2dc-202f-4d4d-9082-fb512d351164/42910897-1747265835475-f96e2821f0041.jpg"/><itunes:season>2</itunes:season><itunes:episode>18</itunes:episode><itunes:title>Ed Atkins’ Performing Avatars–Generative Technology in Contemporary Art–Tate Survey Exhibition</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Philip Guston]]></title><description><![CDATA[In this episode, we explore the work and life of Philip Guston, after having visited his exhibition at Tate Modern. Talk about plot twists! Guston's life and exhibitions, even this last travelling one, caused tremendous controversy. But above all, it's his ability to question himself and follow his own ideas that really impressed us.

Music: Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Philip-Guston-e2tub2e</link><guid isPermaLink="false">947bc789-a896-4991-b741-d30bdef48042</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 09 Feb 2024 07:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/7f3c8ffccd91c3e1125f0a6ecbf509eb062484b7da54e44dbc9491de7318044d/eyJlcGlzb2RlSWQiOiJmNWI3NDgyYi00MmUyLTQ5NjItYTZhMC0zZDA4NDhhOWYzM2YiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZjViNzQ4MmItNDJlMi00OTYyLWE2YTAtM2QwODQ4YTlmMzNmLzM5MzY0Nzg0OS00ODAwMC0yLTIwYzUxZjgwNjdlN2M0ZjkubXAzIn0=.mp3" length="93857565" type="audio/mpeg"/><itunes:summary>In this episode, we explore the work and life of Philip Guston, after having visited his exhibition at Tate Modern. Talk about plot twists! Guston&apos;s life and exhibitions, even this last travelling one, caused tremendous controversy. But above all, it&apos;s his ability to question himself and follow his own ideas that really impressed us.

Music: Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:05:10</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/f5b7482b-42e2-4962-a6a0-3d0848a9f33f/faa1990202528e9b.png"/><itunes:title>Philip Guston</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Visual Arts and Fiction? Laisul Hoque Chooses Babu Bangladesh! by Numair Atif Choudhury – ART Book Club]]></title><description><![CDATA[<p><em>ART BOOK CLUB is a segment where a guest suggests a book which was not written with visual arts in mind and yet is a source of inspiration, guidance and / or creativity for their work. Hosted by Joana P. R. Neves, this episode welcomes visual artist Laisul Hoque.</em></p><p><br /></p><ul><li><p><em>How can a work of fiction influence the work of an artist? </em></p></li><li><p><em>Can a visual arts practice be illuminated by storytelling? How can art practices she light on the value and limitations of archives and photographic documentation of the past?</em></p></li><li><p><em>To what extent do images convey the truth? </em></p></li><li><p><em>Is visual arts the territory where we reckon with our ties with the past, and our emotional needs? </em></p></li></ul><p><br /></p><p><em>Laisul chose: Babu Bangladesh!, written by Numair Atif Choudhury.</em></p><p><br /></p><p>To know more about our guests → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.</p><p>⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa0YxYXU2S2k3SWxyNjRiSGhaYmw4SEh1bTJXd3xBQ3Jtc0ttWmZBSVNEMG94Y3VDMV9SamxfVEoySVNKdTJGUFZZd1htN2hLR2pZckFSUU9pTTdlT3lsSWdYX2l6UURGLXFXcU5UWHFuT2Fqc1BETFlYckVfd3lhcnRjVlVfTnFnc1BPRERmclBXNGlIZ2dLS3JQWQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow" target="_blank">⁠</a><a href="https://joanaprneves.substack.com/s/exhibitionistas⁠" rel="noopener noreferrer nofollow" target="_blank">https://joanaprneves.substack.com/s/exhibitionistas⁠</a></p><p>+ you can become a member and support us.</p><p><br /></p><p>What you get from this episode: Curating revelations, unexpected curating methods, lessons in community, art philosophies, ethical art questions.</p><p><br /></p><p>→ DONATE (give it some time for the donorbox window to charge):</p><p>⁠⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbHViMDRERTlIVHpTVEdxUkdQV1IteXo1UEoxUXxBQ3Jtc0trc3lJMVRHRXhrZnJoNDhKTEx0Y19XRHRIVWd2ZmctaGdQVFp4d1FVT3pDanpVeVhEb0libDNWekJuU0taMFhJaFY1dW1XbGtqVmdXT2p4RnZaWHFzcDJTMmxtVHN3elBPbVV5NGNiYzE4WlBTd25uZw&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow" target="_blank">⁠</a><a href="https://exhibitionistaspodcast.com/support-us⁠" rel="noopener noreferrer nofollow" target="_blank">https://exhibitionistaspodcast.com/support-us⁠</a></p><p><br /></p><p>If you appreciate Exhibitionistas but can only go for a small donation: ⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbV9wYko3b1dFNGdMT1kzMVJRU2EtMU9KTy1WQXxBQ3Jtc0tseHZidUtmRmxJbThCR1EwMW9seHRfWENkZ0s3blVLaW9FeUtqREZSM3Q0aHFLbnZ0VEh2QVVCSjRqWkxvVDk0ZHpDZXdYVHQ5OUlhWlp0eGprYmprZXZVcFJsdGk0aGNCWVp2SzZFUTVUWHZMREtpNA&amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionis..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow" target="_blank">⁠</a><a href="https://buymeacoffee.com/exhibitionista⁠" rel="noopener noreferrer nofollow" target="_blank">https://buymeacoffee.com/exhibitionista⁠</a></p><p><br /></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p><br /></p><p><br /></p><p>0:00 Intro</p><p>04:19 Choosing an artistic career</p><p>11:13 Autobiography in visual arts</p><p>18:26 Book: Babu Bangladesh! By NUmair Atif Choudhury</p><p>20:14 How a book intersects with personal life</p><p>22:15 The personal, the politics, the art, the book</p><p>28:20 What is Babu Bangladesh! about?</p><p>35:14 Family photo archive and visual arts</p><p>39:26 Break and call for action</p><p>41:43 Speculative fiction as device for truth telling</p><p>45:58 Why is Babu Bangladesh! In English?</p><p>48:32 Taking ownership of the historical archive?</p><p>56:18 StorytellingThe Ground Beneath Me: An artistic exploration of care</p><p>01:03:34 Displaced spaces of art</p><p>01:10:16 Does art provide answers?</p><p>01:21:14 Outro </p><p><br /></p><p>#visualarts #visualartist #bangladeshiartist #bangladeshart #arteducation #artbookclub #bookclub #bangladeshfiction #numairatifchoudhury #joanaprneves #exhibitionistas #exhibitionistaspodcast #arttalk #art #visualartsepisode #visualartspodcast #contemporaryart #talkart #youngartist #bowarts #nunnerygallery #londonexhibitions #londongallery #londonmuseum #bestlondonart</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Visual-Arts-and-Fiction--Laisul-Hoque-Chooses-Babu-Bangladesh--by-Numair-Atif-Choudhury--ART-Book-Club-e3fb70u</link><guid isPermaLink="false">1fad6118-a0f6-41a9-8735-9daab1be05c8</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 20 Feb 2026 06:30:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/8aa8abd6017240f40b7d45590893cbdb652332d5616ed27d46a1acbc34f74e2c/eyJlcGlzb2RlSWQiOiJmYTI0MDlkOC00ZWE5LTQxYjUtYjEzNC0yZDJiZTA1YWJlZWUiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZmEyNDA5ZDgtNGVhOS00MWI1LWIxMzQtMmQyYmUwNWFiZWVlLzQxODQ0MzQzMi00NDEwMC0yLTRlYTMwMTc2NGE4MmQubXAzIn0=.mp3" length="78334327" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;em&gt;ART BOOK CLUB is a segment where a guest suggests a book which was not written with visual arts in mind and yet is a source of inspiration, guidance and / or creativity for their work. Hosted by Joana P. R. Neves, this episode welcomes visual artist Laisul Hoque.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;em&gt;How can a work of fiction influence the work of an artist? &lt;/em&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;em&gt;Can a visual arts practice be illuminated by storytelling? How can art practices she light on the value and limitations of archives and photographic documentation of the past?&lt;/em&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;em&gt;To what extent do images convey the truth? &lt;/em&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;em&gt;Is visual arts the territory where we reckon with our ties with the past, and our emotional needs? &lt;/em&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Laisul chose: Babu Bangladesh!, written by Numair Atif Choudhury.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;To know more about our guests → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.&lt;/p&gt;&lt;p&gt;⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqa0YxYXU2S2k3SWxyNjRiSGhaYmw4SEh1bTJXd3xBQ3Jtc0ttWmZBSVNEMG94Y3VDMV9SamxfVEoySVNKdTJGUFZZd1htN2hLR2pZckFSUU9pTTdlT3lsSWdYX2l6UURGLXFXcU5UWHFuT2Fqc1BETFlYckVfd3lhcnRjVlVfTnFnc1BPRERmclBXNGlIZ2dLS3JQWQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠&lt;/a&gt;&lt;a href=&quot;https://joanaprneves.substack.com/s/exhibitionistas⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://joanaprneves.substack.com/s/exhibitionistas⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;+ you can become a member and support us.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;What you get from this episode: Curating revelations, unexpected curating methods, lessons in community, art philosophies, ethical art questions.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ DONATE (give it some time for the donorbox window to charge):&lt;/p&gt;&lt;p&gt;⁠⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbHViMDRERTlIVHpTVEdxUkdQV1IteXo1UEoxUXxBQ3Jtc0trc3lJMVRHRXhrZnJoNDhKTEx0Y19XRHRIVWd2ZmctaGdQVFp4d1FVT3pDanpVeVhEb0libDNWekJuU0taMFhJaFY1dW1XbGtqVmdXT2p4RnZaWHFzcDJTMmxtVHN3elBPbVV5NGNiYzE4WlBTd25uZw&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠&lt;/a&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/support-us⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://exhibitionistaspodcast.com/support-us⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you appreciate Exhibitionistas but can only go for a small donation: ⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbV9wYko3b1dFNGdMT1kzMVJRU2EtMU9KTy1WQXxBQ3Jtc0tseHZidUtmRmxJbThCR1EwMW9seHRfWENkZ0s3blVLaW9FeUtqREZSM3Q0aHFLbnZ0VEh2QVVCSjRqWkxvVDk0ZHpDZXdYVHQ5OUlhWlp0eGprYmprZXZVcFJsdGk0aGNCWVp2SzZFUTVUWHZMREtpNA&amp;amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionis..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠&lt;/a&gt;&lt;a href=&quot;https://buymeacoffee.com/exhibitionista⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://buymeacoffee.com/exhibitionista⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;0:00 Intro&lt;/p&gt;&lt;p&gt;04:19 Choosing an artistic career&lt;/p&gt;&lt;p&gt;11:13 Autobiography in visual arts&lt;/p&gt;&lt;p&gt;18:26 Book: Babu Bangladesh! By NUmair Atif Choudhury&lt;/p&gt;&lt;p&gt;20:14 How a book intersects with personal life&lt;/p&gt;&lt;p&gt;22:15 The personal, the politics, the art, the book&lt;/p&gt;&lt;p&gt;28:20 What is Babu Bangladesh! about?&lt;/p&gt;&lt;p&gt;35:14 Family photo archive and visual arts&lt;/p&gt;&lt;p&gt;39:26 Break and call for action&lt;/p&gt;&lt;p&gt;41:43 Speculative fiction as device for truth telling&lt;/p&gt;&lt;p&gt;45:58 Why is Babu Bangladesh! In English?&lt;/p&gt;&lt;p&gt;48:32 Taking ownership of the historical archive?&lt;/p&gt;&lt;p&gt;56:18 StorytellingThe Ground Beneath Me: An artistic exploration of care&lt;/p&gt;&lt;p&gt;01:03:34 Displaced spaces of art&lt;/p&gt;&lt;p&gt;01:10:16 Does art provide answers?&lt;/p&gt;&lt;p&gt;01:21:14 Outro &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#visualarts #visualartist #bangladeshiartist #bangladeshart #arteducation #artbookclub #bookclub #bangladeshfiction #numairatifchoudhury #joanaprneves #exhibitionistas #exhibitionistaspodcast #arttalk #art #visualartsepisode #visualartspodcast #contemporaryart #talkart #youngartist #bowarts #nunnerygallery #londonexhibitions #londongallery #londonmuseum #bestlondonart&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:21:35</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/fa2409d8-4ea9-41b5-b134-2d2be05abeee/42910897-1771578087928-71380322b6d13.jpg"/><itunes:season>3</itunes:season><itunes:episode>11</itunes:episode><itunes:title>Visual Arts and Fiction? Laisul Hoque Chooses Babu Bangladesh! by Numair Atif Choudhury – ART Book Club</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Sound of Drawing–Graphic Explorations of Language in Art–A Sonic Voyage into Irma Blank's Meditative Art]]></title><description><![CDATA[<p>Contemporary drawing is one of art's best kept secrets: associated with sound, language and writing, it turns contemporary art into a meditative form of art-making engaging the spectator in a poetic and existential voyage. </p><p>Led by Blank's discovery of sound within the daily practice of drawing, this episode is a sonic wandering and a philosophical exploration of the artist's work, engaging with recent technological changes. How can a minimal and poetic practice face such specific issues? What is the role of the artist facing a global net of information which connects us as much as it separates us? And what is the value of communication – and of silence? Irma Blank has taught me that and much more.</p><p>The avant-gardes of the 1960s–70s were proliferous in innovative and minimal methods of creativity engaging the breath, the whole body and graphic deconstructions of language. Irma Blank was one of those artists with a subversive take on traditional artistic languages. </p><p>Have you ever wondered how artists and curators work together? This episode muses upon the relation between me, a young-ish curator and the artist Irma Blank, who'd reached the age of 80 when we met, along with my co-curator Johana Carrier. </p><p><em>This episode is an excerpt of a lecture given by me on the 3rd of February  2025 at ABK Stuttgart whose title was "The Paper is Impatient", under the invitation of the drawing department, and their teachers Katrin Ströbel and Hanna Hennenkemper.</em></p><p><br /></p><p><em>The « drawing sounds » are excerpts of Irma Blank’s recordings of the sound of each series. For Radical Writings, she recorded herself, breathing in and out, because that was the basis of the image’s structure.</em></p><p><br /></p><p>Music by Sarturn.</p><p>&gt;&gt;&gt;&gt;&gt;&gt;&gt;</p><p>For more information about the artist visit her gallery's website: <a href="https://www.p420.it/" rel="noopener noreferrer nofollow" target="_blank">P420</a>, Bologna, Italy.</p><p>DID YOU ENJOY THE EPISODE?</p><p>Support us through a <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">donation or membership</a>.</p><p>DID YOU ENJOY THE TEXT?</p><p>Follow me on <a href="https://joanaprneves.substack.com" rel="noopener noreferrer nofollow" target="_blank">Substack</a> for more topics on art, society, artists and exhibitions.</p><p><br /></p><p>SUBSCRIBE , RATE AND FOLLOW US. IT MAKES A DIFFERENCE.</p><p><br /></p><p>FOLLOW US ON:</p><p>Instagram:   @exhibitionistas_podcast  </p><p>Bluesky: @exhibitionistas.bsky.social</p><p><a href="https://exhibitionistaspodcast.com" rel="noopener noreferrer nofollow" target="_blank">Exhibitionistas website</a></p><p>GET IN TOUCH: exhibitionistaspod@gmail.com</p><p>///////////////////////////////////////////////////////////////////////////////</p><p><br /></p><p>If you enjoy Katy Hessel's The Great Women Artists Podcast, this episode is for you. It is centred around the artistic practice of female German artist Irma Blank, who never stopped producing her art, whether it was shown in prestigious events such as the Venice Biennale in 1977, or it wasn't, like when her Radical Writings on canvas were deemed a form of yielding to the 80s trend of the return to painting... whereas Blank was, on the contrary, more militant than ever for her elemental forms of the line and the minimal gesture by deeply engaging with the meditative breath in relation to the line and the colour blue, which for her represented infinity. Blank passed away in 2023, leaving a potent body of work whose incredible energy leaves no spectator or curator indifferent.</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/The-Sound-of-DrawingGraphic-Explorations-of-Language-in-ArtA-Sonic-Voyage-into-Irma-Blanks-Meditative-Art-e31m5oa</link><guid isPermaLink="false">b0958a89-ca4b-4c3b-8438-f1944976a03c</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 18 Apr 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/464ef1381a474fd419d7e488d20607e28b35e36bfb4ccc3101ce6d1b15e982dc/eyJlcGlzb2RlSWQiOiIyZGJkMzNlYy1iYjE0LTRhYWUtYmI4MS0zNzU5Mzc2YzlhZjEiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMmRiZDMzZWMtYmIxNC00YWFlLWJiODEtMzc1OTM3NmM5YWYxLzM5ODU4OTM0My00NDEwMC0yLTM1ZGRhZjJjMGY2OWEubXAzIn0=.mp3" length="26491088" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Contemporary drawing is one of art&apos;s best kept secrets: associated with sound, language and writing, it turns contemporary art into a meditative form of art-making engaging the spectator in a poetic and existential voyage. &lt;/p&gt;&lt;p&gt;Led by Blank&apos;s discovery of sound within the daily practice of drawing, this episode is a sonic wandering and a philosophical exploration of the artist&apos;s work, engaging with recent technological changes. How can a minimal and poetic practice face such specific issues? What is the role of the artist facing a global net of information which connects us as much as it separates us? And what is the value of communication – and of silence? Irma Blank has taught me that and much more.&lt;/p&gt;&lt;p&gt;The avant-gardes of the 1960s–70s were proliferous in innovative and minimal methods of creativity engaging the breath, the whole body and graphic deconstructions of language. Irma Blank was one of those artists with a subversive take on traditional artistic languages. &lt;/p&gt;&lt;p&gt;Have you ever wondered how artists and curators work together? This episode muses upon the relation between me, a young-ish curator and the artist Irma Blank, who&apos;d reached the age of 80 when we met, along with my co-curator Johana Carrier. &lt;/p&gt;&lt;p&gt;&lt;em&gt;This episode is an excerpt of a lecture given by me on the 3rd of February  2025 at ABK Stuttgart whose title was &quot;The Paper is Impatient&quot;, under the invitation of the drawing department, and their teachers Katrin Ströbel and Hanna Hennenkemper.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;The « drawing sounds » are excerpts of Irma Blank’s recordings of the sound of each series. For Radical Writings, she recorded herself, breathing in and out, because that was the basis of the image’s structure.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Music by Sarturn.&lt;/p&gt;&lt;p&gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;&lt;/p&gt;&lt;p&gt;For more information about the artist visit her gallery&apos;s website: &lt;a href=&quot;https://www.p420.it/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;P420&lt;/a&gt;, Bologna, Italy.&lt;/p&gt;&lt;p&gt;DID YOU ENJOY THE EPISODE?&lt;/p&gt;&lt;p&gt;Support us through a &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;donation or membership&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;DID YOU ENJOY THE TEXT?&lt;/p&gt;&lt;p&gt;Follow me on &lt;a href=&quot;https://joanaprneves.substack.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Substack&lt;/a&gt; for more topics on art, society, artists and exhibitions.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;SUBSCRIBE , RATE AND FOLLOW US. IT MAKES A DIFFERENCE.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;FOLLOW US ON:&lt;/p&gt;&lt;p&gt;Instagram:   @exhibitionistas_podcast  &lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Exhibitionistas website&lt;/a&gt;&lt;/p&gt;&lt;p&gt;GET IN TOUCH: exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;///////////////////////////////////////////////////////////////////////////////&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you enjoy Katy Hessel&apos;s The Great Women Artists Podcast, this episode is for you. It is centred around the artistic practice of female German artist Irma Blank, who never stopped producing her art, whether it was shown in prestigious events such as the Venice Biennale in 1977, or it wasn&apos;t, like when her Radical Writings on canvas were deemed a form of yielding to the 80s trend of the return to painting... whereas Blank was, on the contrary, more militant than ever for her elemental forms of the line and the minimal gesture by deeply engaging with the meditative breath in relation to the line and the colour blue, which for her represented infinity. Blank passed away in 2023, leaving a potent body of work whose incredible energy leaves no spectator or curator indifferent.&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:27:35</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/2dbd33ec-bb14-4aae-bb81-3759376c9af1/42910897-1744928327893-ff4b483225f46.jpg"/><itunes:season>2</itunes:season><itunes:episode>17</itunes:episode><itunes:title>The Sound of Drawing–Graphic Explorations of Language in Art–A Sonic Voyage into Irma Blank&apos;s Meditative Art</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Gerhard Richter]]></title><description><![CDATA[In this episode, we dig into Gerhard Richter's lifetime of painting and his incursions in more conceptual works. We visited his first exhibition at David Zwirner, London, where we discovered drawings, paintings, mirror works and much more. 

Our research led us to his beginnings in Dresden and Düsseldorf, in post war GDR and Western Germany.  What is fascinating is how the photographic image is the guiding light in his relation to trauma, to history, to the present but most of all, to painting. Pop Art, Abstract Expressionism, Duchamp, all had an impact on Richter who nevertheless built his own path in the always menaced painting genre throughout the end of the century.  Indeed, how many times was painting declared dead in the 20th century?! Too many to count.

We kept our relation to Richter's work personal and fluid (Emily even got to do some reading), as there are so many sources out there for further information, amongst which: the catalogue raisonné published in 2022 by Hatjze Cantz; the Richter Interviews published in 2019 by Heni Publishing; and much more, which you can find here: https://gerhard-richter.com/en/literature

Info about the exhibition:

https://www.davidzwirner.com/exhibitions/2024/gerhard-richter

You can also explore Richter's website:

https://gerhard-richter.com/en/

Music: Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Gerhard-Richter-e2tub2p</link><guid isPermaLink="false">9e7379f3-af07-47cc-9430-925e509571b4</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 22 Mar 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/889225bc4cf3a836cd3f73dc419720535a14ec02e77d588f30f181e7940fd420/eyJlcGlzb2RlSWQiOiJiZWY4YzkxZC00Mjc4LTQ4NGQtODM4OC0xOGVkMTQyOWIxMmYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvYmVmOGM5MWQtNDI3OC00ODRkLTgzODgtMThlZDE0MjliMTJmLzM5MzY0Nzg2Ni00ODAwMC0yLTQ3Mzg2NWZkOTIwZTdiMzEubXAzIn0=.mp3" length="101542557" type="audio/mpeg"/><itunes:summary>In this episode, we dig into Gerhard Richter&apos;s lifetime of painting and his incursions in more conceptual works. We visited his first exhibition at David Zwirner, London, where we discovered drawings, paintings, mirror works and much more. 

Our research led us to his beginnings in Dresden and Düsseldorf, in post war GDR and Western Germany.  What is fascinating is how the photographic image is the guiding light in his relation to trauma, to history, to the present but most of all, to painting. Pop Art, Abstract Expressionism, Duchamp, all had an impact on Richter who nevertheless built his own path in the always menaced painting genre throughout the end of the century.  Indeed, how many times was painting declared dead in the 20th century?! Too many to count.

We kept our relation to Richter&apos;s work personal and fluid (Emily even got to do some reading), as there are so many sources out there for further information, amongst which: the catalogue raisonné published in 2022 by Hatjze Cantz; the Richter Interviews published in 2019 by Heni Publishing; and much more, which you can find here: https://gerhard-richter.com/en/literature

Info about the exhibition:

https://www.davidzwirner.com/exhibitions/2024/gerhard-richter

You can also explore Richter&apos;s website:

https://gerhard-richter.com/en/

Music: Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:10:30</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/bef8c91d-4278-484d-8388-18ed1429b12f/7b5b0ecb0b8547e4.png"/><itunes:title>Gerhard Richter</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Daidō Moriyama]]></title><description><![CDATA[In this episode, we explore the medium of photography through the lens - pun intended - of Daidō Moriyama's life work. We visited his exhibition at the Photographer's Gallery and we had very different experiences! 

https://thephotographersgallery.org.uk/whats-on/daido-moriyama-retrospective

Curators: Thyago Nogueira and Claire Grafik

We chat a lot about what it means to look at street photography and what it might feel to be in the photograph itself. What if it was you who were on an exhibition poster? We discuss minimalist and maximalist exhibitions, but, mostly, Moriyama's unfussed and iconoclastic relation with the medium. He is just cool.

https://www.moriyamadaido.com/en/

@exhibitionistas_podcast

Music: Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Daid-Moriyama-e2tub2b</link><guid isPermaLink="false">4253eefd-bfe2-4e16-b874-4bc286da0cc5</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 08 Mar 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/10d78abc460cc98f928abc8f318036cbda5bba26c7f1ffd412ba6ba0b877d0b5/eyJlcGlzb2RlSWQiOiIwMDQzNTczYS1lMDVlLTRmMDEtODJiMy1hNmQ0ZmU2YTFmNDQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMDA0MzU3M2EtZTA1ZS00ZjAxLTgyYjMtYTZkNGZlNmExZjQ0LzM5MzY0Nzg0Ni00ODAwMC0yLTg0YjNjMjYzM2EyMTRkMWUubXAzIn0=.mp3" length="99407325" type="audio/mpeg"/><itunes:summary>In this episode, we explore the medium of photography through the lens - pun intended - of Daidō Moriyama&apos;s life work. We visited his exhibition at the Photographer&apos;s Gallery and we had very different experiences! 

https://thephotographersgallery.org.uk/whats-on/daido-moriyama-retrospective

Curators: Thyago Nogueira and Claire Grafik

We chat a lot about what it means to look at street photography and what it might feel to be in the photograph itself. What if it was you who were on an exhibition poster? We discuss minimalist and maximalist exhibitions, but, mostly, Moriyama&apos;s unfussed and iconoclastic relation with the medium. He is just cool.

https://www.moriyamadaido.com/en/

@exhibitionistas_podcast

Music: Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:09:01</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/0043573a-e05e-4f01-82b3-a6d4fe6a1f44/73293c5661654bcb.png"/><itunes:title>Daidō Moriyama</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Festivities Episode (with Surprise Guest) ✨]]></title><description><![CDATA[We're wrapping up 2024 with a friends &amp; family celebration.And what a year it has been: Exhibitionistas was born.So, to celebrate kinship of all kinds through art, we decided to invite a special guest who has been steeped in art since birth, Joana's daughter, artist and dancer Constança Saturnino.How does growing up with an artist and a curator influence your idea of art?Follow us on Instagram: @exhibitionistas_podcastYou can also check out Constança's work on Instagram: @saturn.conchCheck out her handpoke tattoo Instagram: @field.trailOr her website: https://www.constancasaturnino.comPlease remember to support us on Patreon: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Festivities-Episode-with-Surprise-Guest-e2tub24</link><guid isPermaLink="false">75aaa7b6-37b3-425e-a522-305996b60dad</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Sun, 29 Dec 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/be52a2cf500a18ca3b4ca68e5e35e03b270231cefb8ae478d711d10be2c224cc/eyJlcGlzb2RlSWQiOiIwNzJiODg4NC1jOTFiLTQ5Y2ItOWY2MS00MzhmNTljMGJlODQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMDcyYjg4ODQtYzkxYi00OWNiLTlmNjEtNDM4ZjU5YzBiZTg0LzM5MzY0Nzg0MS00ODAwMC0yLTA0NDE3ZDdhOGJhOGM0OGMubXAzIn0=.mp3" length="72140637" type="audio/mpeg"/><itunes:summary>We&apos;re wrapping up 2024 with a friends &amp;amp; family celebration.And what a year it has been: Exhibitionistas was born.So, to celebrate kinship of all kinds through art, we decided to invite a special guest who has been steeped in art since birth, Joana&apos;s daughter, artist and dancer Constança Saturnino.How does growing up with an artist and a curator influence your idea of art?Follow us on Instagram: @exhibitionistas_podcastYou can also check out Constança&apos;s work on Instagram: @saturn.conchCheck out her handpoke tattoo Instagram: @field.trailOr her website: https://www.constancasaturnino.comPlease remember to support us on Patreon: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:50:05</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/072b8884-c91b-49cb-9f61-438f59c0be84/42910897-1744969024940-9ac5fdbfb81cd.jpg"/><itunes:title>Festivities Episode (with Surprise Guest) ✨</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Tania Kovats]]></title><description><![CDATA[In this third episode, we explore the work of Tania Kovats after having visited her exhibition "as above so below" at Parafin Gallery. We go back to her beginnings and appreciate how far she's come into her exploration of the elements, with a big emphasis on bodies of water.

@kovats66

This is the first time we visit a commercial gallery for the podcast and there is some discussion about the advantages of visiting this type of exhibition space. 

https://www.parafin.co.uk

https://www.parafin.co.uk/exhibitions/2023/exhibitions-2023-tania-kovats

There may be some reading as well, as the artist's work led to some new books ! We find out that Kovats' work takes us on a journey into the history of the earth and our own place in it, which means thinking and feeling geologically, politically, socially and even, perhaps, metaphysically... 

Music: Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Tania-Kovats-e2tub29</link><guid isPermaLink="false">73c1d99e-eaa5-4d1b-bca8-f8201842be32</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 23 Feb 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/510bd4df7c287cd3c6471f01440abaef7d16336b37b34349d21a6ce417e57351/eyJlcGlzb2RlSWQiOiIzNjM0MWU5Yi0yMWE1LTQwZjAtODdkNC03MzU3ZWNkZTcwODUiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMzYzNDFlOWItMjFhNS00MGYwLTg3ZDQtNzM1N2VjZGU3MDg1LzM5MzY0Nzg0My00ODAwMC0yLTZkZWZkYmQyYmFkMTBhMTAubXAzIn0=.mp3" length="99229917" type="audio/mpeg"/><itunes:summary>In this third episode, we explore the work of Tania Kovats after having visited her exhibition &quot;as above so below&quot; at Parafin Gallery. We go back to her beginnings and appreciate how far she&apos;s come into her exploration of the elements, with a big emphasis on bodies of water.

@kovats66

This is the first time we visit a commercial gallery for the podcast and there is some discussion about the advantages of visiting this type of exhibition space. 

https://www.parafin.co.uk

https://www.parafin.co.uk/exhibitions/2023/exhibitions-2023-tania-kovats

There may be some reading as well, as the artist&apos;s work led to some new books ! We find out that Kovats&apos; work takes us on a journey into the history of the earth and our own place in it, which means thinking and feeling geologically, politically, socially and even, perhaps, metaphysically... 

Music: Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:08:54</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/36341e9b-21a5-40f0-87d4-7357ecde7085/c0a0f71e5527f735.png"/><itunes:title>Tania Kovats</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Tracey Emin]]></title><description><![CDATA[This is a real banger of an exhibition and episode!We explore Tracey Emin's exhibition "I Followed You to the end" at White Cube Bermondsey, open from 19 September to 10 November 2024. But first we go back to the nineties, to the YBA, the Sensation exhibition, and a really hilarious Channel 4 program comically titled "Is Painting Dead?". Follow us on this fascinating journey through Emin's life and work. You will not be disappointed!For more information on the show:https://www.whitecube.com/gallery-exhibitions/tracey-emin-bermondsey-2024You can follow Tracey Emin's wonderful residency in Margate here:@tracey_emin_artist_residencyYou can also follow us on Instagram: @exhibitionistas_podcastAnd you can, more importantly, become a member of the podcast. We are doing this for free, so we need to step it up with you:https://www.patreon.com/ExhibitionistasPodcastOh, and if you want to watch the Channel 4 episode Is Painting Dead, go here:https://www.youtube.com/watch?v=lKHJoLG2cEkMusic by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Tracey-Emin-e2tub30</link><guid isPermaLink="false">25febc3e-47db-4d17-a5a1-7f35a5267609</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 11 Oct 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/e00763c3e1a4efb3b5a2e03501705caa87a579e6df84807c97cd33cb62e8cc82/eyJlcGlzb2RlSWQiOiI0M2MxZThjNS1hZTBkLTRjZjAtYmIxNC01MjBhNWQzYWFhY2MiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNDNjMWU4YzUtYWUwZC00Y2YwLWJiMTQtNTIwYTVkM2FhYWNjLzM5MzY0Nzg1Ny00ODAwMC0yLTk5MDc1YjQwY2Y0MWZkNmYubXAzIn0=.mp3" length="130981341" type="audio/mpeg"/><itunes:summary>This is a real banger of an exhibition and episode!We explore Tracey Emin&apos;s exhibition &quot;I Followed You to the end&quot; at White Cube Bermondsey, open from 19 September to 10 November 2024. But first we go back to the nineties, to the YBA, the Sensation exhibition, and a really hilarious Channel 4 program comically titled &quot;Is Painting Dead?&quot;. Follow us on this fascinating journey through Emin&apos;s life and work. You will not be disappointed!For more information on the show:https://www.whitecube.com/gallery-exhibitions/tracey-emin-bermondsey-2024You can follow Tracey Emin&apos;s wonderful residency in Margate here:@tracey_emin_artist_residencyYou can also follow us on Instagram: @exhibitionistas_podcastAnd you can, more importantly, become a member of the podcast. We are doing this for free, so we need to step it up with you:https://www.patreon.com/ExhibitionistasPodcastOh, and if you want to watch the Channel 4 episode Is Painting Dead, go here:https://www.youtube.com/watch?v=lKHJoLG2cEkMusic by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:30:57</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/43c1e8c5-ae0d-4cf0-bb14-520a5d3aaacc/42910897-1744968841354-1c27af273918c.jpg"/><itunes:title>Tracey Emin</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[What is an art advisor? Guest #1: Liberté Nuti]]></title><description><![CDATA[Yes! We have our first guest on the podcast, art advisor Liberté Nuti. As often happens in the art world, we are not always familiar with each other's jobs. And forget telling people you are a podcaster! (People think you are an influencer selling hair products online.) So let's start to dismantle some myths and find out more about what it is that us intermediaries of the art world do.Joana goes on this quest on her own this time, as Emily is on sick leave, and it is Joana's expertise after all, to interview people and do talks about art topics.Joana asks Liberté about all theses things and ends the conversation on the topic of dream exhibitions. What are they? How do they impact our lives and why?To know more about Liberté Nuti: @libertenutiTo follow us: @exhibitionistas_podcastBecome a member of our podcast on Patreon and support us if you can: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by: @Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/What-is-an-art-advisor--Guest-1-Libert-Nuti-e2tub26</link><guid isPermaLink="false">ff349db6-227c-463e-9b62-9e81feaeae90</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 08 Nov 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/3f8190c5e9b51dd50a43e84a62c8d84ee88299020f64154c55634266cef61b66/eyJlcGlzb2RlSWQiOiI5MGFlMzhlNS02ZDc4LTRkMmQtOTFlNC0wMTI5MTA4MmJkMDgiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOTBhZTM4ZTUtNmQ3OC00ZDJkLTkxZTQtMDEyOTEwODJiZDA4LzM5MzY0Nzg0NS00ODAwMC0yLTk5ZmM5YzA3OTVhNjBmOTQubXAzIn0=.mp3" length="90836445" type="audio/mpeg"/><itunes:summary>Yes! We have our first guest on the podcast, art advisor Liberté Nuti. As often happens in the art world, we are not always familiar with each other&apos;s jobs. And forget telling people you are a podcaster! (People think you are an influencer selling hair products online.) So let&apos;s start to dismantle some myths and find out more about what it is that us intermediaries of the art world do.Joana goes on this quest on her own this time, as Emily is on sick leave, and it is Joana&apos;s expertise after all, to interview people and do talks about art topics.Joana asks Liberté about all theses things and ends the conversation on the topic of dream exhibitions. What are they? How do they impact our lives and why?To know more about Liberté Nuti: @libertenutiTo follow us: @exhibitionistas_podcastBecome a member of our podcast on Patreon and support us if you can: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by: @Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:03:04</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/90ae38e5-6d78-4d2d-91e4-01291082bd08/42910897-1744968910759-a672abeab6b6e.jpg"/><itunes:title>What is an art advisor? Guest #1: Liberté Nuti</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Exhibition Etiquette]]></title><description><![CDATA[This is a different kind of episode... We decided to record smaller formats here and there for you to explore a topic related to exhibitions that everyone thinks is a given. There are no givens for us, we like to question everything. 

And we know that unlike cinemas, or bookshops, exhibition galleries can feel intimidating. And we want you to know that an art lover and an art professional can also feel this discombobulating feeling of alienation in exhibiton spaces, which at times, prompts us to feel embarrassed, out of our depth, or even to make a few faux-pas.

It happens to everyone, especially, I would say, to exhibitionistas.  And by now, you, dear listener, can consider yourself as such! We are a big community!

This is the last episode of this season. We will be back very soon, with a new string of exhibition experiences, and perhaps, who knows, smaller episodes like this one alternating with the big ones. A weekly episode drop?! Who knows, anything is possible. After all, we did start this podcast with innocent and extravagant confidence. And look at us, here we are.

@exhibitionistas_podcast

exhibitionistaspod@gmail.com

Music by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Exhibition-Etiquette-e2tub28</link><guid isPermaLink="false">b360dd7d-16c0-4af2-ba46-29766f53e9aa</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 26 Jul 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/ec6ed33feda30c2012520a8563b0181ecbc293ee58fa8693d66429c841736e58/eyJlcGlzb2RlSWQiOiI5ZWVlMzE5OS1mMWI0LTRiZTMtYjFmYy04YzQ4ZDNjYjAxZWMiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOWVlZTMxOTktZjFiNC00YmUzLWIxZmMtOGM0OGQzY2IwMWVjLzM5MzY0Nzg2NS00ODAwMC0yLTY1NzE0MTBkMTEzNWU1YjIubXAzIn0=.mp3" length="41295837" type="audio/mpeg"/><itunes:summary>This is a different kind of episode... We decided to record smaller formats here and there for you to explore a topic related to exhibitions that everyone thinks is a given. There are no givens for us, we like to question everything. 

And we know that unlike cinemas, or bookshops, exhibition galleries can feel intimidating. And we want you to know that an art lover and an art professional can also feel this discombobulating feeling of alienation in exhibiton spaces, which at times, prompts us to feel embarrassed, out of our depth, or even to make a few faux-pas.

It happens to everyone, especially, I would say, to exhibitionistas.  And by now, you, dear listener, can consider yourself as such! We are a big community!

This is the last episode of this season. We will be back very soon, with a new string of exhibition experiences, and perhaps, who knows, smaller episodes like this one alternating with the big ones. A weekly episode drop?! Who knows, anything is possible. After all, we did start this podcast with innocent and extravagant confidence. And look at us, here we are.

@exhibitionistas_podcast

exhibitionistaspod@gmail.com

Music by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:28:40</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/9eee3199-f1b4-4be3-b1fc-8c48d3cb01ec/42910897-1739019346300-40e927936d1.jpg"/><itunes:title>Exhibition Etiquette</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Mike Kelley]]></title><description><![CDATA[This episode is dedicated to beloved and prematurely deceased American artist Mike Kelley. The Tate Modern has set up an impressive retrospective, those once-in-a-lifetime exhibitions that you cannot miss if you're in town. So we decided to dig in and bring it to you if you can't make it and enhance your experience if you did.

There are opinions, feelings, stories and a cacophonous experience that will leave no one indifferent.  Jack White finally makes an appearance again as we had once promised! 

Joana and Emily introduce you to the universe of Mike Kelley, of anarchist and punk teenage and young adult years, who ceaselessly poked at the overwhelming and overpowering world of entertainment. Then they move on to his academic life and career achievements, always marked by a rebellious streak consistently visible in his work about the traps of memory, the failings of education and psychology, and the fine line between fiction and reality.

For more about Ghost and Spirit @Tate Modern: https://www.tate.org.uk/whats-on/tate-modern/mike-kelley-ghost-and-spirit

For more about Mike Kelley: https://mikekelleyfoundation.org/grants/overview

If you want to support us: https://www.patreon.com/c/exhibitionistaspodcast/membership

Instagram: @exhibitionistas_podcast

Music by: Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Mike-Kelley-e2tub2i</link><guid isPermaLink="false">921e1547-5235-4c5c-a7ae-42bcf8f802c6</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 22 Nov 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/2c28165bd7033f43ac10a65ebeca8efc3f734be4167269df568570a9fc0e3f71/eyJlcGlzb2RlSWQiOiJiM2UzNzVhNC1kNjc4LTQ5MGItODY5Ni1kYzNmNDU2YTJjMzYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvYjNlMzc1YTQtZDY3OC00OTBiLTg2OTYtZGMzZjQ1NmEyYzM2LzM5MzY0Nzg1MS00ODAwMC0yLTlhNDZlMDkzNDIwZTI2M2IubXAzIn0=.mp3" length="123125277" type="audio/mpeg"/><itunes:summary>This episode is dedicated to beloved and prematurely deceased American artist Mike Kelley. The Tate Modern has set up an impressive retrospective, those once-in-a-lifetime exhibitions that you cannot miss if you&apos;re in town. So we decided to dig in and bring it to you if you can&apos;t make it and enhance your experience if you did.

There are opinions, feelings, stories and a cacophonous experience that will leave no one indifferent.  Jack White finally makes an appearance again as we had once promised! 

Joana and Emily introduce you to the universe of Mike Kelley, of anarchist and punk teenage and young adult years, who ceaselessly poked at the overwhelming and overpowering world of entertainment. Then they move on to his academic life and career achievements, always marked by a rebellious streak consistently visible in his work about the traps of memory, the failings of education and psychology, and the fine line between fiction and reality.

For more about Ghost and Spirit @Tate Modern: https://www.tate.org.uk/whats-on/tate-modern/mike-kelley-ghost-and-spirit

For more about Mike Kelley: https://mikekelleyfoundation.org/grants/overview

If you want to support us: https://www.patreon.com/c/exhibitionistaspodcast/membership

Instagram: @exhibitionistas_podcast

Music by: Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:25:30</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/b3e375a4-d678-490b-8696-dc3f456a2c36/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:title>Mike Kelley</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Haegue Yang]]></title><description><![CDATA[Believe it or not, this is the first episode dedicated to an exhibition at the Hayward Gallery, a brutalist building Joana and Emily love so much.And what better way to start than with the immersive experience of Haegue Yang's solo show? Even the threshold between the hall and the exhibition space is a happening in "Leap Year", the first survey of the South Korean artist in the UK, open from 9 October 2024 to 5 January 2025.This episode was recorded during the week, late in the afternoon, rather than in our usual time (the early hours of a quiet Sunday) so it may be infused with a certain chaotic energy. Or was it the sensory fest of Yang's art? Tune in to decide for yourself.To know more about the exhibition: https://www.southbankcentre.co.uk/whats-on/haegue-yang-leap-year/Follow Haegue yang on Instagram: @yanghaegueTo see images of the exhibition go to our Instagram account: @exhibitionistas_podcastIf you want to support us, go to: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Haegue-Yang-e2tub2o</link><guid isPermaLink="false">534cbcea-99f5-48c2-b98d-c0d480b5ccd2</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 06 Dec 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/18b2a5e7fa9bcba2be490d791547eff267c1c078373e154a6c5179e93ef972a0/eyJlcGlzb2RlSWQiOiJkMzhiNWQ1Yy04NjQwLTRhNjAtYjVkNy0xZjNhNTMyOGExZTkiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDM4YjVkNWMtODY0MC00YTYwLWI1ZDctMWYzYTUzMjhhMWU5LzM5MzY0Nzg1My00ODAwMC0yLWZjZGE4ZGQyMmI5ZTcxYjcubXAzIn0=.mp3" length="132486429" type="audio/mpeg"/><itunes:summary>Believe it or not, this is the first episode dedicated to an exhibition at the Hayward Gallery, a brutalist building Joana and Emily love so much.And what better way to start than with the immersive experience of Haegue Yang&apos;s solo show? Even the threshold between the hall and the exhibition space is a happening in &quot;Leap Year&quot;, the first survey of the South Korean artist in the UK, open from 9 October 2024 to 5 January 2025.This episode was recorded during the week, late in the afternoon, rather than in our usual time (the early hours of a quiet Sunday) so it may be infused with a certain chaotic energy. Or was it the sensory fest of Yang&apos;s art? Tune in to decide for yourself.To know more about the exhibition: https://www.southbankcentre.co.uk/whats-on/haegue-yang-leap-year/Follow Haegue yang on Instagram: @yanghaegueTo see images of the exhibition go to our Instagram account: @exhibitionistas_podcastIf you want to support us, go to: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:32:00</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d38b5d5c-8640-4a60-b5d7-1f3a5328a1e9/42910897-1744968951202-cb0a9e1589fd5.jpg"/><itunes:title>Haegue Yang</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EXHIBITIONISTAS TRAILER – Contemporary Art, Exhibitions, Artists, Art Theory & History for Everyone]]></title><description><![CDATA[<p>Exhibitionistas is a conversational art podcast created by me, visual arts curator and writer, Joana P. R. Neves, as an invitation for everyone to engage with contemporary art. Some episodes are centred around solo exhibitions; others are guest interviews engaging with the real art world beyond sensationalist auction sales and obsolete art review styles; and, finally, I also produce special episodes about chosen art angles. </p><p>As an art professional with a 20 year experience in the art world with galleries, museums, artist creative processes, and the art market, I provide access to visual arts from the inside. So, I bring up art theory, art history and professional takes on exhibitions and art-making but, as an art lover, I avoid art jargon. Contemporary visual arts engages with popular culture, life experiences, singular perceptions, as much as with ideas and concepts. Exhibitionistas stands at the intersection of life, theory and art. </p><p>I also write essays and short art insights on <a rel="noopener noreferrer nofollow" target="_blank">Substack</a>.</p><p>To remain on top of our episodes and to get a glimpse behind the scenes, follow us on our socials:</p><p>Instagram: @exhibitionistas_podcast  </p><p>Bluesky: @exhibitionistas.bsky.social</p><p>Or, alternatively, get in touch by email:  exhibitionistaspod@gmail.com</p><p>And our <a href="https://exhibitionistaspodcast.com" rel="noopener noreferrer nofollow" target="_blank">Exhibitionistas website</a>.</p><p>It might be a bit too early at this stage but if you want to support us, it would be much appreciated. Go to our <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">donation and membership page</a>.</p><p>Exhibitionistas is a mix of Ben Luke's A Brush With, The White Pube and Sarah Marshall's You're Wrong About, which are huge inspirations for me as a podcast lover. Big fan.</p><p>So if you think someone else might enjoy it too, by all means, share it. Don’t forget to rate and follow Exhibitionistas, it seems trivial but it can make a difference. All kinds of support count, and contribute to more investigation and better episodes. </p><p>Thanks to all of those who’ve taken a leap of faith and have become our patrons. From a 5 start review to a substantial donation, Exhibitionistas considers you one of those rare unicorns who support independent journalism. </p><p>And finally: I’d also love to start a conversation with you. You can now leave comments on Spotify which is great way to know what you want more of or if you’d like to add something to the topic developed, the artist discussed or simply if you want to leave a note of appreciation. It’s a sad world when only the trolls and the bullies interact with journalists and art critics. So why not bring positivity, ideas, and your own perspective to the digital art village. </p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/EXHIBITIONISTAS-TRAILER--Contemporary-Art--Exhibitions--Artists--Art-Theory--History-for-Everyone-e300p6e</link><guid isPermaLink="false">bcc85cbf-4ed1-4e38-b165-976e2c88e30a</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Tue, 11 Mar 2025 12:16:36 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/6e0259e81ac678f49b1e2acad1c2a4fd7a06b9d9e8c8a7073e8369304f1a5a8f/eyJlcGlzb2RlSWQiOiI2YmY0OThhYS01ZGI4LTRmYjUtYWFjNi1iZTQxN2Y4MDhlYmMiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNmJmNDk4YWEtNWRiOC00ZmI1LWFhYzYtYmU0MTdmODA4ZWJjLzM5ODYxMjEzOS00NDEwMC0yLWFhNmY0YzlmM2IwOWMubXAzIn0=.mp3" length="2955806" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Exhibitionistas is a conversational art podcast created by me, visual arts curator and writer, Joana P. R. Neves, as an invitation for everyone to engage with contemporary art. Some episodes are centred around solo exhibitions; others are guest interviews engaging with the real art world beyond sensationalist auction sales and obsolete art review styles; and, finally, I also produce special episodes about chosen art angles. &lt;/p&gt;&lt;p&gt;As an art professional with a 20 year experience in the art world with galleries, museums, artist creative processes, and the art market, I provide access to visual arts from the inside. So, I bring up art theory, art history and professional takes on exhibitions and art-making but, as an art lover, I avoid art jargon. Contemporary visual arts engages with popular culture, life experiences, singular perceptions, as much as with ideas and concepts. Exhibitionistas stands at the intersection of life, theory and art. &lt;/p&gt;&lt;p&gt;I also write essays and short art insights on &lt;a rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Substack&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;To remain on top of our episodes and to get a glimpse behind the scenes, follow us on our socials:&lt;/p&gt;&lt;p&gt;Instagram: @exhibitionistas_podcast  &lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;Or, alternatively, get in touch by email:  exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;And our &lt;a href=&quot;https://exhibitionistaspodcast.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Exhibitionistas website&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;It might be a bit too early at this stage but if you want to support us, it would be much appreciated. Go to our &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;donation and membership page&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Exhibitionistas is a mix of Ben Luke&apos;s A Brush With, The White Pube and Sarah Marshall&apos;s You&apos;re Wrong About, which are huge inspirations for me as a podcast lover. Big fan.&lt;/p&gt;&lt;p&gt;So if you think someone else might enjoy it too, by all means, share it. Don’t forget to rate and follow Exhibitionistas, it seems trivial but it can make a difference. All kinds of support count, and contribute to more investigation and better episodes. &lt;/p&gt;&lt;p&gt;Thanks to all of those who’ve taken a leap of faith and have become our patrons. From a 5 start review to a substantial donation, Exhibitionistas considers you one of those rare unicorns who support independent journalism. &lt;/p&gt;&lt;p&gt;And finally: I’d also love to start a conversation with you. You can now leave comments on Spotify which is great way to know what you want more of or if you’d like to add something to the topic developed, the artist discussed or simply if you want to leave a note of appreciation. It’s a sad world when only the trolls and the bullies interact with journalists and art critics. So why not bring positivity, ideas, and your own perspective to the digital art village. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:03:04</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/6bf498aa-5db8-4fb5-aac6-be417f808ebc/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:title>EXHIBITIONISTAS TRAILER – Contemporary Art, Exhibitions, Artists, Art Theory &amp; History for Everyone</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Art In Unusual Places – Encounters Along The Line Art Trail W/ Sarah Carrington, Visual Arts Curator ]]></title><description><![CDATA[<p><em><strong>You're bound to get an art education with our guest, curator Sarah Carrington! Our art talk with her explores her work as director of the Public Art Trail in East London The Line, as well as the joys of producing visual arts projects and supporting artistic commissions for an urban space full of wildlife and industrial areas, away from the capital's most overcrowded areas.</strong></em></p><p><br /></p><p><em><strong>Art Insider</strong></em><em> is an art discussion segment with fascinating visual arts thinkers and curators who lift the veil on their corner of the field (hosted by Joana P. R. Neves).</em></p><p><br /></p><ul><li>​When is an art trail more than a walk from sculpture to sculpture? </li><li>​And how does a visual arts curator work with artists for a context such as... a city? </li></ul><p><br /></p><p>Hosted by Joana P. R. Neves.</p><p>Guest: Sarah Carrington, Director of The Line</p><p>https://the-line.org/</p><p><strong>Buy The Line’s fabulous book here</strong>: https://buy.stripe.com/dRmdRacbw7Wn3H7gV0c3m0g</p><p><strong>Donate to The Line here</strong>:</p><p>https://the-line.org/support-us-2/</p><p><br /></p><p>✺ <strong>Exhibitionistas Files on Substack</strong></p><p>https://joanaprneves.substack.com/s/exhibitionistas</p><p>We're allergic to newsletters and passionate about writing. Our episode emails have interesting facts, follow-up thoughts and recommendations.</p><p><br /></p><p>✤ <strong>Our host Joana P. R. Neves is on Substack (Art Thinkosaurus)</strong></p><p>If you enjoy 1) reading; 2) our topics... you'll love Joana's Substack</p><p>https://joanaprneves.substack.com</p><p><br /></p><p><strong>Donating</strong> allows us to produce more and better: https://exhibitionistaspodcast.com/support-us</p><p><br /></p><p>If a membership is too much, <strong>leave us a tip</strong>–every donation is a boost!</p><p>⁠https://buymeacoffee.com/exhibitionista⁠</p><p><br /></p><p><strong>Host &amp; Founder</strong></p><p>Exhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over <strong>20 years of experience</strong> in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today's hottest topics as much as on everlasting existential questions.</p><p>Instagram: @joanaprneves / @exhibitionistas_podcast</p><p>For collaborations, text commissions and questions: joana@exhibitionistaspodcast.com</p><p><br /></p><p>#visualarts #arteducation #arttalk #talkart #bestartpodcast #contemporaryart #art trail #publicart #londonpublicart #bestartpodcast #thelinelondon #artinthecity #curator #curatinginterview #curatorinterview</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Art-In-Unusual-Places--Encounters-Along-The-Line-Art-Trail-W-Sarah-Carrington--Visual-Arts-Curator-e3en763</link><guid isPermaLink="false">64e0225f-9da2-45da-a58d-64357c917550</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 06 Feb 2026 06:30:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/dfd38d6bb588e6830e123a585a45b827c9d013351214665034811d26bc762c29/eyJlcGlzb2RlSWQiOiI4YjRhNWZkOS1hYTUxLTQ5ODctYTU1ZS1iZWM0YTI4MzU4MWYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOGI0YTVmZDktYWE1MS00OTg3LWE1NWUtYmVjNGEyODM1ODFmLzQxNzU2Nzk3Ny00NDEwMC0yLTg5YjIwY2JhMDI3YWYubXAzIn0=.mp3" length="39225468" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;em&gt;&lt;strong&gt;You&apos;re bound to get an art education with our guest, curator Sarah Carrington! Our art talk with her explores her work as director of the Public Art Trail in East London The Line, as well as the joys of producing visual arts projects and supporting artistic commissions for an urban space full of wildlife and industrial areas, away from the capital&apos;s most overcrowded areas.&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Art Insider&lt;/strong&gt;&lt;/em&gt;&lt;em&gt; is an art discussion segment with fascinating visual arts thinkers and curators who lift the veil on their corner of the field (hosted by Joana P. R. Neves).&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;​When is an art trail more than a walk from sculpture to sculpture? &lt;/li&gt;&lt;li&gt;​And how does a visual arts curator work with artists for a context such as... a city? &lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Hosted by Joana P. R. Neves.&lt;/p&gt;&lt;p&gt;Guest: Sarah Carrington, Director of The Line&lt;/p&gt;&lt;p&gt;https://the-line.org/&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Buy The Line’s fabulous book here&lt;/strong&gt;: https://buy.stripe.com/dRmdRacbw7Wn3H7gV0c3m0g&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Donate to The Line here&lt;/strong&gt;:&lt;/p&gt;&lt;p&gt;https://the-line.org/support-us-2/&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;✺ &lt;strong&gt;Exhibitionistas Files on Substack&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;https://joanaprneves.substack.com/s/exhibitionistas&lt;/p&gt;&lt;p&gt;We&apos;re allergic to newsletters and passionate about writing. Our episode emails have interesting facts, follow-up thoughts and recommendations.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;✤ &lt;strong&gt;Our host Joana P. R. Neves is on Substack (Art Thinkosaurus)&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;If you enjoy 1) reading; 2) our topics... you&apos;ll love Joana&apos;s Substack&lt;/p&gt;&lt;p&gt;https://joanaprneves.substack.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Donating&lt;/strong&gt; allows us to produce more and better: https://exhibitionistaspodcast.com/support-us&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If a membership is too much, &lt;strong&gt;leave us a tip&lt;/strong&gt;–every donation is a boost!&lt;/p&gt;&lt;p&gt;⁠https://buymeacoffee.com/exhibitionista⁠&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Host &amp;amp; Founder&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Exhibitionistas is hosted by Joana P. R. Neves, a seasoned curator and writer with over &lt;strong&gt;20 years of experience&lt;/strong&gt; in the contemporary visual art field. She loves demystifying contemporary art by blending art history, theory, and personal reflections to reveal how art can uncover views on today&apos;s hottest topics as much as on everlasting existential questions.&lt;/p&gt;&lt;p&gt;Instagram: @joanaprneves / @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;For collaborations, text commissions and questions: joana@exhibitionistaspodcast.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#visualarts #arteducation #arttalk #talkart #bestartpodcast #contemporaryart #art trail #publicart #londonpublicart #bestartpodcast #thelinelondon #artinthecity #curator #curatinginterview #curatorinterview&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:40:51</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/8b4a5fd9-aa51-4987-a55e-bec4a283581f/42910897-1770658069044-cd696a6417db7.jpg"/><itunes:season>3</itunes:season><itunes:episode>10</itunes:episode><itunes:title>Art In Unusual Places – Encounters Along The Line Art Trail W/ Sarah Carrington, Visual Arts Curator </itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Voyage Into Creation Myths & their Sounds: Haroon Mirza / Focal Point Gallery: ART TRAVELOGUE]]></title><description><![CDATA[<p>ART TRAVELOGUE is a new format, an audio/video journey with art as a destination. How does the journey to arrive at the art space inform our experience of the art work or exhibition? Does our own internal journey through life affect our perception of art? Embark on this trip with your host, Joana P. R. Neves.</p><p>Ft. Haroon Mirza, Yates Norton, Inês Costa.</p><p>In this episode you'll find out about British artist Haroon Mirza's new commissioned piece (a performance and a sound installation) for Focal Point Gallery's exhibition In <em>Other Worlds: Acts of Translation</em> . By travelling with our host, curator Joana P. R. Neves, you hear about the people, the seascapes, the urban areas, histories of Essex's estuary, through the scope of Mirza's translation of electric sounds from an older piece into human voices. This journey will be narrated by Joana, and interspersed with recordings of the artist, and the two curators of the exhibition, Inês Costa and Yates Norton. And finally, you'll arrive on site to experience the performance <em>Adam, Eve, Others and a UFO for Choral Octet.</em></p><p>→ To dig deeper into the episode's references and receive little gems, notes, and musings that didn't make it into the episode, ⁠SIGN UP: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow" target="_blank">https://joanaprneves.substack.com/s/exhibitionistas</a></p><p>→ For our third season, we're working with intern production assistants for the first time. Your donations will contribute to pay for their work: ⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow" target="_blank">https://exhibitionistaspodcast.com/support-us</a><em></em></p><p>With works from <a href="https://www.therobertsinstituteofart.com/collection" rel="noopener noreferrer nofollow" target="_blank">The David and Indrē Roberts Collection</a> by: Horst Ademeit, Michael Armitage, Frank Auerbach, Charles Avery, Jonathan Baldock, Fiona Banner aka The Vanity Press, Neïl Beloufa, David Birkin, Louise Bourgeois, Mark Bradford, Ulla von Brandenburg, Miriam Cahn, George Condo, Martyn Cross, Romany Eveleigh, Simon Fujiwara, Ellen Gallagher, Jim Goldberg, Pierre Huyghe, Anselm Kiefer, Haroon Mirza, Francesca Mollett, Nika Neelova, Antoni Tàpies, Danh Vo, Ai Weiwei.<em>Focal Point Gallery is South Essex’s only public contemporary art gallery, open to all. The David and Indrē Roberts Collection features nearly 2,500 works by over 900 artists, dating from the mid-20th century to today. </em>Curated by Inês Costa (<a href="https://www.fpg.org.uk/ " rel="noopener noreferrer nofollow" target="_blank">Focal Point Gallery</a>) and Yates Norton (<a href="https://www.therobertsinstituteofart.com/" rel="noopener noreferrer nofollow" target="_blank">The Roberts Institute of Art</a>).</p><p>Instagram: @focalpointgallery @therobertsinstituteofart @</p><p>To know more about Haroon Mirza: https://www.lissongallery.com/artists/haroon-mirzahttps://www.youtube.com/@outputs_av</p><p><br /></p><p>Key themes: </p><p>Sound; light; sound art; translation; performance art; music and sound; the singing voice; translating sound to voice; knowledge; wisdom; contemporary art; new technologies; generative technologies; AI; Essex county, communication; shamanism; non-verba communication; understanding versus experiencing; anticipation and experience; the Genesis and science; theories of creation; language; art languages; orality; the written word; histories; history as myth; faith, myth and science.</p><p><br /></p><p>If you enjoyed the episode, you may enjoy Joana's essays on Substack: <a href="https://joanaprneves.substack.com/" rel="noopener noreferrer nofollow" target="_blank">⁠⁠⁠https://joanaprneves.substack.com⁠⁠⁠</a></p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">https://buymeacoffee.com/exhibitionista</a></p><p><br /></p><p><br /></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p><br />Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#contemporaryart #immersive #artexhibitions #soundart #haroonmirza #exhibitionistas #exhibitionistaspodcast #joanaprneves #focalpointgallery #soundandlightart #performance #performanceart #choral #choirsinging #voice #translation #ai #aiandart #aiart #experimentalart </p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Voyage-Into-Creation-Myths--their-Sounds-Haroon-Mirza--Focal-Point-Gallery-ART-TRAVELOGUE-e36ffv0</link><guid isPermaLink="false">e5b621f7-ff67-4f09-9178-994fdfe4a9dd</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Tue, 05 Aug 2025 20:19:55 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/ef5aab0856eff57d58cabd5f5ad5e6441b25e6c2dbbe1fdc9fe31531b905d421/eyJlcGlzb2RlSWQiOiJjYzAzMmZhZS00NzQ1LTQ2YzQtODdhYy0xMmVkYzVlNTZhYTQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvY2MwMzJmYWUtNDc0NS00NmM0LTg3YWMtMTJlZGM1ZTU2YWE0LzQwNTE0MzQwMi00NDEwMC0yLTI5MjcxYjU4NzllMjcubXAzIn0=.mp3" length="49205079" type="audio/mpeg"/><itunes:summary>&lt;p&gt;ART TRAVELOGUE is a new format, an audio/video journey with art as a destination. How does the journey to arrive at the art space inform our experience of the art work or exhibition? Does our own internal journey through life affect our perception of art? Embark on this trip with your host, Joana P. R. Neves.&lt;/p&gt;&lt;p&gt;Ft. Haroon Mirza, Yates Norton, Inês Costa.&lt;/p&gt;&lt;p&gt;In this episode you&apos;ll find out about British artist Haroon Mirza&apos;s new commissioned piece (a performance and a sound installation) for Focal Point Gallery&apos;s exhibition In &lt;em&gt;Other Worlds: Acts of Translation&lt;/em&gt; . By travelling with our host, curator Joana P. R. Neves, you hear about the people, the seascapes, the urban areas, histories of Essex&apos;s estuary, through the scope of Mirza&apos;s translation of electric sounds from an older piece into human voices. This journey will be narrated by Joana, and interspersed with recordings of the artist, and the two curators of the exhibition, Inês Costa and Yates Norton. And finally, you&apos;ll arrive on site to experience the performance &lt;em&gt;Adam, Eve, Others and a UFO for Choral Octet.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;→ To dig deeper into the episode&apos;s references and receive little gems, notes, and musings that didn&apos;t make it into the episode, ⁠SIGN UP: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://joanaprneves.substack.com/s/exhibitionistas&lt;/a&gt;&lt;/p&gt;&lt;p&gt;→ For our third season, we&apos;re working with intern production assistants for the first time. Your donations will contribute to pay for their work: ⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://exhibitionistaspodcast.com/support-us&lt;/a&gt;&lt;em&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;With works from &lt;a href=&quot;https://www.therobertsinstituteofart.com/collection&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The David and Indrē Roberts Collection&lt;/a&gt; by: Horst Ademeit, Michael Armitage, Frank Auerbach, Charles Avery, Jonathan Baldock, Fiona Banner aka The Vanity Press, Neïl Beloufa, David Birkin, Louise Bourgeois, Mark Bradford, Ulla von Brandenburg, Miriam Cahn, George Condo, Martyn Cross, Romany Eveleigh, Simon Fujiwara, Ellen Gallagher, Jim Goldberg, Pierre Huyghe, Anselm Kiefer, Haroon Mirza, Francesca Mollett, Nika Neelova, Antoni Tàpies, Danh Vo, Ai Weiwei.&lt;em&gt;Focal Point Gallery is South Essex’s only public contemporary art gallery, open to all. The David and Indrē Roberts Collection features nearly 2,500 works by over 900 artists, dating from the mid-20th century to today. &lt;/em&gt;Curated by Inês Costa (&lt;a href=&quot;https://www.fpg.org.uk/ &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Focal Point Gallery&lt;/a&gt;) and Yates Norton (&lt;a href=&quot;https://www.therobertsinstituteofart.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Roberts Institute of Art&lt;/a&gt;).&lt;/p&gt;&lt;p&gt;Instagram: @focalpointgallery @therobertsinstituteofart @&lt;/p&gt;&lt;p&gt;To know more about Haroon Mirza: https://www.lissongallery.com/artists/haroon-mirzahttps://www.youtube.com/@outputs_av&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Key themes: &lt;/p&gt;&lt;p&gt;Sound; light; sound art; translation; performance art; music and sound; the singing voice; translating sound to voice; knowledge; wisdom; contemporary art; new technologies; generative technologies; AI; Essex county, communication; shamanism; non-verba communication; understanding versus experiencing; anticipation and experience; the Genesis and science; theories of creation; language; art languages; orality; the written word; histories; history as myth; faith, myth and science.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you enjoyed the episode, you may enjoy Joana&apos;s essays on Substack: &lt;a href=&quot;https://joanaprneves.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠⁠https://joanaprneves.substack.com⁠⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://buymeacoffee.com/exhibitionista&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;&lt;br /&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #immersive #artexhibitions #soundart #haroonmirza #exhibitionistas #exhibitionistaspodcast #joanaprneves #focalpointgallery #soundandlightart #performance #performanceart #choral #choirsinging #voice #translation #ai #aiandart #aiart #experimentalart &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:51:15</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/cc032fae-4745-46c4-87ac-12edc5e56aa4/42910897-1754387558592-c20f9e330745c.jpg"/><itunes:title>Voyage Into Creation Myths &amp; their Sounds: Haroon Mirza / Focal Point Gallery: ART TRAVELOGUE</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[What is Art For? Ben Luke (A Brush With podcast) and his new book: ART INSIDER]]></title><description><![CDATA[<p><strong>Guest: Ben Luke (Host of A Brush With)</strong></p><p>Ben Luke is an art journalist whose voice reaches a wider audience through his successful podcast A Brush With, where each episode is dedicated to an artist interview led by him. His new book, What is art for? Contemporary artists on their inspirations, influences and disciplines (2025, Heni), stems from it. </p><p><br /></p><p><strong>Art Insider</strong> is an interview segment with fascinating figures of the art field who lift the veil on their corner of contemporary art. </p><p><br /></p><p>The scope of Luke’s questions is aimed toward building a good perspective on what artists look at, listen to, and where they draw their energy, inspiration and creative flow from.  This spirited worldview applies also, in this episode, to pop music and visual art crossovers in the 80s and the boisterous 90s whose suppressed history Luke knows and shares brilliantly.</p><p>→ ⁠SIGN UP TO THE EXHIBITIONISTAS FILES: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠</a></p><p>→ DONATE (allow time for the Donorbox window to fully download): ⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠https://exhibitionistaspodcast.com/support-us⁠</a></p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠</a></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p>Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#contemporaryart #benluke #artexhibitions #abrushwith #exhibitionistas #exhibitionistaspodcast #joanaprneves #artbook #artbookclub #bookclub #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #talkart #greatwomenartists #louisebourgeois #velazquez #dorissalcedo</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/What-is-Art-For--Ben-Luke-A-Brush-With-podcast-and-his-new-book-ART-INSIDER-e38dphk</link><guid isPermaLink="false">4a0f841e-0e0c-4d44-974a-97d70dd170f0</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Thu, 18 Sep 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/17b8c97f68074368fdbd648bbdd752821a612dd4b7b4e94917157bc6323dc84c/eyJlcGlzb2RlSWQiOiJjZTdhNTJhNC0wZDk0LTQzM2UtYjU2Yi0xZjBlOWQ5NGZkMDkiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvY2U3YTUyYTQtMGQ5NC00MzNlLWI1NmItMWYwZTlkOTRmZDA5LzQwNzc0MzkzNi00NDEwMC0yLTBhMTk4OWE2NTU3NWQubXAzIn0=.mp3" length="71047626" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;strong&gt;Guest: Ben Luke (Host of A Brush With)&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Ben Luke is an art journalist whose voice reaches a wider audience through his successful podcast A Brush With, where each episode is dedicated to an artist interview led by him. His new book, What is art for? Contemporary artists on their inspirations, influences and disciplines (2025, Heni), stems from it. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Art Insider&lt;/strong&gt; is an interview segment with fascinating figures of the art field who lift the veil on their corner of contemporary art. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The scope of Luke’s questions is aimed toward building a good perspective on what artists look at, listen to, and where they draw their energy, inspiration and creative flow from.  This spirited worldview applies also, in this episode, to pop music and visual art crossovers in the 80s and the boisterous 90s whose suppressed history Luke knows and shares brilliantly.&lt;/p&gt;&lt;p&gt;→ ⁠SIGN UP TO THE EXHIBITIONISTAS FILES: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;→ DONATE (allow time for the Donorbox window to fully download): ⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠https://exhibitionistaspodcast.com/support-us⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #benluke #artexhibitions #abrushwith #exhibitionistas #exhibitionistaspodcast #joanaprneves #artbook #artbookclub #bookclub #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #talkart #greatwomenartists #louisebourgeois #velazquez #dorissalcedo&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:14:00</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/ce7a52a4-0d94-433e-b56b-1f0e9d94fd09/42910897-1758232309452-c43b0b4ec85fa.jpg"/><itunes:season>3</itunes:season><itunes:episode>2</itunes:episode><itunes:title>What is Art For? Ben Luke (A Brush With podcast) and his new book: ART INSIDER</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Matthew Krishanu]]></title><description><![CDATA[In this episode we discuss Matthew Krishanu's exhibition The Bough Breaks at Camden Art Centre, a place we adore. We chat about loss, childhood, overlapping times, grief and the colonial residue of authentic relationships filled with love.

We didn't always agree but that is the power of exhibitions: we shared diverging experiences, which made the episode even more compelling and at times hilarious. There a few hilarious anecdotes about 80's parenting - or lack thereof.

For more information about the exhibition: https://camdenartcentre.org/whats-on/matthew-krishanu-the-bough-breaks

Music by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Matthew-Krishanu-e2tub2n</link><guid isPermaLink="false">5762aab6-14ab-4aa1-91d8-fe3be66e5152</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 28 Jun 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/bac1e73b47e831c01b76af22aff0eba58c4cad629ae758a95f6e78a2871c3eb0/eyJlcGlzb2RlSWQiOiJlODRmYzM0ZC0xODU0LTRjNjEtYTQ3Ni1kYjc3OWEzM2E1M2YiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZTg0ZmMzNGQtMTg1NC00YzYxLWE0NzYtZGI3NzlhMzNhNTNmLzM5MzY0Nzg0OC00ODAwMC0yLThiYjQ3OWQ1YTgwN2ZlYmQubXAzIn0=.mp3" length="122811933" type="audio/mpeg"/><itunes:summary>In this episode we discuss Matthew Krishanu&apos;s exhibition The Bough Breaks at Camden Art Centre, a place we adore. We chat about loss, childhood, overlapping times, grief and the colonial residue of authentic relationships filled with love.

We didn&apos;t always agree but that is the power of exhibitions: we shared diverging experiences, which made the episode even more compelling and at times hilarious. There a few hilarious anecdotes about 80&apos;s parenting - or lack thereof.

For more information about the exhibition: https://camdenartcentre.org/whats-on/matthew-krishanu-the-bough-breaks

Music by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:25:17</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/e84fc34d-1854-4c61-a476-db779a33a53f/42910897-1739019445300-be4ac6bb001c4.jpg"/><itunes:title>Matthew Krishanu</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Yoko Ono - Part 2]]></title><description><![CDATA[Here we are! Part 2 of our episode dedicated to Yoko Ono's retrospective exhibition at Tate Modern, Music of the Mind. We cannot believe we managed to talk about the exhibition but... we used our imagination, and so will you. Follow us virtually in this exploration of Ono's life and work, and, more importantly, her exhibition. We focus on the highlights (for us) as it would be near impossible to talk about everything. There are so many delightful details and pieces that will speak to everyone differently. 

To find out more about it, go to: https://www.tate.org.uk/whats-on/tate-modern/yoko-ono

@yokoono

Music: Sarturn.

@exhibitionistas_podcast
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Yoko-Ono---Part-2-e2tub2j</link><guid isPermaLink="false">27423c22-5c85-4539-b348-6f99255b2090</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 19 Apr 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/d0167acde97422fabeb20a3171e6902cd502848f450a55f4d00ad138d9af479b/eyJlcGlzb2RlSWQiOiI1NWY4NGUxYi03Y2ZhLTQ0N2QtYmU1NS1kYTlhMzQ5OWMzOWUiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNTVmODRlMWItN2NmYS00NDdkLWJlNTUtZGE5YTM0OTljMzllLzM5MzY0Nzg1Ni00ODAwMC0yLWJiYzUzMjk4MmQ1NDFhYjgubXAzIn0=.mp3" length="102578205" type="audio/mpeg"/><itunes:summary>Here we are! Part 2 of our episode dedicated to Yoko Ono&apos;s retrospective exhibition at Tate Modern, Music of the Mind. We cannot believe we managed to talk about the exhibition but... we used our imagination, and so will you. Follow us virtually in this exploration of Ono&apos;s life and work, and, more importantly, her exhibition. We focus on the highlights (for us) as it would be near impossible to talk about everything. There are so many delightful details and pieces that will speak to everyone differently. 

To find out more about it, go to: https://www.tate.org.uk/whats-on/tate-modern/yoko-ono

@yokoono

Music: Sarturn.

@exhibitionistas_podcast
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:11:14</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/55f84e1b-7cfa-447d-be55-da9a3499c39e/183edb5c3b0fb8c6.png"/><itunes:title>Yoko Ono - Part 2</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Visual Artist studio secrets with A. Mercier and M. Roca Díe: MY ART TOOLS ]]></title><description><![CDATA[<p>In<strong> My Art Tools</strong> (new segment) we look into 2 artists' tool box: what is their fetish instrument? Artists think with their hands. Let's get technical! The artist's hand will guide you through the passion of following one’s vision, the pleasures of trusting an instinct, and the resilience it takes to work creatively. Hosted by Joana P. R. Neves.</p><p>The guests: Anouk Mercier (UK + FR) and Marina Roca Díe (SP).</p><p>In an endearingly geeky manner, the answers reveal fantastic methods and unimaginable stories. A big plus: hilarious little incidents and big misadventures that lead to a breakthrough, or a new possibility.</p><p>What you get from this episode: Have you ever thought about the stuff art is made of? Wondered how artists make what you see in museums and galleries? How they train their hand, eye, body? Artmaking revelations, art techniques, lessons in resilience, art philosophies, ethical questions.</p><p><br /></p><p>→ ⁠SIGN UP TO THE EXHIBITIONISTAS FILES: <a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠</a></p><p>You'll know all about the artists, backstage information and much much more. All the references in the episode are linked there too. Plus, you get to explore all my published texts.</p><p>→ DONATE (please leave some time for the donorbox icon to charge) ⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;v=RQvmgEXMAlQ" rel="noopener noreferrer nofollow">⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠</a></p><p>If you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">⁠⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠⁠</a></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p>Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#contemporaryart #marinarocadie #howtomakeart #artexhibitions #anoukmercier #exhibitionistas #exhibitionistaspodcast #joanaprneves #artbook #artbookclub #bookclub #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #talkart #greatwomenartists #spanishartist #drawing #museums #artisttalk #artpodcast #artgallery</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Visual-Artist-studio-secrets-with-A--Mercier-and-M--Roca-De-MY-ART-TOOLS-e38sb9n</link><guid isPermaLink="false">8757d410-88f2-4d1a-95dd-7c1cae83bf04</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 03 Oct 2025 02:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/9f8b5b860588b4da67ae1932b0d8ddca7b40bd0790e69b2fcf55704df3d27242/eyJlcGlzb2RlSWQiOiIxNjExN2M1Mi00MjQ3LTQ4ZmEtOGM5Ni02YTM3Y2JmMmE2MDYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMTYxMTdjNTItNDI0Ny00OGZhLThjOTYtNmEzN2NiZjJhNjA2LzQwODM2MDQ2OC00NDEwMC0yLTU0YzM5ODFmODhlYmMubXAzIn0=.mp3" length="54977514" type="audio/mpeg"/><itunes:summary>&lt;p&gt;In&lt;strong&gt; My Art Tools&lt;/strong&gt; (new segment) we look into 2 artists&apos; tool box: what is their fetish instrument? Artists think with their hands. Let&apos;s get technical! The artist&apos;s hand will guide you through the passion of following one’s vision, the pleasures of trusting an instinct, and the resilience it takes to work creatively. Hosted by Joana P. R. Neves.&lt;/p&gt;&lt;p&gt;The guests: Anouk Mercier (UK + FR) and Marina Roca Díe (SP).&lt;/p&gt;&lt;p&gt;In an endearingly geeky manner, the answers reveal fantastic methods and unimaginable stories. A big plus: hilarious little incidents and big misadventures that lead to a breakthrough, or a new possibility.&lt;/p&gt;&lt;p&gt;What you get from this episode: Have you ever thought about the stuff art is made of? Wondered how artists make what you see in museums and galleries? How they train their hand, eye, body? Artmaking revelations, art techniques, lessons in resilience, art philosophies, ethical questions.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ ⁠SIGN UP TO THE EXHIBITIONISTAS FILES: &lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbklQMWZGZ2dzWXBRMWc1VDhJRGFZTnpJYV9rUXxBQ3Jtc0tud09YejVHc2c4ZVhKMm1DbDJaRXJSUS0tUnI2LTQ3dmQtV0lTVHA3U09oRWhyZnhnRVZ6T1A2Ym5nNVhVYTk0aWthVDF5eXdvbklpck9PM19Gc3lzcDRUY2NLY1FXdTFMOGhXSWhxQzM0UnJrRWE3RQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fexhibitionistas&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;You&apos;ll know all about the artists, backstage information and much much more. All the references in the episode are linked there too. Plus, you get to explore all my published texts.&lt;/p&gt;&lt;p&gt;→ DONATE (please leave some time for the donorbox icon to charge) ⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbnpORFNsNFpOUC03Z3BBQlA4VjM5X0dIX2NPd3xBQ3Jtc0tuTVU4ZFEyaWxIVXZjSG1ibzh1dkZVb3gtbkY5Mk5hU0lfWVl1aXpLWlQ0YXVWeWxrZk1paEVpUlRKMFR4LV95MnJQemVESUYyNV9RX1pkalkzQTRFTTZDSG1Zb2ppbG1WYjNRQWZETjFud2FGN0VPQQ&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsupport-us&amp;amp;v=RQvmgEXMAlQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;If you appreciate my work, why not buy me a coffee? It&apos;s a nice way to show your appreciation without having to commit to a membership: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠⁠⁠https://buymeacoffee.com/exhibitionista⁠⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #marinarocadie #howtomakeart #artexhibitions #anoukmercier #exhibitionistas #exhibitionistaspodcast #joanaprneves #artbook #artbookclub #bookclub #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #talkart #greatwomenartists #spanishartist #drawing #museums #artisttalk #artpodcast #artgallery&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:57:16</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/16117c52-4247-48fa-8c96-6a37cbf2a606/42910897-1759176770165-6b0b00fd6ccfd.jpg"/><itunes:season>3</itunes:season><itunes:episode>3</itunes:episode><itunes:title>Visual Artist studio secrets with A. Mercier and M. Roca Díe: MY ART TOOLS </itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Is AI shaping the future of art? Interview with Alfredo Cramerotti and Auronda Scalera]]></title><description><![CDATA[<p><a href="https://curatorwork.com/" rel="noopener noreferrer nofollow" target="_blank"><strong>Alfredo Cramerotti</strong></a><strong> and </strong><a href="https://www.linkedin.com/in/aurondascalera/?originalSubdomain=sa" rel="noopener noreferrer nofollow" target="_blank"><strong>Auronda Scalera</strong></a><strong> are a curatorial duo specialising in art and technology, dedicated to</strong> <strong>bridging digital and contemporary art.</strong></p><p>#metaverse #AI #digitalart #newtechnologies</p><p>We either speak over-enthusiastically about AI or in fear of its impact on creativity. My guests stand somewhat in between, advocating for a better understanding of its potential as a tool which they base upon their experiences with artists. The latter have always been irreverent regarding technologies since pigment was blown onto a hand leaving its mysterious mark on a cave wall… So what happens now, with the metaverse, AI and virtual reality? Are these new exhibition spaces? And how to they affect the existing ones? </p><p><br /></p><p>Our discussion took us to lots of places, amongst which the installation created by artist duo <a href="https://herndondryhurst.studio/" rel="noopener noreferrer nofollow" target="_blank">Holly Herndon and Mat Dryhurst</a>, <a href="https://www.serpentinegalleries.org/whats-on/holly-herndon-mat-dryhurst-the-call/" rel="noopener noreferrer nofollow" target="_blank">THE CALL</a> for the Serpentine, which enabled spectators to interact with an AI who had trained with choirs across the UK; we talk about artists who connect writing with sculpture, performance, and new technologies, such as <a href="https://anamariacaballero.com/" rel="noopener noreferrer nofollow" target="_blank">Ana María Caballero</a>, (who just sold a poem in an online auction of Bitcoin Ordinals inscriptions called Natively Digital, for 0.28 Bitcoin or $11,430 at Sotheby’s), and much more. I also mention the great <a href="https://www.instagram.com/janxhopkins/" rel="noopener noreferrer nofollow" target="_blank">Jan Hopkins</a>, an artist and writer based in Sheffield.</p><p><br /></p><p><strong>Cramerotti and Scalera</strong> both teach at MA <a href="https://www.iesa.edu/" rel="noopener noreferrer nofollow" target="_blank">IESA University</a> Paris &amp; <a href="https://www.kingston.ac.uk/" rel="noopener noreferrer nofollow" target="_blank">Kingston University</a> London. They co-curated the <a href="https://www.sothebys.com/en/buy/auction/2024/lumen-prize-anniversary-auction-2024-an-auction-curated-by-auronda-scalera-alfredo-cramerotti-x-lumen-prize" rel="noopener noreferrer nofollow" target="_blank">Lumen Prize x Sotheby's </a>plus this year and the <a href="https://www.artdubai.ae/art-dubai-digital/" rel="noopener noreferrer nofollow" target="_blank">Art Dubai Digital Section 2024</a>. As a duo, they form the International Selection Committee of the <a href="https://www.lumenprize.com/" rel="noopener noreferrer nofollow" target="_blank">Lumen Prize</a> and work as nominators for the <a href="https://www.maxxi.art/en/events/maxxi-bvlgari-prize-2024/" rel="noopener noreferrer nofollow" target="_blank">Maxxi-Bvlgari Prize</a> for Digital Art. While co-directing <a href="https://xxnfts.wixsite.com/xxnftwomen" rel="noopener noreferrer nofollow" target="_blank">Multiplicity-Art in Digital</a>, an online platform promoting women artists with a focus on diversity and inclusion, they spearhead <a href="https://webtoverse.my.canva.site/?fbclid=PAZXh0bgNhZW0CMTEAAaZAgC1DviMt7as6p6YC5Lcs3QoraXIV2Y4Wav-UhK5Ln-IsYXnUNheoygA_aem_xJNb3RMjOmlv9mVrrTzQQg" rel="noopener noreferrer nofollow" target="_blank">Web to Verse</a>, a project dedicated to fostering research on the evolution of digital art from the 1960s to the present day.</p><p>This multifaceted profile has led them to speak at prestigious events such as the UK House of Lords’ All-Party Parliamentary Group, the House of Beautiful Business, the AI House (during the World Economic Forum), the Riyadh Art Program for the KSA Visual Art Commission. They have worked with the UK Government Art Collection, the British Council Visual Arts Acquisition Committee, the Italian Ministry of Culture for the Italian Council 2022-24 program, and the Italian Ministry of Foreign Affairs.</p><p>Support Exhibitionistas:</p><p><strong>HOW CAN YOU CONTRIBUTE? </strong></p><ul><li><p><strong>With a </strong><a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank"><strong>one-off donation</strong></a><strong></strong></p><p><br /></p></li></ul><ul><li><p><strong>Become a member. Affordable tiers for less than the price of a coffee in London (and you receive my episode notes): </strong><a href="https://www.patreon.com/c/exhibitionistaspodcast/membership" rel="noopener noreferrer nofollow" target="_blank">https://www.patreon.com/c/exhibitionistaspodcast/membership</a></p><p><br /></p></li></ul><ul><li><p><strong>Get in </strong><a href="https://exhibitionistaspodcast.com/contact" rel="noopener noreferrer nofollow" target="_blank"><strong>touch</strong></a><strong> if none of these work. We can find a way!</strong></p></li></ul><p><br /></p><p>Art, exhibitions, AI, technology, community, contemporary art, metaverse, digital art, immersive experiences, art criticism.</p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Is-AI-shaping-the-future-of-art--Interview-with-Alfredo-Cramerotti-and-Auronda-Scalera-e2v5qc0</link><guid isPermaLink="false">f334cfcc-999b-4cf8-98f5-011f58a738c0</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 21 Feb 2025 03:02:39 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/4b5a677d0f27fc95d39b4f7595b63340d7f5cda44e59449581140099da2c898e/eyJlcGlzb2RlSWQiOiI1OGNhYmM2YS0xMDgzLTQ5ZDYtOWRiZi1mMWVjZThhNzUwODQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNThjYWJjNmEtMTA4My00OWQ2LTlkYmYtZjFlY2U4YTc1MDg0LzM5NTI2MTg5MS00NDEwMC0yLTg2ZGFlN2M0MDI1ZDQubXAzIn0=.mp3" length="48415972" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;a href=&quot;https://curatorwork.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Alfredo Cramerotti&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; and &lt;/strong&gt;&lt;a href=&quot;https://www.linkedin.com/in/aurondascalera/?originalSubdomain=sa&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Auronda Scalera&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; are a curatorial duo specialising in art and technology, dedicated to&lt;/strong&gt; &lt;strong&gt;bridging digital and contemporary art.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;#metaverse #AI #digitalart #newtechnologies&lt;/p&gt;&lt;p&gt;We either speak over-enthusiastically about AI or in fear of its impact on creativity. My guests stand somewhat in between, advocating for a better understanding of its potential as a tool which they base upon their experiences with artists. The latter have always been irreverent regarding technologies since pigment was blown onto a hand leaving its mysterious mark on a cave wall… So what happens now, with the metaverse, AI and virtual reality? Are these new exhibition spaces? And how to they affect the existing ones? &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Our discussion took us to lots of places, amongst which the installation created by artist duo &lt;a href=&quot;https://herndondryhurst.studio/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Holly Herndon and Mat Dryhurst&lt;/a&gt;, &lt;a href=&quot;https://www.serpentinegalleries.org/whats-on/holly-herndon-mat-dryhurst-the-call/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;THE CALL&lt;/a&gt; for the Serpentine, which enabled spectators to interact with an AI who had trained with choirs across the UK; we talk about artists who connect writing with sculpture, performance, and new technologies, such as &lt;a href=&quot;https://anamariacaballero.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ana María Caballero&lt;/a&gt;, (who just sold a poem in an online auction of Bitcoin Ordinals inscriptions called Natively Digital, for 0.28 Bitcoin or $11,430 at Sotheby’s), and much more. I also mention the great &lt;a href=&quot;https://www.instagram.com/janxhopkins/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jan Hopkins&lt;/a&gt;, an artist and writer based in Sheffield.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Cramerotti and Scalera&lt;/strong&gt; both teach at MA &lt;a href=&quot;https://www.iesa.edu/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;IESA University&lt;/a&gt; Paris &amp;amp; &lt;a href=&quot;https://www.kingston.ac.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kingston University&lt;/a&gt; London. They co-curated the &lt;a href=&quot;https://www.sothebys.com/en/buy/auction/2024/lumen-prize-anniversary-auction-2024-an-auction-curated-by-auronda-scalera-alfredo-cramerotti-x-lumen-prize&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lumen Prize x Sotheby&apos;s &lt;/a&gt;plus this year and the &lt;a href=&quot;https://www.artdubai.ae/art-dubai-digital/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Dubai Digital Section 2024&lt;/a&gt;. As a duo, they form the International Selection Committee of the &lt;a href=&quot;https://www.lumenprize.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lumen Prize&lt;/a&gt; and work as nominators for the &lt;a href=&quot;https://www.maxxi.art/en/events/maxxi-bvlgari-prize-2024/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maxxi-Bvlgari Prize&lt;/a&gt; for Digital Art. While co-directing &lt;a href=&quot;https://xxnfts.wixsite.com/xxnftwomen&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Multiplicity-Art in Digital&lt;/a&gt;, an online platform promoting women artists with a focus on diversity and inclusion, they spearhead &lt;a href=&quot;https://webtoverse.my.canva.site/?fbclid=PAZXh0bgNhZW0CMTEAAaZAgC1DviMt7as6p6YC5Lcs3QoraXIV2Y4Wav-UhK5Ln-IsYXnUNheoygA_aem_xJNb3RMjOmlv9mVrrTzQQg&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Web to Verse&lt;/a&gt;, a project dedicated to fostering research on the evolution of digital art from the 1960s to the present day.&lt;/p&gt;&lt;p&gt;This multifaceted profile has led them to speak at prestigious events such as the UK House of Lords’ All-Party Parliamentary Group, the House of Beautiful Business, the AI House (during the World Economic Forum), the Riyadh Art Program for the KSA Visual Art Commission. They have worked with the UK Government Art Collection, the British Council Visual Arts Acquisition Committee, the Italian Ministry of Culture for the Italian Council 2022-24 program, and the Italian Ministry of Foreign Affairs.&lt;/p&gt;&lt;p&gt;Support Exhibitionistas:&lt;/p&gt;&lt;p&gt;&lt;strong&gt;HOW CAN YOU CONTRIBUTE? &lt;/strong&gt;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;strong&gt;With a &lt;/strong&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;one-off donation&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;strong&gt;Become a member. Affordable tiers for less than the price of a coffee in London (and you receive my episode notes): &lt;/strong&gt;&lt;a href=&quot;https://www.patreon.com/c/exhibitionistaspodcast/membership&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://www.patreon.com/c/exhibitionistaspodcast/membership&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;strong&gt;Get in &lt;/strong&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/contact&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;touch&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; if none of these work. We can find a way!&lt;/strong&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Art, exhibitions, AI, technology, community, contemporary art, metaverse, digital art, immersive experiences, art criticism.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:50:25</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/58cabc6a-1083-49d6-9dbf-f1ece8a75084/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:season>2</itunes:season><itunes:episode>12</itunes:episode><itunes:title>Is AI shaping the future of art? Interview with Alfredo Cramerotti and Auronda Scalera</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[From portrait to self-portrait: Zanele Muholi's activist photography and sculpture]]></title><description><![CDATA[<p>After a hilarious take on Gladiator II by Emily, we explore Muholi's unique path into activism, photography, curated exhibitions, sculpture, and self-imagery. Muholi's work focuses on queer communities in South Africa through a form of what the artist calls "visual activism". But there is also self-portraiture, as the artist is part of this LGBTQIA+ diverse fabric. For Muholi, their use of the pronouns they/them goes way beyond gender identity. It recognises past histories, visible and invisible, and identity as multitude. Muholi says 'There are those who came before me who make me.' Shockingly, Emily and I broke our own rules and actually visited the show together… which turned out to be quite productive. </p><p>To know more about the exhibition: https://www.tate.org.uk/whats-on/tate-modern/zanele-muholi</p><p>You can follow them on Instagram too: @muholizanele</p><p>Follow me on <a href="https://joanaprneves.substack.com" rel="noopener noreferrer nofollow" target="_blank">Substack</a> for more topics on art, society, artists and exhibitions.</p><p>SUBSCRIBE , RATE AND FOLLOW US. IT MAKES A DIFFERENCE.</p><p>If you'd like to have visual content about the episodes, follow us:</p><p>Instagram: @exhibitionistas_podcast</p><p>Bluesky: @exhibitionistas.bsky.social</p><p>You can support us <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">here</a>.</p><p>Music by Sarturn.</p><p><br /></p><p>If you enjoy Katy Hessel's The Great Women Artists Podcast, this episode is for you. It is centred around the artistic practice of non-binary South African artist Zanele Muholi, whose work is steeped in questions of identity and gender in a sophisticated and nuanced way.</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/From-portrait-to-self-portrait-Zanele-Muholis-activist-photography-and-sculpture-e2tub2k</link><guid isPermaLink="false">60992b39-6e27-42e0-b637-d013fa9ee852</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 10 Jan 2025 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/08bb61ef2bd468b689b2109de8aa04f84b3b1e49564329c50593ca427c2a9041/eyJlcGlzb2RlSWQiOiIyNTQ2ZjhkZS1mMDkxLTRjN2MtOTZmMC0zNjQ1NTJmMzdjYTkiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMjU0NmY4ZGUtZjA5MS00YzdjLTk2ZjAtMzY0NTUyZjM3Y2E5LzM5MzY0Nzg1NS00ODAwMC0yLWQxNGJhNmFkNjc1MmNhZmMubXAzIn0=.mp3" length="123125277" type="audio/mpeg"/><itunes:summary>&lt;p&gt;After a hilarious take on Gladiator II by Emily, we explore Muholi&apos;s unique path into activism, photography, curated exhibitions, sculpture, and self-imagery. Muholi&apos;s work focuses on queer communities in South Africa through a form of what the artist calls &quot;visual activism&quot;. But there is also self-portraiture, as the artist is part of this LGBTQIA+ diverse fabric. For Muholi, their use of the pronouns they/them goes way beyond gender identity. It recognises past histories, visible and invisible, and identity as multitude. Muholi says &apos;There are those who came before me who make me.&apos; Shockingly, Emily and I broke our own rules and actually visited the show together… which turned out to be quite productive. &lt;/p&gt;&lt;p&gt;To know more about the exhibition: https://www.tate.org.uk/whats-on/tate-modern/zanele-muholi&lt;/p&gt;&lt;p&gt;You can follow them on Instagram too: @muholizanele&lt;/p&gt;&lt;p&gt;Follow me on &lt;a href=&quot;https://joanaprneves.substack.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Substack&lt;/a&gt; for more topics on art, society, artists and exhibitions.&lt;/p&gt;&lt;p&gt;SUBSCRIBE , RATE AND FOLLOW US. IT MAKES A DIFFERENCE.&lt;/p&gt;&lt;p&gt;If you&apos;d like to have visual content about the episodes, follow us:&lt;/p&gt;&lt;p&gt;Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;You can support us &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Music by Sarturn.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you enjoy Katy Hessel&apos;s The Great Women Artists Podcast, this episode is for you. It is centred around the artistic practice of non-binary South African artist Zanele Muholi, whose work is steeped in questions of identity and gender in a sophisticated and nuanced way.&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:25:30</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/2546f8de-f091-4c7c-96f0-364552f37ca9/42910897-1744969113531-074ed261aba36.jpg"/><itunes:title>From portrait to self-portrait: Zanele Muholi&apos;s activist photography and sculpture</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Anthony McCall–Technology and Immersive Experiences in Art–Solid Light /Tate Modern]]></title><description><![CDATA[<p>A pioneer of experimental cinema, but also conceptual technology (yes, I made this one up), Anthony McCall has built a unique place in the recent history and present of contemporary art. From the UK to the US, from analogue to digital, McCall has created a body of work as playful as it is culturally relevant.</p><p>For more information about the exhibition go <a href="https://www.tate.org.uk/whats-on/tate-modern/anthony-mccall" rel="noopener noreferrer nofollow" target="_blank">here</a>.</p><p>My co-host is Liberté Nutti, who you can follow here for good tips about modern and contemporary art: @libertenuti.</p><p>To know more about her, you can check her <a href="https://www.haerbnuti.com/" rel="noopener noreferrer nofollow" target="_blank">website</a>.</p><p>Support Exhbitionistas <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">here</a>.</p><p>Follow us:</p><p><a href="https://substack.com/@joanaprneves" rel="noopener noreferrer nofollow" target="_blank">⁠Substack⁠</a></p><p><a href="https://exhibitionistaspodcast.com" rel="noopener noreferrer nofollow" target="_blank">⁠Website⁠</a></p><p><a href="https://www.instagram.com/exhibitionistas_podcast/" rel="noopener noreferrer nofollow" target="_blank">⁠Website⁠</a></p><p>Bluesky: @exhibitionistas.bsky.social</p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Anthony-McCallTechnology-and-Immersive-Experiences-in-ArtSolid-Light-Tate-Modern-e31328b</link><guid isPermaLink="false">4df45774-0c76-45f1-aefc-df83a3731361</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 04 Apr 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/cff4093068f3862da8cab81853a51f4292189c87470594e87c8c223da2da4a5e/eyJlcGlzb2RlSWQiOiIyNmU3ZDI1ZS0zMmYyLTQ1N2QtYTA0NC1mMzBhOGQwOWE0NWIiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMjZlN2QyNWUtMzJmMi00NTdkLWEwNDQtZjMwYThkMDlhNDViLzM5Nzc4ODY2MC00NDEwMC0yLWE4ZWEwMzQ0MjlhNC5tcDMifQ==.mp3" length="81031835" type="audio/mpeg"/><itunes:summary>&lt;p&gt;A pioneer of experimental cinema, but also conceptual technology (yes, I made this one up), Anthony McCall has built a unique place in the recent history and present of contemporary art. From the UK to the US, from analogue to digital, McCall has created a body of work as playful as it is culturally relevant.&lt;/p&gt;&lt;p&gt;For more information about the exhibition go &lt;a href=&quot;https://www.tate.org.uk/whats-on/tate-modern/anthony-mccall&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;My co-host is Liberté Nutti, who you can follow here for good tips about modern and contemporary art: @libertenuti.&lt;/p&gt;&lt;p&gt;To know more about her, you can check her &lt;a href=&quot;https://www.haerbnuti.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;website&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Support Exhbitionistas &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Follow us:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://substack.com/@joanaprneves&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠Substack⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠Website⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.instagram.com/exhibitionistas_podcast/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠Website⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:24:24</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/26e7d25e-32f2-457d-a044-f30a8d09a45b/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:season>2</itunes:season><itunes:episode>16</itunes:episode><itunes:title>Anthony McCall–Technology and Immersive Experiences in Art–Solid Light /Tate Modern</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Power of Exhibitions–Interview w/ Sarah Le Quang Sang, The Woman Behind SLQS, The Gallery For Women & Queer Artists]]></title><description><![CDATA[<p>Gallerist Sarah Le Quang Sang showcases and promotes female and queer artists, fighting, one step at a time, to reduce the price gap between genders, the lack of LGBTQIA+ representation in archives, collections, art fairs and private collections, but also the linear conception of artistic careers.</p><p><br /></p><p><strong>You wouldn't leave the shop without paying for your latte, right?</strong></p><p><strong>Buy us a </strong><a rel="noopener noreferrer nofollow">⁠<strong>latte</strong>⁠</a><strong> ;-)</strong></p><p><br /></p><p>How empowering can the #artmarket be? How can a commercial gallery push boundaries? Be more inclusive? And what are the intersections between collections, trans rights, motherhood, family and queer communities? Sarah Le Quang Sang may not have all the answers, but she has all the good questions. She asks: why are birthdates important? Why is there an artistic career template? Who has access to museum collections? Art fairs? </p><p><br /></p><p><strong>If you enjoyed this episode, and if you enjoy reading, Joana's </strong><a href="https://joanaprneves.substack.com/" rel="noopener noreferrer nofollow">⁠<strong>Substack</strong>⁠</a><strong> might be for you.</strong></p><p><br /></p><p>A new star in the constellation of London galleries, Sarah Le Quang Sang, established a commercial gallery in Shoreditch in 2024–SLQS–to champion female and queer artists. We mention her current exhibition of three Vietnamese artists, Vicky Do, Hua Dung-Clerget and Duong Thuy Nguyen, as well as the previous exhibition by trans non-binary artist Bex Wade which prompted an acquisition of their work by the V&amp;A, now shown at Young V&amp;A Bethnal Green. </p><p><br /></p><p>We had to mention the Supreme Court Ruling in past April reducing gender to biological sex, and thus legally erasing trans women particularly, and the trans community in general. Bex Wade was invited to write about the photos of the exhibition (Queer nightlife in the US in 2010s, a time of lightness and joy) in the context of anti-trans movements rising and becoming more vocal. I read an excerpt of the text at the end of the episode.</p><p><br /></p><p><a href="https://exhibitionistaspodcast.com/newsletter" rel="noopener noreferrer nofollow">⁠<strong>SIGN UP</strong>⁠⁠</a><strong> for the NEWSLETTER! </strong></p><p><strong>Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.</strong></p><p><strong>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com</strong></p><p><br /></p><p>About us: If you enjoy the podcast A Brush With and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host or interviewed guest engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show or a topic or discover it, learn or re-evaluate artistic topics crossing over into our everyday lives.</p><p><br /></p><p>Chapters</p><p>00:00:00 Introduction</p><p>00:06:42 Sarah Le Quang Sang</p><p>00:11:07 First Connection to Art</p><p>00:14:12 Art and Motherhood</p><p>00:17:04 Adapting and Reinventing the Rules</p><p>00:22:12 The Impact of Galleries’ New Ethos on Collectors</p><p>00:23:03 Why Open a Commercial Gallery Now?</p><p>00:25:51 Responding to Women and Queer Erasure in the Market</p><p>00:28:13 How to Understand Identity in Art</p><p>00:41:02 Future of the program</p><p>00:48:13 An Excerpt from Bex Wade’s Text Yes / No (Art Review)</p><p><br /></p><p>#contemporaryart #lgbtqia+ #sarahlequangsang #exhibitionistas #exhibitionistaspodcast #joanaprneves #bexwade #vickydo #ingridberthonmoines #dyanagravina </p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/The-Power-of-ExhibitionsInterview-w-Sarah-Le-Quang-Sang--The-Woman-Behind-SLQS--The-Gallery-For-Women--Queer-Artists-e345v3o</link><guid isPermaLink="false">fa4edbdf-166a-4fec-a15c-2488270c1732</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 13 Jun 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/095cf651471a8a0740a35775c98b3cbf44979ba5f9b45f0b22c0eecc15ec9da7/eyJlcGlzb2RlSWQiOiIzMTBlNDVhYi1mNDE4LTQxM2UtOGZmMy00ZTFkZGExNzFhNTgiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMzEwZTQ1YWItZjQxOC00MTNlLThmZjMtNGUxZGRhMTcxYTU4LzQwMjA2NzM5Ny00NDEwMC0yLTUzNWE1NTc3ZDdjYzcubXAzIn0=.mp3" length="52100701" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Gallerist Sarah Le Quang Sang showcases and promotes female and queer artists, fighting, one step at a time, to reduce the price gap between genders, the lack of LGBTQIA+ representation in archives, collections, art fairs and private collections, but also the linear conception of artistic careers.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;You wouldn&apos;t leave the shop without paying for your latte, right?&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Buy us a &lt;/strong&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠&lt;strong&gt;latte&lt;/strong&gt;⁠&lt;/a&gt;&lt;strong&gt; ;-)&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;How empowering can the #artmarket be? How can a commercial gallery push boundaries? Be more inclusive? And what are the intersections between collections, trans rights, motherhood, family and queer communities? Sarah Le Quang Sang may not have all the answers, but she has all the good questions. She asks: why are birthdates important? Why is there an artistic career template? Who has access to museum collections? Art fairs? &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;If you enjoyed this episode, and if you enjoy reading, Joana&apos;s &lt;/strong&gt;&lt;a href=&quot;https://joanaprneves.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠&lt;strong&gt;Substack&lt;/strong&gt;⁠&lt;/a&gt;&lt;strong&gt; might be for you.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;A new star in the constellation of London galleries, Sarah Le Quang Sang, established a commercial gallery in Shoreditch in 2024–SLQS–to champion female and queer artists. We mention her current exhibition of three Vietnamese artists, Vicky Do, Hua Dung-Clerget and Duong Thuy Nguyen, as well as the previous exhibition by trans non-binary artist Bex Wade which prompted an acquisition of their work by the V&amp;amp;A, now shown at Young V&amp;amp;A Bethnal Green. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;We had to mention the Supreme Court Ruling in past April reducing gender to biological sex, and thus legally erasing trans women particularly, and the trans community in general. Bex Wade was invited to write about the photos of the exhibition (Queer nightlife in the US in 2010s, a time of lightness and joy) in the context of anti-trans movements rising and becoming more vocal. I read an excerpt of the text at the end of the episode.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/newsletter&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠&lt;strong&gt;SIGN UP&lt;/strong&gt;⁠⁠&lt;/a&gt;&lt;strong&gt; for the NEWSLETTER! &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;About us: If you enjoy the podcast A Brush With and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they&apos;re nerdy and engaging, researched and approachable. The co-host and the guest co-host or interviewed guest engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show or a topic or discover it, learn or re-evaluate artistic topics crossing over into our everyday lives.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;p&gt;00:00:00 Introduction&lt;/p&gt;&lt;p&gt;00:06:42 Sarah Le Quang Sang&lt;/p&gt;&lt;p&gt;00:11:07 First Connection to Art&lt;/p&gt;&lt;p&gt;00:14:12 Art and Motherhood&lt;/p&gt;&lt;p&gt;00:17:04 Adapting and Reinventing the Rules&lt;/p&gt;&lt;p&gt;00:22:12 The Impact of Galleries’ New Ethos on Collectors&lt;/p&gt;&lt;p&gt;00:23:03 Why Open a Commercial Gallery Now?&lt;/p&gt;&lt;p&gt;00:25:51 Responding to Women and Queer Erasure in the Market&lt;/p&gt;&lt;p&gt;00:28:13 How to Understand Identity in Art&lt;/p&gt;&lt;p&gt;00:41:02 Future of the program&lt;/p&gt;&lt;p&gt;00:48:13 An Excerpt from Bex Wade’s Text Yes / No (Art Review)&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #lgbtqia+ #sarahlequangsang #exhibitionistas #exhibitionistaspodcast #joanaprneves #bexwade #vickydo #ingridberthonmoines #dyanagravina &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:54:16</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/310e45ab-f418-413e-8ff3-4e1dda171a58/42910897-1749774509531-108c610b28a78.jpg"/><itunes:season>2</itunes:season><itunes:episode>20</itunes:episode><itunes:title>The Power of Exhibitions–Interview w/ Sarah Le Quang Sang, The Woman Behind SLQS, The Gallery For Women &amp; Queer Artists</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Measure Pleasure–Ethics of Feminism in Art Podcasting–End of Season 2]]></title><description><![CDATA[<p>Host Joana P. R. Neves uncovers the richness of new perspectives on contemporary art through the ethos found in podcasting. Joana also shares insights from her attendance at the International Women Podcast Awards, highlighting the non-hierarchical nature of the podcasting community. Looking ahead, she teases new formats and changes for the upcoming season, while opening up about the need for engagement. </p><p><br /></p><p>→ Stay connected to the Exhibitionistas flow, <a href="https://exhibitionistaspodcast.com/newsletter" rel="noopener noreferrer nofollow"><strong>SIGN UP</strong>⁠</a> to the Newsletter–or to my <a href="https://joanaprneves.substack.com/" rel="noopener noreferrer nofollow">Substack</a>.</p><p>→ Do you want to support our third season? Donate <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">HERE</a>. </p><p><br /></p><p><strong>Exhibitionistas Podcast • June 27, 2025 • Episode 2x21 • 44:25</strong></p><p><strong>What You'll Learn from This Episode</strong></p><p><br /></p><p><strong>Key Questions Explored:</strong></p><p>- The podcast celebrates its two-season journey with 33 episodes.</p><p>- Joana reflects on the two origins and evolution of the podcast.</p><p>- Podcasting is transitioning into new formats and technologies–Joana reveals how this instills a new energy into art reviewing.</p><p>- Inclusivity and non-hierarchical structures as essential feminist values intersecting with podcasting.</p><p>- The role of the art critic is re-assessed and redefined.</p><p>- Biographical data should be used against the elitism plaguing art in a non-deterministic way<strong>.</strong></p><p>- Museums contribue to elitism with the tools that should counter it.</p><p>- Engagement and feedback from listeners are learned but necessary behaviours.</p><p>- Joana sees podcasting as potentially extending the job market for art, provided there is financial sustainability.</p><p><br /></p><p><strong>Key Themes Explored in This Episode</strong>The unexpected relation between art, podcasting and feminism. The importance of inclusivity within feminism for the host. How critical thinking can be accessible through artist biographies and avoiding myth-making through superlatives. Audience engagement is crucial for podcasting; there is a relation between the podcaster and their audience. Podcasting fosters connections and breaks the unilateral aspect of contemporary art experiences and discourse. The reasons why there is a difficulty in turning a podcast sustainable are varied: audience habits are analysed as well as the audience awareness of podcast work. </p><p><br /></p><p><strong>Major Themes:</strong> The Digital Format of Art Content, Ethics of Feminism in Podcasting, Museum Communication Strategies and Failures, Potential of Connectivity through the Accessibility of Podcasting, The Love and Respect for Art and Artist's time Dedication to Art, The State of Art Criticism Today, Contemporary Critical Thinking, Audience Engagement, How to Engage with a Podcast, The Importance of Paid Work in Podcasting. The importance of Understanding Podcasting with Critical Thinking and Writing, Art &amp; Elitism, alienating audiences.</p><p><br /></p><p>Measure Pleasure examines the love and dedication to contemporary art, by spectators, curators, critics and, conversely, its reputation of elitism.</p><p><br /></p><p><strong>Perfect for:</strong> Art students, gallery visitors, anyone curious about art discourse and critique, and fans of philosophy of art, contemporary art audience engagement strategies, podcasters and more specifically art podcasters.</p><p><br /></p><p>Intro: 00:00:00</p><p>The feminism of podcasting: 00:03:24</p><p>Is the art critic obsolete?: 00:07:46</p><p>The value of biases: 00:08:48</p><p>Audience engagement: show your bias!: 00:12:24</p><p>Biography: 00:14:38</p><p>Do museums alienate audiences with declarations of greatness?: 00:20:06</p><p>Insights into art podcasting: 00:29:54</p><p><br /></p><p><strong>EXPECT SUMMER EPISODES! </strong></p><p><strong>NEXT SEASON: SEPTEMBER 2025 - JUNE 2026</strong></p><p><strong>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</strong></p><p><strong>Bluesky: @exhibitionistas.bsky.social</strong></p><p><strong>exhibitionistaspod@gmail.com</strong></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Measure-PleasureEthics-of-Feminism-in-Art-PodcastingEnd-of-Season-2-e34plsb</link><guid isPermaLink="false">a5e630c3-68a1-4ec4-af95-7a2c32ec823b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 27 Jun 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/90a624922458326693031f2f53e076b9a3a5158b0b8763437957102ef944f19f/eyJlcGlzb2RlSWQiOiJhNDU1YTg2Mi01Zjk2LTRkZDItYWY4NS1lYTczOWU5NTZjOTQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvYTQ1NWE4NjItNWY5Ni00ZGQyLWFmODUtZWE3MzllOTU2Yzk0LzQwMzMxMTI2My00NDEwMC0yLTIyNjJlNDMxODBjOGEubXAzIn0=.mp3" length="42653151" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Host Joana P. R. Neves uncovers the richness of new perspectives on contemporary art through the ethos found in podcasting. Joana also shares insights from her attendance at the International Women Podcast Awards, highlighting the non-hierarchical nature of the podcasting community. Looking ahead, she teases new formats and changes for the upcoming season, while opening up about the need for engagement. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ Stay connected to the Exhibitionistas flow, &lt;a href=&quot;https://exhibitionistaspodcast.com/newsletter&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;strong&gt;SIGN UP&lt;/strong&gt;⁠&lt;/a&gt; to the Newsletter–or to my &lt;a href=&quot;https://joanaprneves.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Substack&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;→ Do you want to support our third season? Donate &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;HERE&lt;/a&gt;. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Exhibitionistas Podcast • June 27, 2025 • Episode 2x21 • 44:25&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;What You&apos;ll Learn from This Episode&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Key Questions Explored:&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;- The podcast celebrates its two-season journey with 33 episodes.&lt;/p&gt;&lt;p&gt;- Joana reflects on the two origins and evolution of the podcast.&lt;/p&gt;&lt;p&gt;- Podcasting is transitioning into new formats and technologies–Joana reveals how this instills a new energy into art reviewing.&lt;/p&gt;&lt;p&gt;- Inclusivity and non-hierarchical structures as essential feminist values intersecting with podcasting.&lt;/p&gt;&lt;p&gt;- The role of the art critic is re-assessed and redefined.&lt;/p&gt;&lt;p&gt;- Biographical data should be used against the elitism plaguing art in a non-deterministic way&lt;strong&gt;.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;- Museums contribue to elitism with the tools that should counter it.&lt;/p&gt;&lt;p&gt;- Engagement and feedback from listeners are learned but necessary behaviours.&lt;/p&gt;&lt;p&gt;- Joana sees podcasting as potentially extending the job market for art, provided there is financial sustainability.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Key Themes Explored in This Episode&lt;/strong&gt;The unexpected relation between art, podcasting and feminism. The importance of inclusivity within feminism for the host. How critical thinking can be accessible through artist biographies and avoiding myth-making through superlatives. Audience engagement is crucial for podcasting; there is a relation between the podcaster and their audience. Podcasting fosters connections and breaks the unilateral aspect of contemporary art experiences and discourse. The reasons why there is a difficulty in turning a podcast sustainable are varied: audience habits are analysed as well as the audience awareness of podcast work. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Major Themes:&lt;/strong&gt; The Digital Format of Art Content, Ethics of Feminism in Podcasting, Museum Communication Strategies and Failures, Potential of Connectivity through the Accessibility of Podcasting, The Love and Respect for Art and Artist&apos;s time Dedication to Art, The State of Art Criticism Today, Contemporary Critical Thinking, Audience Engagement, How to Engage with a Podcast, The Importance of Paid Work in Podcasting. The importance of Understanding Podcasting with Critical Thinking and Writing, Art &amp;amp; Elitism, alienating audiences.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Measure Pleasure examines the love and dedication to contemporary art, by spectators, curators, critics and, conversely, its reputation of elitism.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Perfect for:&lt;/strong&gt; Art students, gallery visitors, anyone curious about art discourse and critique, and fans of philosophy of art, contemporary art audience engagement strategies, podcasters and more specifically art podcasters.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Intro: 00:00:00&lt;/p&gt;&lt;p&gt;The feminism of podcasting: 00:03:24&lt;/p&gt;&lt;p&gt;Is the art critic obsolete?: 00:07:46&lt;/p&gt;&lt;p&gt;The value of biases: 00:08:48&lt;/p&gt;&lt;p&gt;Audience engagement: show your bias!: 00:12:24&lt;/p&gt;&lt;p&gt;Biography: 00:14:38&lt;/p&gt;&lt;p&gt;Do museums alienate audiences with declarations of greatness?: 00:20:06&lt;/p&gt;&lt;p&gt;Insights into art podcasting: 00:29:54&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;EXPECT SUMMER EPISODES! &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;NEXT SEASON: SEPTEMBER 2025 - JUNE 2026&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Bluesky: @exhibitionistas.bsky.social&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;exhibitionistaspod@gmail.com&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:44:25</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/a455a862-5f96-4dd2-af85-ea739e956c94/42910897-1750989805518-7bb0349351ee4.jpg"/><itunes:season>2</itunes:season><itunes:episode>21</itunes:episode><itunes:title>Measure Pleasure–Ethics of Feminism in Art Podcasting–End of Season 2</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Linder's Photo-Montage: From Punk to Cyber-Goddess at Hayward Gallery]]></title><description><![CDATA[<p>Emily is the co-host of this episode about art, transgression, female desire and the male gaze through photo montage, as cultural commentary and self-exploration. </p><p>We re-visit the exhibition "Danger Came Smiling" at Hayward Gallery. A punk goddess whose image was used in the Buzzcocks’ EP Orgasm Addict (1977), Linder is an under-exposed contemporary artist. 99p glue, a scalpel, vintage magazines, and she “travel(s) in time”, to bring back cyber domestic goddesses and anachronistic deepfakes. Her work seems to be at its peak, and always timely, as she enters her 7th decade on earth.</p><p>Support us: <a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">here</a>.</p><p>Check out Linder on social media: <a href="https://www.instagram.com/lindersterling/" rel="noopener noreferrer nofollow" target="_blank">@lindersterling</a>.</p><p>Listen to Linder's band <a href="https://open.spotify.com/album/2jqwKEKJvIE72jF8gZCaAm" rel="noopener noreferrer nofollow" target="_blank">Ludus</a>.</p><p>More about the exhibition here: <a href="https://www.southbankcentre.co.uk/whats-on/linder-danger-came-smiling/" rel="noopener noreferrer nofollow" target="_blank">Hayward Gallery.</a></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Linders-Photo-Montage-From-Punk-to-Cyber-Goddess-at-Hayward-Gallery-e30f71d</link><guid isPermaLink="false">7278b9dc-dd05-4d56-96d6-f77004d2f16a</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 21 Mar 2025 03:08:45 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/79ca950a6b2bc733e0274d63dd17e49fcc2eae32fcfe4206ea4636f9bdab82a2/eyJlcGlzb2RlSWQiOiJiODRlN2E4Yi1jYjcyLTQ5YTctYTA4NS1lYTY0M2I2MGJjNjYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvYjg0ZTdhOGItY2I3Mi00OWE3LWEwODUtZWE2NDNiNjBiYzY2LzM5Njk2MjU1OC00NDEwMC0yLThjODE4OTBmNzczZDMubXAzIn0=.mp3" length="64373236" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Emily is the co-host of this episode about art, transgression, female desire and the male gaze through photo montage, as cultural commentary and self-exploration. &lt;/p&gt;&lt;p&gt;We re-visit the exhibition &quot;Danger Came Smiling&quot; at Hayward Gallery. A punk goddess whose image was used in the Buzzcocks’ EP Orgasm Addict (1977), Linder is an under-exposed contemporary artist. 99p glue, a scalpel, vintage magazines, and she “travel(s) in time”, to bring back cyber domestic goddesses and anachronistic deepfakes. Her work seems to be at its peak, and always timely, as she enters her 7th decade on earth.&lt;/p&gt;&lt;p&gt;Support us: &lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Check out Linder on social media: &lt;a href=&quot;https://www.instagram.com/lindersterling/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@lindersterling&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;Listen to Linder&apos;s band &lt;a href=&quot;https://open.spotify.com/album/2jqwKEKJvIE72jF8gZCaAm&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ludus&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;More about the exhibition here: &lt;a href=&quot;https://www.southbankcentre.co.uk/whats-on/linder-danger-came-smiling/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hayward Gallery.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>01:07:03</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/b84e7a8b-cb72-49a7-a085-ea643b60bc66/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:season>2</itunes:season><itunes:episode>14</itunes:episode><itunes:title>Linder&apos;s Photo-Montage: From Punk to Cyber-Goddess at Hayward Gallery</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Soufiane Ababri]]></title><description><![CDATA[Soufiane Ababri's work took us to The Curve, a difficult space at the Barbican that Ababri worked to his advantage and to the delight of these two exhibitionistas. The artist's work explores notions of diaspora, immigration, colonial trauma, post-colonial issues, queerness and much more. But most of all it is a delightful installation of magnificent drawings for their skilled unskillfulness and their recording of queer love, tenderness, sex and life.

The exhibition is called "Their mouths were full of bumblebees but it was me who was pollinated", and it was a commission specifically for the, well, curved space of The Curve. 

For more information:  https://www.barbican.org.uk/whats-on/2024/event/soufiane-ababri

Follow Soufiane Ababri on Instagram:  @soufianeababri

Follow us: exhibitionistas_podcast

Music by: Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Soufiane-Ababri-e2tub2l</link><guid isPermaLink="false">bbc405b6-26e2-4a9d-8299-73cb2b17973c</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 31 May 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/55b9e81a3e49ca6381f934bd13fc5009a97d8d84d288072b60cb42d394ceced2/eyJlcGlzb2RlSWQiOiJiZTM0NTM0My1iYTllLTQxYjUtYmQ5Yy01YzRkY2VhYTIwYWMiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvYmUzNDUzNDMtYmE5ZS00MWI1LWJkOWMtNWM0ZGNlYWEyMGFjLzM5MzY0Nzg1NC00ODAwMC0yLTc0NmI3OWE1MGM2ZjQxY2YubXAzIn0=.mp3" length="111746973" type="audio/mpeg"/><itunes:summary>Soufiane Ababri&apos;s work took us to The Curve, a difficult space at the Barbican that Ababri worked to his advantage and to the delight of these two exhibitionistas. The artist&apos;s work explores notions of diaspora, immigration, colonial trauma, post-colonial issues, queerness and much more. But most of all it is a delightful installation of magnificent drawings for their skilled unskillfulness and their recording of queer love, tenderness, sex and life.

The exhibition is called &quot;Their mouths were full of bumblebees but it was me who was pollinated&quot;, and it was a commission specifically for the, well, curved space of The Curve. 

For more information:  https://www.barbican.org.uk/whats-on/2024/event/soufiane-ababri

Follow Soufiane Ababri on Instagram:  @soufianeababri

Follow us: exhibitionistas_podcast

Music by: Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:17:36</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/be345343-ba9e-41b5-bd9c-5c4dceaa20ac/b6101d725f621aa0.png"/><itunes:title>Soufiane Ababri</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Marina Abramović]]></title><description><![CDATA[<p>In this first episode of Exhibitionistas we look back on one of the most exciting contemporary art exhibitions of last year, Marina Abramović at the Royal Academy. What better way to start a podcast than chatting about the retrospective exhibition of the grandmother of performance art?Music: Sarturn.</p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Marina-Abramovi-e2tub2f</link><guid isPermaLink="false">e8db0082-235e-4639-bf2f-4df995a89d2a</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Thu, 25 Jan 2024 19:15:47 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/4f56ce3c168c4f6910dd18422bc819ae8d6cae127e36b92f999b4ea021f27eff/eyJlcGlzb2RlSWQiOiJmNjVlMzhmYi1hN2YxLTRkYzctYWU4Yi0xNDk1NzBhYzBlOWIiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZjY1ZTM4ZmItYTdmMS00ZGM3LWFlOGItMTQ5NTcwYWMwZTliLzM5MzY0Nzg1Mi00ODAwMC0yLTY4NzJmMmYyYmYzMzI4MjAubXAzIn0=.mp3" length="93503325" type="audio/mpeg"/><itunes:summary>&lt;p&gt;In this first episode of Exhibitionistas we look back on one of the most exciting contemporary art exhibitions of last year, Marina Abramović at the Royal Academy. What better way to start a podcast than chatting about the retrospective exhibition of the grandmother of performance art?Music: Sarturn.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:04:55</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/f65e38fb-a7f1-4dc7-ae8b-149570ac0e9b/086820c00f682827.png"/><itunes:title>Marina Abramović</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Yoko Ono - Part 1]]></title><description><![CDATA[Enjoy this episode about Music for the Mind, a Yoko Ono retrospective exhibition curated by Juliet Bingham and Patrizia Dander, on show at Tate Modern until September 1rst 2024. It was organized by Tate Modern and Kunstsammlung Nordrhein-Westfallen. 

https://www.tate.org.uk/whats-on/tate-modern/yoko-ono

Instagram: @yokoono

Born in 1933, Yoko Ono lived between three continents, and explored experimental art and music all throughout her life. This exhibition presents us with a lot of her work from the 1950s to today and is extremely collaborative and free. At the ripe age of 91 Yoko Ono is still a creative force that remained, for a great part, uncelebrated. Infamous, even. We hope to deconstruct these biased views and to unfold a rich and bold energy, fully dedicated to art.

How did we navigate such a space? How did we connect to the work? What parts of her life touched us the most?

Tune in and find out!

Music: Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Yoko-Ono---Part-1-e2tub2r</link><guid isPermaLink="false">39a85275-b280-4a6e-9d8f-f9b0eef5395a</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 05 Apr 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/b61201ae9ca0955e415f40511861a606298b5c10888b164a1e2520cb5a6c858f/eyJlcGlzb2RlSWQiOiJkNzEzNGI3Zi03YzlhLTQ3YjItYjNhMi05MTAxNmYxNDQwNzYiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDcxMzRiN2YtN2M5YS00N2IyLWIzYTItOTEwMTZmMTQ0MDc2LzM5MzY0Nzg2Ny00ODAwMC0yLTQzNjM2ODY3ZDhjYWI0OTUubXAzIn0=.mp3" length="105698397" type="audio/mpeg"/><itunes:summary>Enjoy this episode about Music for the Mind, a Yoko Ono retrospective exhibition curated by Juliet Bingham and Patrizia Dander, on show at Tate Modern until September 1rst 2024. It was organized by Tate Modern and Kunstsammlung Nordrhein-Westfallen. 

https://www.tate.org.uk/whats-on/tate-modern/yoko-ono

Instagram: @yokoono

Born in 1933, Yoko Ono lived between three continents, and explored experimental art and music all throughout her life. This exhibition presents us with a lot of her work from the 1950s to today and is extremely collaborative and free. At the ripe age of 91 Yoko Ono is still a creative force that remained, for a great part, uncelebrated. Infamous, even. We hope to deconstruct these biased views and to unfold a rich and bold energy, fully dedicated to art.

How did we navigate such a space? How did we connect to the work? What parts of her life touched us the most?

Tune in and find out!

Music: Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:13:24</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d7134b7f-7c9a-47b2-b3a2-91016f144076/60283c260da29bba.png"/><itunes:title>Yoko Ono - Part 1</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Zeinab Saleh]]></title><description><![CDATA[Have you ever been to an exhibition that changes your heart rate, slows you down, and inspires you to take a nap with a cat? Such was our experience at Zeinab Saleh's exhibition at the heart of Tate Britain, part of the Art Now program, which welcomes contemporary young artists in one of the many rooms of the museum.

We discuss the notion of quiet, how it is dismissed in our culture, and how the artist not only embraces it but also almost magically creates it through mixed media paintings and drawings. A simple setting eliciting mindful dreaming and sheer presence.

The exhibition was curated by Amy Emmerson Martin (assistant curator) and Nathan Ladd (curator).

For more information visit the Tate's webiste: https://www.tate.org.uk/whats-on/tate-britain/zeinab-saleh

@exhibitionistas_podcast

Music: Sarturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Zeinab-Saleh-e2tub2q</link><guid isPermaLink="false">0dffa98d-ef94-4433-b84e-a4a117a0675e</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 17 May 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/ea2cf70ed2ce6057f42029b3f553e0a8ecb5aa2e930e4eefce6739f3edf1ea60/eyJlcGlzb2RlSWQiOiJlNjU3MjBmMy0yZDE1LTRjZTAtYjczYy1kZDM3YjNkYjRiM2UiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZTY1NzIwZjMtMmQxNS00Y2UwLWI3M2MtZGQzN2IzZGI0YjNlLzM5MzY0Nzg1MC00ODAwMC0yLThlNDRkNzY1NGQ0Mzc4ODgubXAzIn0=.mp3" length="124268061" type="audio/mpeg"/><itunes:summary>Have you ever been to an exhibition that changes your heart rate, slows you down, and inspires you to take a nap with a cat? Such was our experience at Zeinab Saleh&apos;s exhibition at the heart of Tate Britain, part of the Art Now program, which welcomes contemporary young artists in one of the many rooms of the museum.

We discuss the notion of quiet, how it is dismissed in our culture, and how the artist not only embraces it but also almost magically creates it through mixed media paintings and drawings. A simple setting eliciting mindful dreaming and sheer presence.

The exhibition was curated by Amy Emmerson Martin (assistant curator) and Nathan Ladd (curator).

For more information visit the Tate&apos;s webiste: https://www.tate.org.uk/whats-on/tate-britain/zeinab-saleh

@exhibitionistas_podcast

Music: Sarturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:26:17</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/e65720f3-2d15-4ce0-b73c-dd37b3db4b3e/081df7d5ac84580d.png"/><itunes:title>Zeinab Saleh</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Exhibitionistas Origin Story!]]></title><description><![CDATA[If this was a Friends episode, we would have titled it "The One Where Emily and Joana ask Each Other Questions". But it's not, so we decided to describe it as an origin story: we go back to the reasons why we decided to do this podcast and why it has such a distinctive format: an arts specialist and an exhibition goer candidly discussing solo exhibitions.This intro is a way to ease into this new and promising second season, and to (re)introduce the podcast to our listeners. It's always good to go over the rules of the game. Believe me, you will be reminded that this is a feelings, research and thoughts podcast. (And if you think these don't go together, think again!)Asking each other questions has allowed us to reveal to each other a few things we hadn't discussed, busy, as we were, with actually producing the episodes. There are a few revelations in there, self-explorations and we realise what the podcast brought us, and, by extension, our listeners. Or so we hope!Music: Saturn.Instagram: exhibitionistas_podcast.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/The-Exhibitionistas-Origin-Story-e2tub20</link><guid isPermaLink="false">e3521906-edf0-4701-b18c-2cab372e927b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 27 Sep 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/aaf804c3fb850587a4677c049e55d775f85263a50a51c5e5c14c63fd22ec8831/eyJlcGlzb2RlSWQiOiJhYzE1YzQ3Mi0xMThiLTRiZjEtYjVkNC1kMDRjYWEzMmE1NjQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvYWMxNWM0NzItMTE4Yi00YmYxLWI1ZDQtZDA0Y2FhMzJhNTY0LzM5MzY0Nzg0MC00ODAwMC0yLWM4MDM0ZTJmZTE1YzVhNjkubXAzIn0=.mp3" length="54417117" type="audio/mpeg"/><itunes:summary>If this was a Friends episode, we would have titled it &quot;The One Where Emily and Joana ask Each Other Questions&quot;. But it&apos;s not, so we decided to describe it as an origin story: we go back to the reasons why we decided to do this podcast and why it has such a distinctive format: an arts specialist and an exhibition goer candidly discussing solo exhibitions.This intro is a way to ease into this new and promising second season, and to (re)introduce the podcast to our listeners. It&apos;s always good to go over the rules of the game. Believe me, you will be reminded that this is a feelings, research and thoughts podcast. (And if you think these don&apos;t go together, think again!)Asking each other questions has allowed us to reveal to each other a few things we hadn&apos;t discussed, busy, as we were, with actually producing the episodes. There are a few revelations in there, self-explorations and we realise what the podcast brought us, and, by extension, our listeners. Or so we hope!Music: Saturn.Instagram: exhibitionistas_podcast.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:37:47</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/ac15c472-118b-4bf1-b5d4-d04caa32a564/42910897-1744968796782-cad004a349f91.jpg"/><itunes:title>The Exhibitionistas Origin Story!</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Lauren Halsey's Maximalist art: Freedom, Identity, Revolution, Care]]></title><description><![CDATA[EXHIBITIONISTAS CELEBRATES ONE YEAR OF PODCASTING! 🍌🍌🍌If you want to give us a birthday present, we have ideas&gt;&gt;&gt;&gt;&gt;For a one-off donation: paypal.me/exhibitionistas [https://www.paypal.com/paypalme/my/profile]For a membership: https://www.patreon.com/c/exhibitionistaspodcast/membership And now the episode. We talk about Lauren Halsey's exhibition at the Serpentine Gallery, curated by Lizzie Carey-Thomas and Chris Bayley. It's a maximalist environment that led us to a discussion about art, freedom, identity, revolution and care. It also allowed us to find out more about the myths and origins of the term Afro-Futurism, which surprised us a great deal.To know more about the exhibition: https://www.serpentinegalleries.org/whats-on/lauren-halsey-emajendat/We also mention Emily's friend, an artist using street signs in her work. Go to Instagram and check her out! @janeroerevolutionMusic by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Lauren-Halseys-Maximalist-art-Freedom--Identity--Revolution--Care-e2tub2m</link><guid isPermaLink="false">a8e729e3-e44a-40cf-8ec5-cc93d591aac9</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 24 Jan 2025 00:20:01 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/e665a85e7e8deed0a3b0f7965da0e6c6c13582fde92fdbbe45b433f8984f5a1c/eyJlcGlzb2RlSWQiOiIyMDU5ZjAxYy1kZmRmLTQzNmYtODY4NC0xODc3NGJiZjMyNzEiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMjA1OWYwMWMtZGZkZi00MzZmLTg2ODQtMTg3NzRiYmYzMjcxLzM5MzY0Nzg1OS00ODAwMC0yLWM1YWMxNTU5ZjM2YTJkNGEubXAzIn0=.mp3" length="122025693" type="audio/mpeg"/><itunes:summary>EXHIBITIONISTAS CELEBRATES ONE YEAR OF PODCASTING! 🍌🍌🍌If you want to give us a birthday present, we have ideas&amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;For a one-off donation: paypal.me/exhibitionistas [https://www.paypal.com/paypalme/my/profile]For a membership: https://www.patreon.com/c/exhibitionistaspodcast/membership And now the episode. We talk about Lauren Halsey&apos;s exhibition at the Serpentine Gallery, curated by Lizzie Carey-Thomas and Chris Bayley. It&apos;s a maximalist environment that led us to a discussion about art, freedom, identity, revolution and care. It also allowed us to find out more about the myths and origins of the term Afro-Futurism, which surprised us a great deal.To know more about the exhibition: https://www.serpentinegalleries.org/whats-on/lauren-halsey-emajendat/We also mention Emily&apos;s friend, an artist using street signs in her work. Go to Instagram and check her out! @janeroerevolutionMusic by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:24:44</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/2059f01c-dfdf-436f-8684-18774bbf3271/42910897-1744969157878-cfba6f6529b13.jpg"/><itunes:title>Lauren Halsey&apos;s Maximalist art: Freedom, Identity, Revolution, Care</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[On Kawara: Life As Art, Painting Time]]></title><description><![CDATA[<p>In this episode, Joana P. R. Neves and co-host Liberté Nuti look back on On Kawara's exhibition at David Zwirner Gallery London, Date Paintings (21 November 2024 to 25 January 2025 ).</p><p>To know more about Liberté Nuti:<a href="https://www.haerbnuti.com/" rel="noopener noreferrer nofollow" target="_blank">https://www.haerbnuti.com/</a></p><p>Follow her on Instagram: @libertenuti</p><p>For more information on the show:<a href="https://www.davidzwirner.com/exhibitions/2024/on-kawara-london" rel="noopener noreferrer nofollow" target="_blank">https://www.davidzwirner.com/exhibitions/2024/on-kawara-london</a></p><p>For more information on On Kawara and One Million Years Foundation:<a href="https://www.onemillionyearsfoundation.org/" rel="noopener noreferrer nofollow" target="_blank">https://www.onemillionyearsfoundation.org/</a></p><p>They explore the life and work of On Kawara, a significant figure in contemporary art known for his repetitive and conceptual Date Paintings (1966 - 2012).</p><p>How do you deal with an artist who did everything he could to reduce life to art, and thus preserve life's unique intangibility? How do you experience a series of works dedicated to the obsessive recording of time through craft?</p><p>"It was quite the experience"</p><p>"On Kawara is a concept, in himself"</p><p>"What else do you want?"</p><p>Music by Sarturn.</p><p>Support us on:<a href="https://www.onemillionyearsfoundation.org/" rel="noopener noreferrer nofollow" target="_blank">https://exhibitionistaspodcast.com/</a> and go to the DONATE page.</p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/On-Kawara-Life-As-Art--Painting-Time-e2uhlij</link><guid isPermaLink="false">a4f96eca-b754-47db-9ce5-e498e330c0d0</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 07 Feb 2025 14:23:06 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/69874a644bc533e493b85164889eab06e1f9140674b9869e87b364a59c29e809/eyJlcGlzb2RlSWQiOiI4MjRjYWJkYi0xNDA1LTQxMTAtYjc2Ny01NWI2ZGFjNDZhZWMiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvODI0Y2FiZGItMTQwNS00MTEwLWI3NjctNTViNmRhYzQ2YWVjLzM5NDQzNzg1Mi00NDEwMC0yLTNhZTQ1ZDAwMzgxMTUubXAzIn0=.mp3" length="60003891" type="audio/mpeg"/><itunes:summary>&lt;p&gt;In this episode, Joana P. R. Neves and co-host Liberté Nuti look back on On Kawara&apos;s exhibition at David Zwirner Gallery London, Date Paintings (21 November 2024 to 25 January 2025 ).&lt;/p&gt;&lt;p&gt;To know more about Liberté Nuti:&lt;a href=&quot;https://www.haerbnuti.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://www.haerbnuti.com/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Follow her on Instagram: @libertenuti&lt;/p&gt;&lt;p&gt;For more information on the show:&lt;a href=&quot;https://www.davidzwirner.com/exhibitions/2024/on-kawara-london&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://www.davidzwirner.com/exhibitions/2024/on-kawara-london&lt;/a&gt;&lt;/p&gt;&lt;p&gt;For more information on On Kawara and One Million Years Foundation:&lt;a href=&quot;https://www.onemillionyearsfoundation.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://www.onemillionyearsfoundation.org/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;They explore the life and work of On Kawara, a significant figure in contemporary art known for his repetitive and conceptual Date Paintings (1966 - 2012).&lt;/p&gt;&lt;p&gt;How do you deal with an artist who did everything he could to reduce life to art, and thus preserve life&apos;s unique intangibility? How do you experience a series of works dedicated to the obsessive recording of time through craft?&lt;/p&gt;&lt;p&gt;&quot;It was quite the experience&quot;&lt;/p&gt;&lt;p&gt;&quot;On Kawara is a concept, in himself&quot;&lt;/p&gt;&lt;p&gt;&quot;What else do you want?&quot;&lt;/p&gt;&lt;p&gt;Music by Sarturn.&lt;/p&gt;&lt;p&gt;Support us on:&lt;a href=&quot;https://www.onemillionyearsfoundation.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;https://exhibitionistaspodcast.com/&lt;/a&gt; and go to the DONATE page.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:02:30</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/824cabdb-1405-4110-b767-55b6dac46aec/42910897-1744969192492-8bae2a8bbac47.jpg"/><itunes:season>2</itunes:season><itunes:episode>11</itunes:episode><itunes:title>On Kawara: Life As Art, Painting Time</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Hardeep Pandhal's Immersive Drawing at Drawing Room, London]]></title><description><![CDATA[<p>If Hogarth and Mario Bros had a son, it would be Hardeep Pandhal, the artist whose drawings sprawl on the walls, on paper and on canvas at the <a href="https://drawingroom.org.uk/whats-on/" rel="noopener noreferrer nofollow" target="_blank">Drawing Room</a> until until the 13 April. Half auto-biography, half hybrid character-driven cross-temporal fantasies, one thing is certain, we loved “Inner World”.</p><p>If you’re not in London, and you want to know more about the artist, he is represented by <a href="https://jhavericontemporary.com/" rel="noopener noreferrer nofollow" target="_blank">Jhaveri Contemporary</a> in Mumbai, who I profusely thank for all the information they sent me.</p><p><br /></p><p>This time, my two co-hosts, interdisciplinary movement artist Naissa Bjørn and visual artist Constança Saturnino, are YOUNG.  So we have an Gen X versus Gen Z episode. And it’s a delight. </p><p><em>We talk also talk about: neurodiversity, the spectator experience, drawing, community, aphantasia, dyslexia, synesthesia, contemporary drawing, exhibitions, art galleries. </em></p><p><br /></p><p>Follow <a href="https://www.instagram.com/naissa.en/?hl=en" rel="noopener noreferrer nofollow" target="_blank">Naissa</a>, and Naissa's <a href="https://www.instagram.com/notjustafade/?hl=enFollow " rel="noopener noreferrer nofollow" target="_blank">hairdressing</a> business. Follow <a href="https://www.instagram.com/saturn.conch/" rel="noopener noreferrer nofollow" target="_blank">Constança</a>, and Constança's <a href="https://www.instagram.com/field.trail/" rel="noopener noreferrer nofollow" target="_blank">tattoo</a> business.</p><p><br /></p><p><a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow" target="_blank">SUPPORT INDEPENDENT PODCASTING OR, AS I CALL IT, INTELLECTUAL ENTREPRENEURSHIP</a></p><p>We also mention Milo's song An Encyclopedia. Listen <a href="https://open.spotify.com/track/5xcS6z3NrsrhDC0F3F3eed?si=96c1913c52734ff8" rel="noopener noreferrer nofollow" target="_blank">here</a>. It's great.</p><p>Follow us:</p><p><a href="https://substack.com/@joanaprneves" rel="noopener noreferrer nofollow" target="_blank">Substack</a></p><p><a href="https://exhibitionistaspodcast.com" rel="noopener noreferrer nofollow" target="_blank">Website</a></p><p><a href="https://www.instagram.com/exhibitionistas_podcast/" rel="noopener noreferrer nofollow" target="_blank">Instagram</a></p><p>Bluesky: @exhibitionistas.bsky.social</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Hardeep-Pandhals-Immersive-Drawing-at-Drawing-Room--London-e2vqdi6</link><guid isPermaLink="false">471477e6-7562-45bd-aa61-7dfd374ed282</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 07 Mar 2025 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/2b51da72f4c087578064c4da20cca61312a8a57cba03818718cc971a9a89c7f4/eyJlcGlzb2RlSWQiOiI0MGQ2ZWEzMS1lMGQ0LTRhNTUtYTA0Zi03ZmZlMWMxOGY4MjciLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvNDBkNmVhMzEtZTBkNC00YTU1LWEwNGYtN2ZmZTFjMThmODI3LzM5NjEwNDY5NC00NDEwMC0yLWIxNDBmY2JjNWU1YWQubXAzIn0=.mp3" length="60411819" type="audio/mpeg"/><itunes:summary>&lt;p&gt;If Hogarth and Mario Bros had a son, it would be Hardeep Pandhal, the artist whose drawings sprawl on the walls, on paper and on canvas at the &lt;a href=&quot;https://drawingroom.org.uk/whats-on/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Drawing Room&lt;/a&gt; until until the 13 April. Half auto-biography, half hybrid character-driven cross-temporal fantasies, one thing is certain, we loved “Inner World”.&lt;/p&gt;&lt;p&gt;If you’re not in London, and you want to know more about the artist, he is represented by &lt;a href=&quot;https://jhavericontemporary.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jhaveri Contemporary&lt;/a&gt; in Mumbai, who I profusely thank for all the information they sent me.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;This time, my two co-hosts, interdisciplinary movement artist Naissa Bjørn and visual artist Constança Saturnino, are YOUNG.  So we have an Gen X versus Gen Z episode. And it’s a delight. &lt;/p&gt;&lt;p&gt;&lt;em&gt;We talk also talk about: neurodiversity, the spectator experience, drawing, community, aphantasia, dyslexia, synesthesia, contemporary drawing, exhibitions, art galleries. &lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Follow &lt;a href=&quot;https://www.instagram.com/naissa.en/?hl=en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Naissa&lt;/a&gt;, and Naissa&apos;s &lt;a href=&quot;https://www.instagram.com/notjustafade/?hl=enFollow &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;hairdressing&lt;/a&gt; business. Follow &lt;a href=&quot;https://www.instagram.com/saturn.conch/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Constança&lt;/a&gt;, and Constança&apos;s &lt;a href=&quot;https://www.instagram.com/field.trail/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;tattoo&lt;/a&gt; business.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;SUPPORT INDEPENDENT PODCASTING OR, AS I CALL IT, INTELLECTUAL ENTREPRENEURSHIP&lt;/a&gt;&lt;/p&gt;&lt;p&gt;We also mention Milo&apos;s song An Encyclopedia. Listen &lt;a href=&quot;https://open.spotify.com/track/5xcS6z3NrsrhDC0F3F3eed?si=96c1913c52734ff8&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;. It&apos;s great.&lt;/p&gt;&lt;p&gt;Follow us:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://substack.com/@joanaprneves&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Substack&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Website&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.instagram.com/exhibitionistas_podcast/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Instagram&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:02:55</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/40d6ea31-e0d4-4a55-a04f-7ffe1c18f827/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:season>2</itunes:season><itunes:episode>13</itunes:episode><itunes:title>Hardeep Pandhal&apos;s Immersive Drawing at Drawing Room, London</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Can a book be an exhibition? Guest #2: Stephen Ellcock]]></title><description><![CDATA[We are thrilled to welcome Stephen Ellcock to the podcast during his press tour for the book Elements, which completes a trilogy with The Cosmic Dance (2022) and Underworlds (2023), all published by Thames and Hudson. This time, he has gathered images around the ancestral notion of "the elements", seen through the contemporary lens of sustainability and the impending climate tragedy.Is the book an exhibition? And if so, what kind? There is a mystery underlying these questions  which is the statuts and power of images in their different spaces such as galleries or publications. However, this episode is also an opportunity to get to know the image alchemist Stephen Ellcock a bit more.If you don't know Stephen Ellcock's instagram account yet, you should: @stephenellcockFollow us for more images: @exhibitionistas_podcastSupport us on our Patreon page: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by Sarturn.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Can-a-book-be-an-exhibition--Guest-2-Stephen-Ellcock-e2tub25</link><guid isPermaLink="false">28c5a71d-8444-4620-8fb2-4984b33c23c6</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 20 Dec 2024 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/a771047c18376d9fe60c78c63391b7269137580e5d1e9d410dbc68358bd2ca36/eyJlcGlzb2RlSWQiOiIwOGQ5YjQzMC1iMGI5LTRhMDYtYmQ4OS1iOGRiYzI1M2M5ZTgiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMDhkOWI0MzAtYjBiOS00YTA2LWJkODktYjhkYmMyNTNjOWU4LzM5MzY0Nzg0Mi00ODAwMC0yLWEwZDViNDNkNDdiZmJjODYubXAzIn0=.mp3" length="88600413" type="audio/mpeg"/><itunes:summary>We are thrilled to welcome Stephen Ellcock to the podcast during his press tour for the book Elements, which completes a trilogy with The Cosmic Dance (2022) and Underworlds (2023), all published by Thames and Hudson. This time, he has gathered images around the ancestral notion of &quot;the elements&quot;, seen through the contemporary lens of sustainability and the impending climate tragedy.Is the book an exhibition? And if so, what kind? There is a mystery underlying these questions  which is the statuts and power of images in their different spaces such as galleries or publications. However, this episode is also an opportunity to get to know the image alchemist Stephen Ellcock a bit more.If you don&apos;t know Stephen Ellcock&apos;s instagram account yet, you should: @stephenellcockFollow us for more images: @exhibitionistas_podcastSupport us on our Patreon page: https://www.patreon.com/c/exhibitionistaspodcast/membershipMusic by Sarturn.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:01:31</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/08d9b430-b0b9-4a06-bd89-b8dbc253c9e8/42910897-1744968984384-2dbf44eccd6b7.jpg"/><itunes:title>Can a book be an exhibition? Guest #2: Stephen Ellcock</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Aria Dean]]></title><description><![CDATA[We are delighted to explore our first ICA show in this episode. We discuss artist and writer Aria Dean's Abattoir U.S.A.!, a videogame inspired video installation and a sculptural work exploring exhibitions and otherness / othering. The theme of the slaughterhouse is a powerful one, and it was treated by Dean in a subtle and powerful way.

We also read Dean's book Bad Infinity: Selected Writings (Sternberg Press). It is a philosophical exploration of minimal and contemporary art through the lens of blackness and western thought. There is a theory of representation informed by what we learned to be called Afropessimism. 

We go into all of this in this episode, although we may not have understood everything. Such is the magic of exhibitions and books! We go back, and back, and back again.
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Aria-Dean-e2tub31</link><guid isPermaLink="false">8e398ed0-19eb-43da-b9c5-d5c5ff85992b</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 03 May 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/d80893e3fee24213f6db2340a9b6ad43db49d4948a6ac0df2348ac6b9dfdd8a0/eyJlcGlzb2RlSWQiOiJkMzE1ODhjMC0xNDgwLTRjNGItYjAwNy03ZjFkNjZhZGMyMzQiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDMxNTg4YzAtMTQ4MC00YzRiLWIwMDctN2YxZDY2YWRjMjM0LzM5MzY0Nzg3NC00ODAwMC0yLWM5NzIwYjE2YzkzOGY5ODYubXAzIn0=.mp3" length="110457309" type="audio/mpeg"/><itunes:summary>We are delighted to explore our first ICA show in this episode. We discuss artist and writer Aria Dean&apos;s Abattoir U.S.A.!, a videogame inspired video installation and a sculptural work exploring exhibitions and otherness / othering. The theme of the slaughterhouse is a powerful one, and it was treated by Dean in a subtle and powerful way.

We also read Dean&apos;s book Bad Infinity: Selected Writings (Sternberg Press). It is a philosophical exploration of minimal and contemporary art through the lens of blackness and western thought. There is a theory of representation informed by what we learned to be called Afropessimism. 

We go into all of this in this episode, although we may not have understood everything. Such is the magic of exhibitions and books! We go back, and back, and back again.
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:16:42</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d31588c0-1480-4c4b-b007-7f1d66adc234/f526f34fa1ea56ed.png"/><itunes:title>Aria Dean</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Art Writing versus Speaking About Art - Art Topic]]></title><description><![CDATA[<p><em>ART TOPIC is is an exploration of a topic through visual arts or vice-versa. Hosted by Joana P. R. Neves, this episode is an experiment in opposing writing to oral communication. It also engages with queer lives at the height of modernism, the notion of genius and its patriarchal tendencies, as well as the intriguing, unique couple of Gertrude Stein and Alice B. Toklas.</em></p><p>Discover Joana's text "G is for Genius, Grammar and Girl", published on her Substack <a href="https://joanaprneves.substack.com/" rel="noopener noreferrer nofollow" target="_blank">Art Thinkosaurus</a>. She reads it here as a performance of sorts, with mistakes, reflexions and all, to test voice versus word. What will she discover?</p><p>Explore Joana's Substack and become a member for the price of a latte: https://joanaprneves.substack.com/</p><p>What you get from this episode:</p><ul><li>How do we write about art? </li><li>Is talking about art different than writing about it?</li><li>Is Modernism entangled in Gender issues? </li><li>How did gender influence modernism and vice-versa? </li><li>Why were we obsessed with the "genius"? </li></ul><p>To know more about our guests and our ideas → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.</p><p>⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqa0YxYXU2S2k3SWxyNjRiSGhaYmw4SEh1bTJXd3xBQ3Jtc0ttWmZBSVNEMG94Y3VDMV9SamxfVEoySVNKdTJGUFZZd1htN2hLR2pZckFSUU9pTTdlT3lsSWdYX2l6UURGLXFXcU5UWHFuT2Fqc1BETFlYckVfd3lhcnRjVlVfTnFnc1BPRERmclBXNGlIZ2dLS3JQWQ&amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow" target="_blank">⁠⁠⁠</a><a href="https://joanaprneves.substack.com/s/exhibitionistas⁠" rel="noopener noreferrer nofollow" target="_blank">⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠</a></p><p>+ you can become a member and support us.</p><p><br /></p><p>→ DONATE (give it some time for the donorbox window to charge):</p><p>⁠⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbHViMDRERTlIVHpTVEdxUkdQV1IteXo1UEoxUXxBQ3Jtc0trc3lJMVRHRXhrZnJoNDhKTEx0Y19XRHRIVWd2ZmctaGdQVFp4d1FVT3pDanpVeVhEb0libDNWekJuU0taMFhJaFY1dW1XbGtqVmdXT2p4RnZaWHFzcDJTMmxtVHN3elBPbVV5NGNiYzE4WlBTd25uZw&amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow" target="_blank">⁠⁠⁠</a><a href="https://exhibitionistaspodcast.com/support-us⁠" rel="noopener noreferrer nofollow" target="_blank">⁠https://exhibitionistaspodcast.com/support-us⁠⁠</a></p><p><br /></p><p>If you appreciate Exhibitionistas but can only go for a small donation: ⁠⁠⁠⁠<a href="https://www.youtube.com/redirect?event=video_description&amp;redir_token=QUFFLUhqbV9wYko3b1dFNGdMT1kzMVJRU2EtMU9KTy1WQXxBQ3Jtc0tseHZidUtmRmxJbThCR1EwMW9seHRfWENkZ0s3blVLaW9FeUtqREZSM3Q0aHFLbnZ0VEh2QVVCSjRqWkxvVDk0ZHpDZXdYVHQ5OUlhWlp0eGprYmprZXZVcFJsdGk0aGNCWVp2SzZFUTVUWHZMREtpNA&amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionis..&amp;v=N97yd5t3pFY" rel="noopener noreferrer nofollow" target="_blank">⁠⁠⁠</a><a href="https://buymeacoffee.com/exhibitionista⁠" rel="noopener noreferrer nofollow" target="_blank">⁠https://buymeacoffee.com/exhibitionista⁠⁠</a></p><p><br /></p><p>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</p><p><br /></p><p>#visualarts #visualartist #arteducation #joanaprneves #exhibitionistas #exhibitionistaspodcast #arttalk #art #visualartsepisode #visualartspodcast #contemporaryart #talkart #londonexhibitions #londongallery #londonmuseum #bestlondonart #arthistory #arttheory #exhibition #gertrudestein #alicebtoklas #modernism #gender #queerlives #queerart</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Art-Writing-versus-Speaking-About-Art---Art-Topic-e3g0sfp</link><guid isPermaLink="false">dd95031f-07bf-4e9a-8420-2203349dee70</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 06 Mar 2026 06:25:01 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/30b8aac103ab7b36433a7bd97088273297b15e7f36c8f54a3da331a4aba1b682/eyJlcGlzb2RlSWQiOiI5ZWEwZjllNi05YzExLTRlZDUtOTNhNC03YmYyMmIyNDk1MTIiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvOWVhMGY5ZTYtOWMxMS00ZWQ1LTkzYTQtN2JmMjJiMjQ5NTEyLzQxOTM5NTE5Ny00NDEwMC0yLWNmMmMyZjY2NDA2YWEubXAzIn0=.mp3" length="60790490" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;em&gt;ART TOPIC is is an exploration of a topic through visual arts or vice-versa. Hosted by Joana P. R. Neves, this episode is an experiment in opposing writing to oral communication. It also engages with queer lives at the height of modernism, the notion of genius and its patriarchal tendencies, as well as the intriguing, unique couple of Gertrude Stein and Alice B. Toklas.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Discover Joana&apos;s text &quot;G is for Genius, Grammar and Girl&quot;, published on her Substack &lt;a href=&quot;https://joanaprneves.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Thinkosaurus&lt;/a&gt;. She reads it here as a performance of sorts, with mistakes, reflexions and all, to test voice versus word. What will she discover?&lt;/p&gt;&lt;p&gt;Explore Joana&apos;s Substack and become a member for the price of a latte: https://joanaprneves.substack.com/&lt;/p&gt;&lt;p&gt;What you get from this episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;How do we write about art? &lt;/li&gt;&lt;li&gt;Is talking about art different than writing about it?&lt;/li&gt;&lt;li&gt;Is Modernism entangled in Gender issues? &lt;/li&gt;&lt;li&gt;How did gender influence modernism and vice-versa? &lt;/li&gt;&lt;li&gt;Why were we obsessed with the &quot;genius&quot;? &lt;/li&gt;&lt;/ul&gt;&lt;p&gt;To know more about our guests and our ideas → ⁠SIGN UP TO THE EXHIBITIONISTAS FILES.&lt;/p&gt;&lt;p&gt;⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqa0YxYXU2S2k3SWxyNjRiSGhaYmw4SEh1bTJXd3xBQ3Jtc0ttWmZBSVNEMG94Y3VDMV9SamxfVEoySVNKdTJGUFZZd1htN2hLR2pZckFSUU9pTTdlT3lsSWdYX2l6UURGLXFXcU5UWHFuT2Fqc1BETFlYckVfd3lhcnRjVlVfTnFnc1BPRERmclBXNGlIZ2dLS3JQWQ&amp;amp;q=https%3A%2F%2Fjoanaprneves.substack.com%2Fs%2Fe..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠⁠&lt;/a&gt;&lt;a href=&quot;https://joanaprneves.substack.com/s/exhibitionistas⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠https://joanaprneves.substack.com/s/exhibitionistas⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;+ you can become a member and support us.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;→ DONATE (give it some time for the donorbox window to charge):&lt;/p&gt;&lt;p&gt;⁠⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbHViMDRERTlIVHpTVEdxUkdQV1IteXo1UEoxUXxBQ3Jtc0trc3lJMVRHRXhrZnJoNDhKTEx0Y19XRHRIVWd2ZmctaGdQVFp4d1FVT3pDanpVeVhEb0libDNWekJuU0taMFhJaFY1dW1XbGtqVmdXT2p4RnZaWHFzcDJTMmxtVHN3elBPbVV5NGNiYzE4WlBTd25uZw&amp;amp;q=https%3A%2F%2Fexhibitionistaspodcast.com%2Fsu..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠⁠&lt;/a&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/support-us⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠https://exhibitionistaspodcast.com/support-us⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you appreciate Exhibitionistas but can only go for a small donation: ⁠⁠⁠⁠&lt;a href=&quot;https://www.youtube.com/redirect?event=video_description&amp;amp;redir_token=QUFFLUhqbV9wYko3b1dFNGdMT1kzMVJRU2EtMU9KTy1WQXxBQ3Jtc0tseHZidUtmRmxJbThCR1EwMW9seHRfWENkZ0s3blVLaW9FeUtqREZSM3Q0aHFLbnZ0VEh2QVVCSjRqWkxvVDk0ZHpDZXdYVHQ5OUlhWlp0eGprYmprZXZVcFJsdGk0aGNCWVp2SzZFUTVUWHZMREtpNA&amp;amp;q=https%3A%2F%2Fbuymeacoffee.com%2Fexhibitionis..&amp;amp;v=N97yd5t3pFY&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠⁠&lt;/a&gt;&lt;a href=&quot;https://buymeacoffee.com/exhibitionista⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠https://buymeacoffee.com/exhibitionista⁠⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#visualarts #visualartist #arteducation #joanaprneves #exhibitionistas #exhibitionistaspodcast #arttalk #art #visualartsepisode #visualartspodcast #contemporaryart #talkart #londonexhibitions #londongallery #londonmuseum #bestlondonart #arthistory #arttheory #exhibition #gertrudestein #alicebtoklas #modernism #gender #queerlives #queerart&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:03:19</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/9ea0f9e6-9c11-4ed5-93a4-7bf22b249512/42910897-1753049772731-173e7b8f9c65d.jpg"/><itunes:season>3</itunes:season><itunes:episode>50</itunes:episode><itunes:title>Art Writing versus Speaking About Art - Art Topic</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Pamela Phatsimo Sunstrum]]></title><description><![CDATA[We go back to The Curve at the Barbican for the first institutional exhibition of Pamela Phatsimo's work in the UK, titled It Will End in Tears.And what an entrance Sunstrum's work is having in London! The exhibition adapts to the demanding shape of The Curve, basically a curved corridor initially designed as a buffer between the auditoriums and the hall, and now a creative exhibition space that Joana and Emily have come to love.Sunstrum involves the viewer in a revised film noir narrative, where the "femme" is perhaps even more "fatale" than usual.To know more about the show: https://www.barbican.org.uk/whats-on/2024/event/pamela-phatsimo-sunstrum-it-will-end-in-tearsTo follow Sunstrum on Instagram: @pamelaphatsimoSupport us on our Patreon page: https://www.patreon.com/c/ExhibitionistasPodcastFollow the pod, subscribe, and review us! Follow us on Instagram: @exhibitionistas_podcastMusic by @Saturn
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Pamela-Phatsimo-Sunstrum-e2tub2u</link><guid isPermaLink="false">aef8b1dc-8a3b-42f0-8f32-2f58bdba7886</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 25 Oct 2024 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/e65fa57896ccbc8fe62c44f45df1d2615d4c1c4e4d155cae8ee77eff202af813/eyJlcGlzb2RlSWQiOiJkMDhmZThmYS1lODlmLTRmYTEtYTViYS01ZWJlOWY2NTA0MmIiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvZDA4ZmU4ZmEtZTg5Zi00ZmExLWE1YmEtNWViZTlmNjUwNDJiLzM5MzY0Nzg3MS00ODAwMC0yLWEzZWUyNzUzY2Q1NzVhNmEubXAzIn0=.mp3" length="105943773" type="audio/mpeg"/><itunes:summary>We go back to The Curve at the Barbican for the first institutional exhibition of Pamela Phatsimo&apos;s work in the UK, titled It Will End in Tears.And what an entrance Sunstrum&apos;s work is having in London! The exhibition adapts to the demanding shape of The Curve, basically a curved corridor initially designed as a buffer between the auditoriums and the hall, and now a creative exhibition space that Joana and Emily have come to love.Sunstrum involves the viewer in a revised film noir narrative, where the &quot;femme&quot; is perhaps even more &quot;fatale&quot; than usual.To know more about the show: https://www.barbican.org.uk/whats-on/2024/event/pamela-phatsimo-sunstrum-it-will-end-in-tearsTo follow Sunstrum on Instagram: @pamelaphatsimoSupport us on our Patreon page: https://www.patreon.com/c/ExhibitionistasPodcastFollow the pod, subscribe, and review us! Follow us on Instagram: @exhibitionistas_podcastMusic by @Saturn
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:13:34</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/d08fe8fa-e89f-4fa1-a5ba-5ebe9f65042b/42910897-1744968880339-333be3689a01b.jpg"/><itunes:title>Pamela Phatsimo Sunstrum</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Texture of Art–Sensory Shifts in Contemporary Art–Feeling, Seeing and Making]]></title><description><![CDATA[<p>Contemporary art is a feast for the senses. But have we reduced art to vision? And what does the hand do, now that we have machines and automated ways of making, editing and showing images? And what are images?</p><p><strong>You wouldn't leave the shop without paying for your latte, right?</strong></p><p><strong>Buy us a </strong><a href=" ⁠⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠⁠" rel="noopener noreferrer nofollow" target="_blank"><strong>latte</strong></a><strong> ;-)</strong></p><p>This episode is the second audio/video essay of the season. It will take you on a trip to a sensory shift across times, blurring the boundaries between line, image, wall, surface, paper, and machines. Where the hand is, what it does and how it is re-articulated by automation is promising and exciting if we let it. </p><p><strong>If you enjoyed this episode, and if you enjoy reading, Joana's </strong><a href="https://joanaprneves.substack.com" rel="noopener noreferrer nofollow" target="_blank"><strong>Substack</strong></a><strong> might be for you.</strong></p><p>I was invited to participate in a conversation on the occasion of the launch of Trajectories, Variations on a Gesture a book which is almost a sculpture or an exhibition in itself, containing 10 drawings made at Massana school of crafts (Barcelona) by Edouard Cabay. The director of the school, Xavi Capmany invited Cabay, an experimental architect and artist to bring his algorithmic practice at the heart of a school teaching manual crafts in order to create a dialogue between the different uses of the hand, of patterns, of the eye, the brain, muscle and memory. I dediced to start by reading a short text, which you can enjoy, in a longuer version, here.</p><p><a href="https://exhibitionistaspodcast.com/newsletter" rel="noopener noreferrer nofollow" target="_blank">⁠<strong>SIGN UP</strong>⁠</a><strong> for the NEWSLETTER! </strong></p><p><strong>Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.</strong></p><p><strong>For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast</strong></p><p><strong>Bluesky: @exhibitionistas.bsky.social</strong></p><p><strong>exhibitionistaspod@gmail.com</strong></p><p><br /></p><p><strong>#contemporaryart #artexhibitions #artmovement #experimentalart #automation #touch, #representation #craft #technology #artisticexpression, #contact #traces #artistresidency #edouardcabay #massanaschool</strong></p><p><br /></p><p>About us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.</p><p><br /></p><p><br /></p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/The-Texture-of-ArtSensory-Shifts-in-Contemporary-ArtFeeling--Seeing-and-Making-e33g5oo</link><guid isPermaLink="false">09780a89-133b-4483-9b05-1ef11b205050</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 30 May 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/873ae0f85ea41d924fa28f1e59e99fcd20e948b5c3932f61c7ade4992900dcea/eyJlcGlzb2RlSWQiOiIzODI4NGRiMS0zY2YyLTQxMWEtYWU5OC0yMmEyYTFiOGYzYmMiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMzgyODRkYjEtM2NmMi00MTFhLWFlOTgtMjJhMmExYjhmM2JjLzQwMTE3MDM4My00NDEwMC0yLTYzZTRiOWJjYTY4NTkubXAzIn0=.mp3" length="32659747" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Contemporary art is a feast for the senses. But have we reduced art to vision? And what does the hand do, now that we have machines and automated ways of making, editing and showing images? And what are images?&lt;/p&gt;&lt;p&gt;&lt;strong&gt;You wouldn&apos;t leave the shop without paying for your latte, right?&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Buy us a &lt;/strong&gt;&lt;a href=&quot; ⁠⁠⁠⁠https://exhibitionistaspodcast.com/support-us⁠⁠⁠&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;latte&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; ;-)&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;This episode is the second audio/video essay of the season. It will take you on a trip to a sensory shift across times, blurring the boundaries between line, image, wall, surface, paper, and machines. Where the hand is, what it does and how it is re-articulated by automation is promising and exciting if we let it. &lt;/p&gt;&lt;p&gt;&lt;strong&gt;If you enjoyed this episode, and if you enjoy reading, Joana&apos;s &lt;/strong&gt;&lt;a href=&quot;https://joanaprneves.substack.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Substack&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; might be for you.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;I was invited to participate in a conversation on the occasion of the launch of Trajectories, Variations on a Gesture a book which is almost a sculpture or an exhibition in itself, containing 10 drawings made at Massana school of crafts (Barcelona) by Edouard Cabay. The director of the school, Xavi Capmany invited Cabay, an experimental architect and artist to bring his algorithmic practice at the heart of a school teaching manual crafts in order to create a dialogue between the different uses of the hand, of patterns, of the eye, the brain, muscle and memory. I dediced to start by reading a short text, which you can enjoy, in a longuer version, here.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/newsletter&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠&lt;strong&gt;SIGN UP&lt;/strong&gt;⁠&lt;/a&gt;&lt;strong&gt; for the NEWSLETTER! &lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Bluesky: @exhibitionistas.bsky.social&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;exhibitionistaspod@gmail.com&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;#contemporaryart #artexhibitions #artmovement #experimentalart #automation #touch, #representation #craft #technology #artisticexpression, #contact #traces #artistresidency #edouardcabay #massanaschool&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;About us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they&apos;re nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you&apos;ve seen or discover it if you can&apos;t go, learn or re-evaluate artistic topics crossing over into our everyday lives.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:34:01</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/38284db1-3cf2-411a-ae98-22a2a1b8f3bc/42910897-1748455867897-c7f70b57b5d03.jpg"/><itunes:season>2</itunes:season><itunes:episode>19</itunes:episode><itunes:title>The Texture of Art–Sensory Shifts in Contemporary Art–Feeling, Seeing and Making</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Giuseppe Penone–Sculpture as Breath, Drawing as Skin]]></title><description><![CDATA[<p><strong>Giuseppe Penone</strong> is a <strong> visual</strong><strong> artist </strong>associated with the <strong>Arte Povera art movement</strong>. He reinvented <strong>sculpture</strong>, <strong>drawing</strong>, <strong>conceptual</strong> <strong>photography,</strong> <strong>art installation</strong>, through proto <strong>environmental art</strong> with the sensibility of a late <strong>late romantic</strong>.</p><p>Curator and art critic Germano Celant created the term #artepovera in 1967 to highlight a tendency toward a use of <strong>reduced materia</strong>l or idea to its <strong>archetype</strong>. How does Penone fit into that notion? He seems to have had a singular place in the Italian and global <strong>Western art canon</strong> of the time, using organic growth as an art process that the artist mirrors, plays and aligns with. Have we been forcing a dialogue between his work and Celant’s concept? What other relations with <strong>memory and matter</strong> has he expanded through his work? Was he a pioneer of <strong>eco-art</strong>? A late romantic? All of the above? </p><p>Artist <a href="https://www.instagram.com/diogopimentaodaily?igsh=aXJ4djJsbjByc2Zl" rel="noopener noreferrer nofollow">⁠Diogo Pimentão⁠</a> is my co-host for the first time. As ever, I’ll introduce the artist and he’ll take us through this small retrospective exhibition at the Serpentine Gallery. </p><p><em>Curated by Claude Adjil, Curator at Large, and Hans Ulrich Obrist, Artistic Director, with Alexa Chow, Assistant Exhibitions Curator.</em></p><p><br /></p><p><strong>You wouldn't leave the shop without paying for your latte, right?</strong></p><p><strong>Buy us a latte ;-) </strong><a href="https://exhibitionistaspodcast.com/support-us" rel="noopener noreferrer nofollow">⁠https://exhibitionistaspodcast.com/support-us⁠</a></p><p><br /></p><p><strong>SIGN UP for the NEWSLETTER! </strong>Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.</p><p>https://exhibitionistaspodcast.com/newsletter</p><p><br /></p><p>If you enjoyed the episode, you may enjoy <strong>Joana's essays</strong> on <strong>Substack</strong>: <a href="https://joanaprneves.substack.com/" rel="noopener noreferrer nofollow">⁠https://joanaprneves.substack.com⁠</a></p><p><br /></p><p>For <strong>behind the scenes clips</strong>, <strong>links to the artists and guests</strong> we cover, and <strong>visuals of the exhibitions</strong> we discuss follow us on <strong>Instagram</strong>: @exhibitionistas_podcast</p><p><br /></p><p>Bluesky: @exhibitionistas.bsky.social</p><p>exhibitionistaspod@gmail.com</p><p><br /></p><p>#contemporaryart #immersive #immersiveexperiences #artexhibitions #artisticidentity #artmovement #experimentalfilm #experimentalart #artmovement #archetype</p>
]]></description><link>https://podcasters.spotify.com/pod/show/exhibitionistas/episodes/Giuseppe-PenoneSculpture-as-Breath--Drawing-as-Skin-e328pl7</link><guid isPermaLink="false">36a6cdf8-0240-498b-b898-8b3c3ea258fa</guid><dc:creator><![CDATA[Joana P. R. Neves, art curator and writer]]></dc:creator><pubDate>Fri, 02 May 2025 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.fm/hosting-analytics/media/2cfd7f483a25e52efbe92d0504f77ef7625f134b5cea9ab60a9c52c89c25da7a/eyJlcGlzb2RlSWQiOiIwNzExMjdmYS05Y2UzLTRkZjctOTU2Ny1jZjJiMDVmZWZiYjIiLCJwb2RjYXN0SWQiOiJiODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYiLCJhY2NvdW50SWQiOiI2NzkzZDFkMTdjNzU4N2Y1NzdlNmQ3OWQiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy9iODk1MWM5Yi00MjcxLTQ1YTYtYWYxYy0xYjUxY2I2MmY2ODYvZXBpc29kZXMvMDcxMTI3ZmEtOWNlMy00ZGY3LTk1NjctY2YyYjA1ZmVmYmIyLzM5OTcyMjU5NS00NDEwMC0yLTE1YTU4OTBlYmRiZmEubXAzIn0=.mp3" length="68493060" type="audio/mpeg"/><itunes:summary>&lt;p&gt;&lt;strong&gt;Giuseppe Penone&lt;/strong&gt; is a &lt;strong&gt; visual&lt;/strong&gt;&lt;strong&gt; artist &lt;/strong&gt;associated with the &lt;strong&gt;Arte Povera art movement&lt;/strong&gt;. He reinvented &lt;strong&gt;sculpture&lt;/strong&gt;, &lt;strong&gt;drawing&lt;/strong&gt;, &lt;strong&gt;conceptual&lt;/strong&gt; &lt;strong&gt;photography,&lt;/strong&gt; &lt;strong&gt;art installation&lt;/strong&gt;, through proto &lt;strong&gt;environmental art&lt;/strong&gt; with the sensibility of a late &lt;strong&gt;late romantic&lt;/strong&gt;.&lt;/p&gt;&lt;p&gt;Curator and art critic Germano Celant created the term #artepovera in 1967 to highlight a tendency toward a use of &lt;strong&gt;reduced materia&lt;/strong&gt;l or idea to its &lt;strong&gt;archetype&lt;/strong&gt;. How does Penone fit into that notion? He seems to have had a singular place in the Italian and global &lt;strong&gt;Western art canon&lt;/strong&gt; of the time, using organic growth as an art process that the artist mirrors, plays and aligns with. Have we been forcing a dialogue between his work and Celant’s concept? What other relations with &lt;strong&gt;memory and matter&lt;/strong&gt; has he expanded through his work? Was he a pioneer of &lt;strong&gt;eco-art&lt;/strong&gt;? A late romantic? All of the above? &lt;/p&gt;&lt;p&gt;Artist &lt;a href=&quot;https://www.instagram.com/diogopimentaodaily?igsh=aXJ4djJsbjByc2Zl&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠Diogo Pimentão⁠&lt;/a&gt; is my co-host for the first time. As ever, I’ll introduce the artist and he’ll take us through this small retrospective exhibition at the Serpentine Gallery. &lt;/p&gt;&lt;p&gt;&lt;em&gt;Curated by Claude Adjil, Curator at Large, and Hans Ulrich Obrist, Artistic Director, with Alexa Chow, Assistant Exhibitions Curator.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;You wouldn&apos;t leave the shop without paying for your latte, right?&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Buy us a latte ;-) &lt;/strong&gt;&lt;a href=&quot;https://exhibitionistaspodcast.com/support-us&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠https://exhibitionistaspodcast.com/support-us⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;SIGN UP for the NEWSLETTER! &lt;/strong&gt;Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.&lt;/p&gt;&lt;p&gt;https://exhibitionistaspodcast.com/newsletter&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If you enjoyed the episode, you may enjoy &lt;strong&gt;Joana&apos;s essays&lt;/strong&gt; on &lt;strong&gt;Substack&lt;/strong&gt;: &lt;a href=&quot;https://joanaprneves.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;⁠https://joanaprneves.substack.com⁠&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;For &lt;strong&gt;behind the scenes clips&lt;/strong&gt;, &lt;strong&gt;links to the artists and guests&lt;/strong&gt; we cover, and &lt;strong&gt;visuals of the exhibitions&lt;/strong&gt; we discuss follow us on &lt;strong&gt;Instagram&lt;/strong&gt;: @exhibitionistas_podcast&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Bluesky: @exhibitionistas.bsky.social&lt;/p&gt;&lt;p&gt;exhibitionistaspod@gmail.com&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;#contemporaryart #immersive #immersiveexperiences #artexhibitions #artisticidentity #artmovement #experimentalfilm #experimentalart #artmovement #archetype&lt;/p&gt;
</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:11:20</itunes:duration><itunes:image href="https://hosting-media.rs-prod.riverside.fm/media/imports/podcasts/b8951c9b-4271-45a6-af1c-1b51cb62f686/episodes/071127fa-9ce3-4df7-9567-cf2b05fefbb2/42910897-1746130061367-45da93e35333.jpg"/><itunes:season>2</itunes:season><itunes:episode>17</itunes:episode><itunes:title>Giuseppe Penone–Sculpture as Breath, Drawing as Skin</itunes:title><itunes:episodeType>full</itunes:episodeType></item></channel></rss>